Musical

Fame is Fleeting

  • Title: Fame (2009)
  • IMDB: link

fame-2009-posterFame is fleeting and, by itself, unsatisfying. So what are we to conclude about a group of kids chasing a dream, not of being a great singer, dancer, or musician, but only trying to grab the spotlight for themselves?

Fame, the remake of the 1980 film, gives us a variety of characters from the meek Penny (Kay Panabaker) to the angry Malik (Collins Pennie), but in none of them do we find anyone to root for.

Sometimes it was all I could do try and remember what particular talent got each kid into the school; there are simply too many characters. More than once I actually forgot someone was even in the film as they disappeared for long stretches.

The film condenses the journey of a class of students from the New York City High School of Performing Arts from auditions through graduation. That’s more than four years boiled down into less than two hours. The film bites off more than it can chew.

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Band5slam

  • Title: Bandslam
  • IMDb: link

bandslam-posterBandslam is a cliched, hackneyed, overdone, montage-filled paint-by-numbers tale of teenage angst, love, lessons about life, and triumph.

And yet it’s still better than G.I. Joe: The Rise of Cobra. As unoriginal, and at times truly awful, this film is, it’s also got a little spark which provides moments better than they have any right to be. In no uncertain terms Bandslam is a trainwreck, but it’s a trainwreck with cute young girls, some spirit, and passable music. It’s exactly what you expect a teen musical, made in part by Walden Media, to be.

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Chandni Chowk to China

  • Title: Chandni Chowk to China
  • IMDb: link

chandni-chowk-to-china-poster

If you took equal parts Bollywood musical, martial arts film, hero tale, screwball comedy, love story, and then upped the crazy blender to 10x what you would get would look an awful lot like Chandni Chowk to China.

The first Hindi film ever to be shot in China includes bright musical numbers, battle scenes, wire work, a hero training montage, mistaken twins, and an excess of buffoonery.

Akshay Kumar stars as Sidhu, a vegetable chopper from Chandi Chowk, India, who is mistaken for the second coming of a great Chinese warrior. Along with his unscrupulous friend Chopstick (Ranvir Shorey) Sidhu makes the travel to China not realizing the responsibility of his new fame. Also included is the tale of a former cop (Roger Yaun) and his displaced twin daughters Sakhi, an Indian television personality, and Meow Meow, Hojo’s personal assassin (both played by the lovely Deepika Padukone).

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High School Musical 3

  • Title: High School Musical
  • IMDB: link

“You may be ready to say goodbye to East High, but East High’s not ready to say goodbye to you.”

I missed the first two made-for-TV High School Musical films, but even coming late to the party it didn’t take me long to get the lay of the land.  It’s senior year at East High in Albuquerque, New Mexico.  That means one last musical for the gang, and fears about future college plans and long-distance romance for Troy (Zac Efron) and Gabriella (Vanessa Hudgens).

Although the storylines are quite simple. the sets, costumes, and choreography make stand-out performances.  The film, tongue firmly in cheek, makes homage to everything from Busby Berkley to Madonna’s “Material Girl” video.

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Mamma Mia! Sing-Along

  • Title: Mamma Mia!
  • IMDB: link

“Audiences at these specially selected theaters are invited to bring friends and family to experience the smash hit movie musical in a whole new way by singing along to the songs they love.  Mamma Mia!: The Sing-Along Edition will feature the lyrics to every musical number on the screen, and you are invited to sing and dance along.”

I enjoyed Mamma Mia!, but it has a few flaws (read that review) and seemed to be missing something.  It turns out what it was missing was an active audience.  This new Sing-Along Edition, released today in select theaters, provides karaoke style lyrics and the bottom of the screen for all of the musical numbers.  The audience is encouraged to sing along with the actors.

If you can get into a theater at least 2/3 full of Mamma Mia! fans this is the best way to see the film.  First, the audience singing along with the stars helps some of the actors (mostly the men) who struggle with their numbers.  And second, it’s just fun!

Now, if you aren’t an ABBA fan this isn’t going to change anything, but this active experience (much like the Buffy-Sing-Along or The Rocky Horror Picture Show) adds energy, magic, and fun, to the film making it an enjoyable time at the movies.  If, over time, the experience is tweaked even further with the addition of props and audience activities this film could earn a long life in late night screenings.

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