Will Smith

Bad Boys: Ride or Die

  • Title: Bad Boys: Ride or Die
  • IMDb: link

Bad Boys: Ride or Die

Bad Boys: Ride or Die is exactly what you would expect from the franchise known for its inconsistent consistency. We get plenty of action and explosions, overly convoluted plot leading into some humorous (and some groanworthy) situations, and a hefty dose of nostalgia and nods to fans for a franchise that is now nearly 30 years old. Will Smith and Martin Lawrence return once more, this to to clear the name of their former captain (Joe Pantoliano who appears in flashbacks and shitty artsy-fartsy dream sequences). Thrown in are the obvious bad guy hiding in plain sight along with the returning Vanessa Hudgens, Alexander Ludwig, and Paola Núñez.

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Bad Boys II

  • Title: Bad Boys II
  • IMDb: link

Bad Boys II

Like most action sequels, Bad Boys II is bigger and louder than the first film. However, it’s not necessarily any better. On one hand, the sequel spends a bit more time on the script than the original actually creating reasons for the constant bickering between Will Smith and Martin Lawrence and the crazy antics and action. On the other hand, things inevitably get out of control in the bloated script with a final act that more resembles Commando that any sort of believable police story.

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Bad Boys

  • Title: Bad Boys
  • IMDb: link

Bad Boys

1995 answered the question of whether or not two black television stars could launch a successful franchise built largely on action sequences and recycled themes and plots from the genre. The film was a commercial success earning back more than three times its budget domestically and quite a bit more overseas and spawned three sequels over the next three decades. Whether or not these two can eventually make a good movie together is still a question that nearly 30 years later has yet to be answered. 

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Mediocre Sequel, Mediocre Sequel. Whatcha Gonna Do?

  • Title: Bad Boys for Life
  • IMDb: link

Bad Boys for Life movie reviewHitting theaters 16 years after Bad Boys II, and 25 years after the original film, Bad Boys for Life feels about as tired as its two stars at times. The film reunites Will Smith and Martin Lawrence in the latest attempt of movie studios to reboot, relaunch, or recycle any franchise they can find. There’s no real reason for the film to exist, but Smith and Lawrence provide some entertaining moments bouncing off one another to keep you mildly interested between explosions and gun fights (which, sadly, fail to reach insanity of Michael Bay at his best).

Reminiscent of the themes from Lethal Weapon 4, the script from Chris Bremner, Peter Craig, and Joe Carnahan (it really took three of you to write this?) centers mostly on the advanced age of our two leads (one of whom is aging more gracefully than the other). After breaking out of prison, a criminal from their past (Kate del Castillo) returns to take revenge through a talented assassin (Jacob Scipio) in a plot that gets a bit more convoluted than it needs to before director Adil El Arbi finally throws in the towel and decides instead to just make various things explode (whether common sense or logic says they should).

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Gemini Man

  • Title: Gemini Man
  • IMDb: link

Gemini Man movie reviewNot finding any living actors worthy enough to share the silver screen with, Will Smith faces off against himself in Gemini Man. The action film with sci-fi underpinnings cast Smith as retiring government assassin Henry Brogan who is targeted by his own government (for mostly unintelligible reasons only important to draw him into the larger story). The man leading the hunt for Brogan is the assassin’s former boss Clay Verris (Clive Owen), now the head of a multi-national private security force with an oh-so-cute name chosen to reinforce the movie’s ridiculous plot. And with a name like Clay Verris is it any wonder he turned into a villain?

Gemini Man has all the ammunition in needs for a ridiculous, over-the-top action flick. Instead director Ang Lee and his cast take the entire series of events (Verris cloning Brogan and raising him as his son, who he then sends out to kill his genetic donor) seriously. While Brogan notices the odd similarities between himself and his clone, it takes the younger version (who gets quite a few up close moments with his target) far longer to suspect there is more going on than just another target to eliminate.

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