Is the year really half over? You know what that means! It’s time to look back on the year to find the best movies released so far this year. This year’s list includes a pair of animated movies, monsters, sequels, heroes, talking cars and appliances, a remake, mutants, a heist film, and more. Here’s a look at The Top Ten Movies of 2017 (so far).
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The Top Ten Movies of 2017 (so far) Read More »
Pixar’s first sequel since Cars 2 returns audiences under the ocean for the follow up to 2003’s Finding Nemo. This time our story is centered around Dory (Ellen DeGeneres), the Pacific regal blue tang suffering from short-term memory loss who helped Marlin (Albert Brooks) find his lost son Nemo (Hayden Rolence) in the original film. With her dim memory sparked, Dory sets out to find her parents with Marlin and Nemo in tow. However, it’s not long before Dory and her friends are separated and she must fend for herself.
Although I enjoy Finding Nemo, if I rank my favorite Pixar films it’s always near the bottom. The sequel, however, surprised me. Making Dory, rather than Marlin, the main character of the film makes for a more engaging story with a far more likable lead. The supporting cast surrounding Dory is also more vibrant the second time around including an ill-tempered scene-stealing septopus named Hank (Ed O’Neill), a near-sighted whale shark (Kaitlin Olson), a beluga whale (Ty Burrell) with performance issues, sea lions, the odd loon Becky, and the most adorable bunch of sea otters you’ve ever seen on film.
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So it’s like An American Tail underwater? That was my first response to Pixar’s Finding Nemo which stars Albert Brooks as a clown fish named Marlin who is forced out of his comfort zone when his son Nemo (Hayden Rolence) is abducted by scuba divers on his first day of school. While on his journey to save his son, Marlin will meet a host of odd characters most notably Dory (Ellen DeGeneres), the Pacific regal blue tang suffering from short-term memory loss, sharks who have sworn off eating fish, and a sea turtle named Crush (director Andrew Stanton). Meanwhile Nemo meets an assortment of odd fish after being placed in the fish tank of an Australian dentist’s office before ultimately being reunited with his father.
Finding Nemo isn’t my favorite Pixar film. While I enjoy the underwater appeal, the story is pretty basic relying on several cheap gags and body function jokes. It’s not a bad movie by any means, but it lacks the depth of the Toy Story series, and I wasn’t awed by the design of the world the way I am with Cars.
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2015 was a year for ensembles, strong female-driven stories, real-life drama brought to the big screen, animated features, and surprisingly good science fiction. In a year which proved to hold as many gems before award season as during it, 2015 turned out to be a pretty good year at the movies. Limiting my list to ten there are certainly a number of films worthy of mention that didn’t find a place on this list including the best super-hero film of the year, a journey on Mars, Cold War spy intrigue, and the return of Star Wars, Charlie Brown, and Rocky Balboa all to the big screen. But enough of what didn’t make the cut; let’s count down the best movies of 2015…
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The Top 10 Movies of 2015 Read More »
What’s going on in an 11 year-old girl’s head? That’s the question writers/directors Pete Docter and Ronaldo Del Carmen seek to answer in Inside Out where young Riley (Kaitlyn Dias) is uprooted from her home in Minnesota to San Fransisco without warning causing chaos both inside her mind and in the real world.
In a summer loaded with sequels, franchises, and reboots, Inside Out stands out as refreshingly original. Inside Riley’s mind we meet the aptly named Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black), and Disgust (Mindy Kaling) who work in concert to manage Riley’s reaction to any possible situation. When Joy and Sadness get lost in the outer region of Riley’s mind during the most tumultuous time of the young girl’s life Riley’s happiness is put at risk leaving the other three emotions to try their best to keep her on track.
The filmmakers allow the emotions to humorously interact, playing to the younger audience, while using the concept to delve into deeper themes about how a person’s mind works and what happens when something goes wrong.
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