Winnie the Pooh

Christopher Robin

  • Title: Christopher Robin
  • IMDb: link

Christopher Robin movie reviewChristopher Robin is a safe, by-the-numbers, inoffensive Disney live-action film that is likely to appease (although probably not delight) its target audience. Based on the Winnie-the-Pooh stories by A. A. Milne, Ewan McGregor stars as the fictional character Christopher Robin (originally based on Milne’s own son) who has grown-up and left his childish things long behind and currently is lost in a stressful job while struggling to connect to his wife (Hayley Atwell) and daughter (Bronte Carmichael). In the midst of a crisis, Christopher Robin is shocked by the sudden appearance of his old friend Winnie-the-Pooh (Jim Cummings) who arrives in London and enlists Christopher Robin to help find the rest of the old gang who have disappeared.

There’s an interesting idea for a dark comedy in Christopher Robin about a middle-aged man having a psychotic break and running into the countryside with a make-believe talking bear made of felt. Sadly, that’s nowhere near the film Disney was interested in making. Instead, Christopher Robin takes his pal back to the old stomping grounds and, while in search of the other characters, rediscovers a bit of his old self.

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Goodbye Christopher Robin

  • Title: Goodbye Christopher Robin
  • IMDb: link

Goodbye Christopher Robin movie reviewBased on the true story of writer A. A. Milne (Domhnall Gleeson) and his creation Winnie-the-Pooh, Goodbye Christopher Robin is more than it initially might seem. Much like Milne himself, returned from war with PTSD and struggling with getting back to work as a writer, the script by Frank Cottrell Boyce and Simon Vaughan struggles before getting the man and his family into the setting which would eventually help create one of the world’s most-beloved fictional characters.

The rest of the household consists of Milne’s wife Daphne (Margot Robbie) who is more concerned with prestige, fame, and money than her husband, their young son Christopher (Will Tilston) whose interactions with his stuffed animals will lead to the inspiration behind Milne’s most-popular work, and his nanny (Kelly Macdonald). The film turns out to be as much about the young boy as his father and how the growing fame slowly destroyed the relationship which the creation of Pooh helped create between father and son. For a film about Winnie-the-Pooh, it’s more melancholy than I expected, but it also proves to have some unexpected depth.

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