Scarlett Johansson

The Other Boleyn Girl

  • Title: The Other Boleyn Girl
  • IMDB: link

“Our daughters are being traded like cattle for the advancement of men.”

the-other-boleyn-girl-poster

The story centers around the two Boleyn girls.  The older, more conniving Anne (Natalie Portman) and the sweeter, though simpler, Mary (Scarlett Johansson), are thrust into a world of societal intrigue and deception for which neither is prepared.

The bond between the sisters is put to the test when their father (Mark Rylance) and uncle (David Morrissey) ask Anne to attempt to seduce King Henry VIII (Eric Bana) and become his new mistress, only to discover he prefers the attentions of the other Boleyn girl – Mary.

What follows are schemes upon schemes, plotting, lies and deceptions which will leave England a far different country, and the Boleyn girls far worse for wear.

The story was adapted by Peter Morgan (The Queen) from the historical novel by Philippa Gregory.  Although the novel became a best seller, the film always seems to be grasping for what made the story work on the printed page.

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Obsession

  • Title: The Prestige
  • IMDb: link

“Every great magic trick consists of three acts.  The first act is called ‘The Pledge.’  The magician shows you something ordinary, but of course it probably isn’t.  The second act is called ‘The Turn.’  The magician makes his ordinary something do something extraordinary.  Now, if you’re looking for the secret you won’t find it, that’s why there’s a third act called ‘The Prestige.’  This is the part with the twists and turns, where lives hang in the balance, and you see something shocking you’ve never seen before.”
 

The PrestigeThe film opens with Alfred Borden (Christian Bale) on trial for the murder of Robert Angier (Hugh Jackman), who was killed during his final performance.  The magician who gave both men their start (Michael Caine) is present, as witness, to tell the tale.

The film goes back in time, to tell the story of how the two got their start, their tragic marriages (with Piper Perabo, and Rebecca Hall), their competing affection for a magician’s assistant (Scarlett Johansson), and the event which caused the hatred and rivalry between them.

Director Christopher Nolan (Memento, Batman Begins) weaves a marvelous tale of illusion, half-truths, buried secrets, murder, and most of all obsession.  Like this year’s earlier entry The Illusionist the film involves the secrets of an illusion, and plot twists.  The Prestige succeeds where the other failed in that it doesn’t make the twists and secrets the whole story, instead it’s the obsession between the two men, not their secrets, which takes center stage.

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Wilting Flower

  • Title: The Black Dahlia
  • IMDb: link

black-dahlia-posterTwo cops, Bucky Bleichert (Josh Hartnett) and Lee Blanchard (Aaron Eckhart), both former boxers, find themselves thrown together, first in the ring, and later on the street trying to solve the mysterious death of a young women who wanted nothing more than to be a Hollywood star.  The film centers around the relationship of the two cops and Lee’s girl, Kay (Scarlett Johansson).

One of the films plot threads involves the death of Elizabeth Short (Mira Kirshner) who the papers tab “The Black Dahlia.”  But that’s only one of several mysteries.  There’s the spoiled rich girl with secrets (Hilary Swank) and her dysfunctional family, the hidden reason behind Lee’s obsession with the case, a recent parolee (Richard Brake) who has it in for Lee and frightens Kay to death, the case of a child rapist and killer, and a dirty movie staring young Miss Short and another woman (Jemima Rooper).

There are also subplots including Bleichert’s throwing a boxing match for his adle-minded father (James Otis), office politics in the police station, and the love triangle between the three leads.

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Here’s the Scoop

There are a few themes and stories Woody Allen seems obsessed with, murder being one.  Here again he presents a murder mystery that’s much lighter and funnier than his last film, which also starred the delectable Miss Johansson.  Never quite what you’d expect (making it slightly better than Match Point), it’s a clever and enjoyable film.

Scoop
3 & 1/2 Stars

I called up a friend, who doubles as my Woody Allen expert, to check out Allen’s latest flick.  I enjoy Allen’s films, but to be honest, there are many of his earlier works I haven’t seen.  Ry on the other hand has seen them all, except one I wish I hadn’t – 2003’s aptly titled Anything Else (as in, I wish I was watching anything else but this piece of garbage).

So how does Scoop measure up?  Well it got thumbs up from my expert.  As for me?  As I’ve said before, if you put Scarlett Johansson in a clever, fun film, there’s very little that can go wrong.  Once again my great predictions have panned out.  Tomorrow’s lottery numbers will be 21 – 3 – 17.

Watch out for his adamantium claws, Scarlett!

Sondra (Scarlett Johansson), an American journalism student who often falls for the subject of her interviews, is staying with a friend (Romola Garai) and her family in London.  One night she goes to a magic show, performed by “the great Splendini” (Woody Allen), and her life is never the same.

While alone in the disappearing box, Sondra is contacted by the ghost of a recently deceased reporter (Ian McShane) who discovered, after his death, the identity of the Tarot Card serial killer.  He shares his information with Sondra hoping she can give him one last scoop.

With the help of Splendini, who’s actually named Sam Waterman, Sondra starts dating the suspect trying to find out if Peter Lyman (Hugh Jackman), the son of Lord Lyman and who she shares a mutual attraction, is indeed the killer.

The film isn’t a laugh riot; in fact for a comedy it’s very subtle and clever.  There are big laughs, but most of the jokes are the short asides we’ve come to expect from Allen.  Here he’s at his best.

I don’t know if he is more comfortable in this role or if it’s mainly written to harness his talents, but this is his best on-screen performance by Woody Allen in years.

He’s equally good on the page and behind the camera providing a wonderful stage for his actors to play out their roles.  Johansson is beautiful and charming, and Jackman provides just the right notes for the man who could be a secretive gentleman or a cold blooded killer.

Perhaps the best joke of the film comes early on where Ian McShane’s character, after his death,  finds himself aboard the ferry of Charon (from Greek mythology, last seen in Clash of the Titans).  In a film that gets most of it’s drama and laughs from more normal oddball behavior (the moments of Sam trying to pass himself off as Sondra’s father are terrific), a few absurdly comic touches like this come off as near genius.

There are a couple of hiccups.  Johansson struggles early on with the timing of Allen’s dialogue, and there are a couple of scenes and transitions that seem rushed (as does the ending).  Still these minor point shouldn’t be too much of a bother for fans of Allen’s work.

The film is so sharp and clever that many of the jokes may take a few screenings to enjoy fully (especially if you’re in a crowded theater where some of the quick replies might get lost in the audience’s laughter).  It’s an extremly small cast;  for most of the film only two or three characters appear on-screen at a time.  Even with such tiny supporting roles Allen does a remarkable job in casting them (for you BtVS fans look for Anthony Head in a small role as a detective of Scotland Yard).

It’s not a top-notch Allen project, but along with Match Point (read that review here) and Melinda and Melinda (read that review here), Allen is proving he can still churn out some pretty good flicks.  With his latest he gives us an enjoyable little film that although is about a search for a murderer, isn’t really a murder mystery.  It’s a comedy about small lies, mistaken identities, and deceptions.  Go check it out for yourself to get the full Scoop.

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Match Point

Match Point is the latest film by Woody Allen and it has some very fine performances if few surprises.  The film takes place in England (rather than New York) the film doesn’t star Woody Allen (or an impersonation of Woody Allen) and the plot is rather low-key.  An enjoyable little film that is quite different from Allen’s later style.  I just wish it wasn’t so predictable.

Match Point
3 & 1/2 Stars

Match Point is an interesting character study of a somewhat unscrupulous man trying to get everything he wants, without having to do too any real work.  It’s just a little too predictable for my tastes, but it is very well done.  Everything that happens in the first ten minutes foreshadows all that will happen the final hour and forty-five.  Even small moments in the plot are given away well before the scene ends (or in some cases, even begin).

Chris (Jonathan Rhys-Meyers) is a former tennis player turned tennis pro at an exclusive club.  There he meets Tom (Matthew Goode) and strikes up a friendship with Tom and his family.  He starts dating Tom’s sister Chloe (Emily Mortimer) and becomes a favorite of his father (Brian Cox) and mother (Penelope Wilton).

The problem is Chris falls madly in love with American actress Nola Rice (Scarlett Johansson) who Tom is dating.  From their first moments on screen together you know the whole affair is going to end bloody.

The film is well cast and the performances from all are first rate.  Brian Cox provides a nice supporting role as the loving and doting father and Mortimer works well as the loving, but needy, Chloe.  The films best role goes to Rhys-Meyers as the complicated and scheming Chris who wants the security and wealth of his marriage but can’t ignore his lust for Nola.Johansson gives us a complex woman, who knows her effect on men and uses it to her advantage.  Though I did find her performance too whiney in the last act.  Both flawed main characters are very human in their need for passionate love and their inability for emotional commitment and responsibility.

It’s nice to see Woody Allen moving away from the same types of movies he has made in recent years (The Curse of the Jade Scorpion, Anything Else, Small Time Crooks, Celebrity)  and make something different; though fans of Crimes and Misdemeanors may find it a little too similar.

This is a hard movie for me to review because of how well it is made must be balanced at how predictable and telegraphed the film is.  I sat down to watch the film a second time to make up my mind.  What I’m left with is this:  Match Point is a lovingly made film by a great director and, although quite flawed, is still worth a first and even second look.

Is it Woody Allen’s best work?  No, but it is better than his recent entries and shows he still has stories left to tell.  He finally seems to be back on the right track.  Not a must-see by any means, but a good film by an American icon that I think you will be able to enjoy despite its flaws.

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