Tommy Lee Jones

Jason Bourne

/ / Movie Reviews
  • Title: Jason Bourne
  • IMDb: link

Jason BourneLargely ignoring the events of The Bourne Legacy, Matt Damon and director Paul Greengrass return to the Bourne franchise. In the years since The Bourne Ultimatum Jason Bourne has become a wandering nomad and underground street fighter. With his memories restored he lacks the purpose which drove him in the first three films of the series.

The return of Nicky (Julia Stiles) and her quest to expose the government’s new black ops programs will shock Bourne out of his malaise when she provides him additional information about Treadstone and his recruitment into the program asking questions he desperately needs answers to.

Resurfacing after years, Bourne immediately becomes the focus of a manhunt by CIA Director Robert Dewey (Tommy Lee Jones) and his new hot-shot protege Heather Lee (Alicia Vikander) who begins to wonder if the CIA wouldn’t be better off attempting to bring Bourne in rather than assassinate him. Vikander’s addition, similar to a younger version of Joan Allen‘s character from the third and fourth films (with a questionable accent), allows for some conflict within the CIA as to Bourne while setting up potential ally for our protagonist within the agency.

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Criminal

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  • Title: Criminal
  • IMDb: link

CriminalThe premise behind screenwriters Douglas Cook and David Weisberg‘s Criminal is fairly ridiculous, even for B-movie action flick. Sadly, it’s not nearly as entertaining as the pair’s 20 year-old collaboration – The Rock. Set in present day, the death of Agent Bill Pope (Ryan Reynolds), who alone has vital information to keep backdoor access into the missile command of the United States out of the hands of a terrorist (Jordi Mollà), causes the CIA to attempt an experimental procedure to implant Pope’s memories into a brain-damaged convict named Jericho (Kevin Costner).

Costner is an interesting choice for a remorseless cold-blooded killer forced to deal with unexpected feelings for a wife (Gal Gadot) and child (Lara Decaro) who are not his own and a mission he never signed-up for. His casting looks to be a huge misstep in the early scenes before Jericho’s operation, but the more conflicted the character becomes over the course of the film Costner’s performance begins to become one of the movie’s biggest strengths.

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The Homesman

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  • Title: The Homesman
  • IMDb: link

The HomesmanProduced, directed, and adapted from Glendon Swarthout‘s novel by Tommy Lee Jones, The Homesman is an odd little pet project with good intentions which eventually gets away from its creator.

Set in the mid 19th Century, Hilary Swank stars as tough-as-nails 31 year-old spinster Mary Bee Cuddy who would gladly trade a portion of her thriving Nebraska farm for the love of a man. Despite the danger, Cuddy agrees to take three local women (Grace Gummer, Miranda Otto, Sonja Richter) all driven insane by harsh western life back east and deliver them to a preacher who will reunite each with their families. Her time with the woman brings to the surface Cuddy’s own internal struggle to achieve the kind of life expected of her complete with husband and children.

As a companion she selects a surly claim jumper named George Briggs (Jones) who she saves from the noose and agrees to pay $300 dollars at the completion of their journey. Despite being the best thing about the film, Swank’s character is eventually overshadowed by Briggs whose madness and antics eventually take over the film.

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The Family

/ / Home Video
  • Title: The Family
  • IMDB: link

The FamilyAfter mixed success in the low-rent action genre, writer/director Luc Besson turned his attention to dark comedy with 2013’s The Family. The results of an American mobster (Robert De Niro) and his family (Michelle Pfeiffer, Dianna Agron, John D’Leo) in Witness Protection in small town in Normandy, France, is actually better than some of Besson’s other recent efforts (such as Taken 2).

Centered mostly on the family’s inability to adapt to new surroundings yet again after being forced to relocate by the FBI agent (Tommy Lee Jones) in charge of their safety we see several instances of “The Blakes” using violence, intimidation, and even explosives to get what they want.

De Niro has fun with the mobster’s selfish actions involving attacking both a plummer and the head of a local chemical plant polluting the water supply while working on memoirs no one in the FBI ever wants to see the light of day. He even agrees to speak at a local film debate where his real personal experience comes in very handy.

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Lincoln

/ / Movie Reviews
  • Title: Lincoln
  • IMDb: link

lincoln-poster

Director Steven Spielberg‘s follow-up to last year’s disappointing War Horse is a far more personal character study of a single man during one of the most tumultuous times in America’s history. Adapted from Team of Rivals: The Political Genius of Abraham Lincoln, rather than give us a Hollywood version of “This is Your Life,” Lincoln chooses to focus on the final four months of Abraham Lincoln‘s presidency and the end of both the Civil War and slavery.

Daniel Day-Lewis carries the movie with yet another strong performance as our title character, and Sally Field is surprisingly terrific in the role of Mary Todd Lincoln. Although there is more going on, much like Paul Thomas Anderson‘s The Master, Spielberg’s movie can really be boiled down to two performances that elevate the story around them.

Tony Kushner‘s script focuses on the law, backdoor politics, and Lincoln’s struggle to reunite the Union and abolish slavery rather than the Civil War, which is only used as a backdrop to the events occurring in Washington D.C.

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