Superman

New Superman ribbed for Lois Lane’s pleasure

  • Title: Man of Steel
  • IMDB: link

We now have our first look at Henry Cavill wearing the tights for Zack Snyder‘s Superman reboot Man of Steel. It’s a definite improvement on Bryan Singer’s design but the odd texture (especially contrasted to the heavy cloth cape) seems a bit out of place to me. To finish my nitpicking I’ll also say the symbol sticks out a bit too far for my tastes (but, once again, it’s better than the Superman Returns version).

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All-Star Superman

  • Title: All-Star Superman
  • IMDB: link

Based on the comic of the same name by Grant Morrison and Frank Quitely All-Star Superman gives us the world’s first super-hero in his final days. Lex Luthor (Anthony LaPaglia) has finally won. He’s found a way to slowly kill the Man of Steel, but the last son of Krypton isn’t going to go away quietly.

The movie begins with Superman‘s (James Denton) overexposure to the Sun’s radiation and follows a series of adventures in his final days including fighting with the Parasite, dealing with newly arrived survivors of Krypton, and finally admiring the truth to Lois Lane (Christina Hendricks).

The straight-to-DVD film is a good adaptation of the original series, but does make some changes to the story. We don’t get Jimmy Olsen / Doomsday story or Superman’s adventure to Bizarro World, and Krypto, sadly, finds himself on the cuttting-room floor as well.

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Superman/Batman: Apocalypse

  • Title: Superman/Batman: Apocalypse
  • IMDB: link

DC Comics and Warner Premiere’s follow up to Superman/Batman: Public Enemies improves on some of the flaws of the earlier film but still struggles to turn a comic arc from the Superman/Batman comic into a animated film.

The story picks up weeks after the events of Public Enemies when a meteroite lands in Gotham Harbor containing a confused female Kryptonian who causes havoc throughout the city before Batman (Kevin Conroy) and Superman (Tim Daly) stop her and realize she’s Kara Zor-El (Summer Glau), Superman’s cousin.

The story gets a little fragmented here as Kara’s attempts to make a home for herself in the Fortress of Solitude, Metropolis, Themyscira, Apokolips, and Smallville all end in destruction. Things aren’t helped by Darkseid‘s (Andre Braugher) army of Doomsday clones (feel free to groan your way through this part of the story, I know I did), her kidnapping and brief stay on Apokolips, before returning to Earth and finally taking up the mantle of Supergirl.

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Superman #703

  • Title: Superman #703
  • Comic Vine: link

Wow. Just, wow. This might be the most hamfisted story writer J. Michael Straczynski has ever written (and if you’ve seen the last couple seasons of Babylon 5 you know that’s not an easy thing to accomplish).

After an opening scene where Superman basically tortures a random citizen we move straight into the Man of Steel lecturing Batman about needing to look out for the little people. Take a moment and think about that. Superman lecturing Batman about looking out for average citizens. Really? REALLY?!

If that isn’t enough we get the exact doomsday scenario Dick suggests could happen (Superman being attacked by a super-powered crazy in the middle of small town/suburban America) – in the same issue!

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Superman/Batman #76

  • Title: Superman/Batman #76
  • Comic Vine: link

For a comic that boasts the names of two of DC Comics most famous heroes in it’s name Superman/Batman has been largely forgettable. There are several reasons for this which include so-so storytelling, hit-and-miss art, and the fact it takes place outside of DC’s continuity.

With issue #76 writer Judd Winick puts Dick Grayson under the cowl for the first time. The story begins just after Final Crisis and runs, roughly, up to the present. That’s quite a bit of ground to cover. Given that, the result is a bit mixed.

On the plus side the story gives us Superman’s perspective on the death of his friend in some pretty well-written scenes between Supes and Lois, and later with Wonder Woman, and (more than a few) shots of the Man of Steel staring into space. There’s also a very human, if completely un-characteristic moment when Superman sees Dick in the Bat-suit for the first time. It works, but it’s a little heavy-handed for my tastes.

For an issue of this title it’s one of the best, but that’s not saying much. Aside from a panel here and there (such as Batman being brought back to the Batcave) I’m not that impressed with the art by Eddie Berganza who can’t seem to draw Superman the same way in any two panels (there was even one panel I thought he was weaving Superboy into the story for a moment!), or draw him significantly different than anyone else with dark hair seen here. That said, it’s a story that should be told as well as read. Worth a look.

[DC $2.99]

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