Musical

Across the Universe

  • Title: Across the Universe
  • IMDb: link

“All you need is love.”

Across the Universe

The film begins with an English dock worker named Jude (Jim Sturgess) who travels to America to find his father.  His journey takes him to a college where he befriends a screw-up named Max (Joe Anderson) and falls head-over-heels for Max’s sister Lucy (Evan Rachel Wood).

Traveling to NY with Max Jude finds himself living with a nightclub singer (Dana Fuchs), a guitar player (Martin Luther), and a young lesbian named Prudence (T.V. Carpio) struggling with her place in the world.  Making a living as an artist and designer Jude enjoys his new world until the terrors of war fracture the group’s fragile peace.

What follows is an exploration of love against the backdrop of the 1960’s, Vietnam, civil unrest, violence, and change.  Max is drafted, Lucy becomes a civil activist, fame and glory strain the relationship between Sadie and JoJo.  The world changes and each struggles once again to find their place in it, stay true to themselves, and grow and change with the times.

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I Know Where I’ve Been

  • Title: Hairspray
  • IMDb: link

“I wish every day was Negro Day.”

hairspray-poster

Hairspray is a toe-tappin’ good time with a strong cast, good music, and plenty of fun.  It would be easy to dismiss it as simply a feel good story and the discovery of first-time actress Nikki Blonksy (who was found, in all places, at a Coldstone Creamery).  But beneath the film’s smiles, laughs, dances, and shakes, there’s a story about acceptance and struggle, about a willingness to sacrifice for doing what you believe is right, no matter what it may cost you.

Tracy Turnblad (Nikki Blonsky) is your average teen who daydreams in school about being a celebrity.  Tracy and her best friend Penny (Amanda Bynes) race home every day to catch the Corny Collins Show on television.  Hosted by Corny Colins (James Marsden) the dance show is the hippest thing in all of Baltimore.

From here the story breaks into two parts, that are surprisingly wll meshed together.  The first involves Tracy earning a spot on the show despite her size and the concerns of her mother Edna (John Travolta), her crush on Link Larkin (Zac Efron) and her hopes to win Miss Hairspray against the beautiful but malelovent Amber Van Tussle (Brittany Snow).

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Once

  • Title: Once
  • IMDB: link

once-poster

Once

is an unpretentious film that has all the makings of a huge hit, between the music and chemistry amongst the leads there is no escaping the compassion that overwhelms. Humorous and poignant, this independent Irish driven musical doesn’t get caught up in the mundane, but rather keeps in tune with an inspiring romance.

Once showcases the talents of Glen Hansard, singer/songwriter for the popular Irish band The Frames, and the delicate voice of Markéta Irglová, a new and refreshing face to the big screen. No worries if you are not a big musical fan, Once doesn’t pound you over the head with one song after another, but adds a perfect mix of dialogue and character interaction to accompany the music.

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Jack and Kyle Strike Back

Despite a terrific opening and some pretty darn good music there’s something desperately wrong with Tenacious D in The Pick of Destiny.  Parody, fart jokes, and a stoner two-some can only take you so far, ask Kevin Smith.  Actually the film feels quite like Jay and Silent Bob Strike Back.  I’m all for copying Smith’s style, but couldn’t you have done one of his better films?

Tenacious D in The Pick of Destiny
3 Stars

It’s not as bad as I feared it would be, but it’s nowhere near as good as it should be.  Tenacious D in The Pick of Destiny tells the “true story” of how the band got together and discovered their talent.  The thing is, there just isn’t much talent in the film.  It steals most of its bits and moments by parodying other films, held together by dick and fart jokes, rather than craft a coherent and compelling story.  Well, at least it’s not Nacho Libre.

The first ten minutes of Tenacious D in The Pick of Destiny rock.  In an ode to rock opera, the film opens in a flashback scene as the young JB (voiced by Jack Black) is chastised by his father (Meat Loaf) for his his love of Rock.  Having his posters taken and his hide tanned, the youngster heads out to find the land of Rock, Hollywood.  (It’s bad for a film when your best moments all come in the first ten minutes.)

Years later JB finally reaches his destination and meets up with a fellow musician, KG (Kyle Gass), who agrees to train him.  Insert many parodies from Star Wars to the Karate Kid here.  Finally the two become a band, naming themselves after the matching birthmarks on their asses.  Um, yeah…

The band struggles for an audience despite their “awesomeness.”  When a guitar shop owner (Ben Stiller) tells the legend of a magic guitar pick made from the tooth of Satan (David Grohl) the two set out to the Rock Museum (conveniently relocated to Sacramento for the movie) to steal the pick and earn fame and glory.

The film isn’t much of a story, there’s the intro to the characters, the long training scenes, and the trip to steal the pick, all of which contain countless parodies from other films, music, television, and more.  The list contains Entrapment, Jay and Silent Bob Strike Back, “The Devil Went Down to Georgia,” Bill and Ted’s Excellent Adventure, and many others.

There’s just such little original content here it’s hard to view the film as anything more than a funnier than avearage 93 minute SNL sketch, with a couple of good hosts and musical guests.

Despite some funny bits and some pretty good animation sequence and title cards there’s little here that’s memorable.  You’ll laugh, you’ll groan, but leaving the theater you’ll promptly forget about the film, about the wasted potential, and the broken promise of “awesomeness” those first ten minutes.  Sure you’ll enjoy yourself, but in the end, there’s just not enough there worth remembering.

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All Style and No Substance

  • Title: Idlewild
  • IMDb: link

A musical about Prohibition?  That stars hip-hop stars?  Oh, dear.  Idlewild is never quite what you expect it to be, but then it’s never quite what you want it to be either.  Too long, overly ambitious, and with some very poor MTV-like music video moments, the film keeps falling down, and eventually you stop caring if it gets back on its feet.  And for a musical it’s severely lacking in good, or even appropriate, music.  Still, there’s some nice performances and camera work for those not interested in silly stuff, like a coherent plot.

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