Sports

Eastwood and Adams have plenty of Trouble with the Curve

  • Title: Trouble with the Curve
  • IMDB: link

trouble-with-the-curve-posterTrouble with the Curve, a tale of an old baseball scout (Clint Eastwood) reconnecting with his estranged daughter (Amy Adams) on his final recruiting trip, is exactly what you’d expect. In fact, less than halfway through the film I correctly predicted how every single storyline would end.

The by-the-book tale is an odd mashup cashing in on the success of Moneyball and Grand Torino (with a romantic comedy thrown in for good measure). Sadly, but not surprisingly, Trouble with the Curve is nothing more than blatant Oscar bait and forgettable feelgood pre-holiday fodder.

Clichéd and as subtle as a kick to the groin, the screenplay by first-time screenwriter Randy Brown doesn’t so much foreshadow events as scream loudly from Hollywood playbook exactly what will occur. Overly sentimental, and not ambitious in the least, the film is a crowd pleaser with well-placed grumpy old man jokes that won’t force audiences to think much (or at all).

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Top 10 Badass Olympic-Style Moments

Okay, this list began as a list of Olympic movies for obvious timely reasons, but due to the fact that would make for a very lame list, I broadened the topic. Instead, I’m focusing on training moments, montages, competition, pommel horses that appear magically in the middle of a chase, and a double dose of Dolph Lundgren. Let’s just say this list ended up being quite different, and a lot more fun, than I originally thought it would be. Let the badassery begin!

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Moneyball

  • Title: Moneyball
  • IMDB: link

moneyball-posterIn the early 2000’s the Oakland A’s had just lost three of their big name stars and the small market team was in trouble in terms of continuing to compete in a league where they could be outspent by more than $100 by the likes of the New York Yankees. A’s General Manager Billy Beane (Brad Pitt) knew something had to change.

Hiring an assistant (Jonah Hill) who believed the team could compete by relying on sabermetrics (created by Bill James) rather than traditional models of building a team, Beane became an innovator by showcasing how a small market team could compete against the big boys.

The film begins with the playoff loss to the Yankees in 2001 and follows the rocky course of Beane instituting a completely new way of thinking to the old school baseball front office scouts and staff. The film highlights the early struggles and eventual success of the team over the 2002 season as well as focus on Beane’s relationship with his daughter (Kerris Dorsey).

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Warrior

  • Title: Warrior
  • IMDb: link

warrior-posterIn 1976 a struggling young actor and writer starred in a film he had penned. The tale of an unlikely underdog from the streets going the distance with the champ made critics and audiences take notice and transformed Sylvester Stallone into a star. The next year Rocky would take home three Oscars including Best Picture. And Hollywood has been trying to remake it ever since.

Much like last year’s critically acclaimed The Fighter (a film others liked more than I did), Warrior begins as a broken family drama concerning two brothers and ends as a typical Hollywood underdog tale complete with training montages and a final showdown in the middle of the ring. Warrior is certainly a little more polished than The Fighter, and presented in a more mainstream Hollywood fashion, but the results are (not surprisingly) very similar.

The film follows the lives of two estranged brothers, both in need of an influx of cash, who separately begin fighting in local MMA matches and are chosen to take part in the sport’s biggest payday ever where 16 fighters will fight to earn a purse of $5,000,000.

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Win Win

  • Title: Win Win
  • IMDB: link

win-win-posterWin Win is writer/director Thomas McCarthy‘s weakest effort. Now that might sound bad, but only until you realize the man has put together a pretty impressive resume so far.

McCarthy both wrote and directed The Visitor and The Station Agent, as well as penning the original story Pixar’s Up was based on. That’s a pretty high mark to live up to, and so I can forgive him if his latest is only a very solid indie flick rather than hands down one of the best films of the year.

Paul Giamatti, in the kind of role he’s known for in indie flicks like this, plays lovable loser Mike Flaherty. Mike is a struggling attorney in a small town who helps make ends meet by moonlighting as the wrestling coach for the local high school. He’s also dealing with financial problems, stress attacks, and a kind, but needy, elderly client (Burt Young) – all of which he’s trying to keep from wife (Amy Ryan) and children (Clare Foley, Sophia Kindred).

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