Much like Brooklyn, Carol is a beautifully rendered period piece about a young woman’s awakening highlighted by the performance of its lead actress. Sadly, much like Brooklyn, Carol also has the same deficiencies and the performances overshadow, but don’t obscure, the script’s weaknesses.
Although she plays the title character in the film, Cate Blanchett is not Carol‘s leading lady. That honor goes to Rooney Mara as shopgirl and aspiring photographer Therese Belivet whose head is turned by the glamorous older woman who she immediately connects with in a ways she has never been able to with her longtime boyfriend (Jake Lacy).
I’m not sure if Therese is a lesbian, bisexual, or just sexually curious, but then again I’m not the only one as the script itself seems unsure about who its leading character is and what she wants. Because Therese doesn’t know who she is (something characters in Phyllis Nagy‘s script directly point out at least three separate times) the movie struggles to understand her true motivations. And if the movie doesn’t know who she is, how can we?
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