Saoirse Ronan

Brooklyn

  • Title: Brooklyn
  • IMDb: link

BrooklynBased on Colm Tóibín‘s novel, Brooklyn is an old fashioned immigrant story following the wide-eyed Ellis Lacey (Saoirse Ronan) from her small Irish town to New York where her life slowly begins to change. When the pull of home beckons, however, she will be forced to make hard decisions regarding her future, the man she loves, and which side of the Atlantic Ocean she truly wants to call home.

The film quickly becomes more romance-driven than historical drama and features a ponderously-paced first half-hour. That said, once Ellis’ life in Brooklyn truly begins the film opens up a bit, is able to breathe, and Ronan is allowed to shine. The film’s star is without doubt the movie’s biggest strength smoothing over the film’s rougher edges when it drifts dangerously close to melodrama.

The supporting cast is solid throughout highlighted by Jim Broadbent as the preacher and family friend who helps Ellis in America, Fiona Glascott as Ellis’ sister Rose, and Emory Cohen as Ellis’ suitor. Arrow fans will also take note of Emily Bett Rickards as one of the women from the Brooklyn boarding house.

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The Grand Budapest Hotel

  • Title: The Grand Budapest Hotel
  • IMDB: link

The Grand Budapest HotelFor his latest film writer/director Wes Anderson takes his trademark style to the fictional Republic of Zubrowka and a once-proud mountainside resort known as The Grand Budapest Hotel with a rich history to share. Relying heavily on narration, the film struggles a bit to get going by beginning in the present and slowly peeling back layers (each jumping 20 years or so into the past) until we finally arrive in the pre-World War II 1930s and the story of fastidious old-school concierge M. Gustave (Ralph Fiennes) and his the new lobby boy Zero (Tony Revolori).

During the overly-elaborate and unnecessarily complicated (although certainly not boring) first 20-minutes or so as the movie introduces an elderly author (Tom Wilkinson) beginning his own flashbacks to his time at the hotel as a younger man (Jude Law) when he happened to meet the elderly version of Zero (F. Murray Abraham) and thus learned his story, Anderson relies on a variety of his usual bag of tricks involving beautiful cinematography and set design highlighted by the use of some marvelous miniatures.

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