The Sunday Style of Natalie Portman
Natalie Portman is the cover girl for the July 10 issue of The Sunday Times Style.
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The Sunday Style of Natalie Portman Read More »
Natalie Portman is the cover girl for the July 10 issue of The Sunday Times Style.
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The Sunday Style of Natalie Portman Read More »
The goal of a biopic is to offer insight into its subject, to explore the life of an individual and share something new or interesting about its central character. By that definition Jackie is a complete failure. The only takeaway from director Pablo Larraín‘s film is that Jacqueline Kennedy Onassis was upset by the assassination of her husband. That’s hardly worth the price of admission (let alone the film’s $9,000,000 budget). Natalie Portman may shine in the role, but to what purpose?
Oscar-bait, the film is notable only for its recreation of the time period and for Portman’s peformance. The problem with the former is the glamour is wasted as window dressing on a film without a reason to exist (other than grab Portman some statuettes). The problem with the later is Portman’s performance is undercut by both a questionable accent and Noah Oppenheim‘s script which is never sure who Jackie was, as it jumps from portraying a vapid creature out of touch with reality (as seen in the flashbacks) to a woman of cunning and guile completely controlling an interview with a journalist (Billy Crudup) looking to find the real Mrs. Kennedy.
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The Most Overrated Movie of 2016 Read More »
The subject of friends with benefits usually makes for lackluster Hollywood scripts. No Strings Attached is no exception. Natalie Portman and Ashton Kutcher star as acquaintances who meet occasionally over the years and eventually get together in as sex friends who “use each other for sex at all hours of the day and night.” The story obviously wants us to root for these two wacky kids to get together in a real relationship, but gives us no real reason to do so.
There are also subplots about his career as a hopeful writer in show business and his father (Kevin Kline) dating his former girlfriend (Ophelia Lovibond), but neither of these amount to much. And, in true Apatowian homage (nicer than saying rip-off), we also get several scenes with and his friends (Jake M. Johnson, Ludacris) and and her friends (Greta Gerwig, Mindy Kaling) discussing relationships, sex, and menstruation with slightly inappropriate (but only occasionally funny) ways.
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There are quite a few challenges and obstacles laid at the feet of Thor given its main character and choice for both leading man and director. Could Kenneth Branagh direct an action-heavy comic book film? Could Chris Hemsworth carry the movie? Would Thor look cool or ridiculous as a live-action character? Is there another important post-credit sequence? How large is Jeremy Renner‘s role in the film? Would the movie start out the summer season with a whimper or a bang?
We need not have worried. Yes, Hemsworth does a great job carrying the weight of the film. Yes, Branagh not only succeeds in the character-driven scenes but also with the film’s not inconsiderable amount of both humor and action. Yes, Thor looks good. Even the character’s more ridiculous features (such as spinning the hammer to create whirlwinds and tornadoes) come off as impressive and very, very cool.
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This wasn’t a year to wow you. 2010 may have been somewhat of an off year for movies, but there are several quality films that hit theaters this year which are worth noting. A couple things struck me as I was putting together this list. First, how actresses stepped up huge this year. Whether in lead or supporting roles, it was a year dominated by the performances of the fairer sex. And second, 2010 was a year of raw emotion, almost visceral, brought to screen. You might argue that one or two of my choices didn’t have elaborate plots, but each delivered on an emotional level.
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The Best Movies of 2010 Read More »