Musical

La La Land

  • Title: La La Land
  • IMDb: link

La La Land movie reviewI enjoyed La La Land; it’s fun, light-weight entertainment with likable stars and straightforward (largely predictable) storyline. It doesn’t ask much of the audience other than to enjoy the ride. During the award season release of heavy dramas, the film works well as a palate cleanser. However, I object to the growing consensus that it’s one of the year’s best films.

Writer/director Damien Chazelle‘s film is a nostalgic throwback to the golden age of the Hollywood musical, with a decidedly post-modernist slant. As a love story to Hollywood the film works well enough, as a musical the film runs into a few issues beginning with the choice to cast its stars based on their acting, rather than singing, ability.

In pretty much the most cliched set-up possible, we’re introduced to barista and aspiring actress Mia (Emma Stone) and promising Jazz musician Sebastian (Ryan Gosling) who meet cute, dislike each other, and eventually fall in love. Along the way there will be singing, dancing, the inevitable rough patch, and a questionable ending (not unlike Woody Allen’s Café Society) which ends the movie on a sour note.

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Moana

  • Title: Moana
  • IMDb: link

Moana

Moana is your typical Disney Princess animated feature set around the coming of age story of its heroine. Our title character is Moana (Auli’i Cravalho), the daughter of a Polynesian chieftain (Temuera Morrison) who is drawn to the ocean despite her father’s strict rules about never journeying farther than the reef. However, circumstances force Moana to defy her father’s wishes and go in search of the legendary demi-god Maui (Dwayne “It’s Okay to Call Me The Rock Again” Johnson) whose help she will need to save her home from a decay that began centuries ago because of the god’s rash actions.

Aside from working in some local culture and flavor, as it did with The Princess and the Frog, Mulan, and Pocahontas, Disney doesn’t stray too far from its comfort zone here. We get a couple cute animal sidekicks, some big musical numbers, and a hero’s journey. (Although the film lacks a true Disney villain.) However, with the number of these the studio has churned out over the years it knows how to hit the right notes. It’s also worth noting this is the first time since Aladdin where Disney has embraced a larger-than-life sidekick voiced by such a strong personality.

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Trolls

  • Title: Trolls
  • IMDb: link

TrollsThe animated musical adventures center on the perpetually happy Trolls who are hunted by the miserable Bergens who believe the only happiness they can achieve is from eating the colorful creatures infatuated with hugs, dancing, singing, scrapbooking, cupcakes, and rainbows. When her loud party gets several of her friends captured, it falls on Princess Poppy (Anna Kendrick) and the morose Branch (Justin Timberlake) to bring them home.

Trolls borrows several key elements of its plot from The Smurfs (such as an evil giant obsessed with eating the delicious creatures). Big and bright without being all that memorable, Trolls is more kiddie movie than true family fare.

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This Jungle Book lacks the Bare Necessities

  • Title: The Jungle Book
  • IMDb: link

The Jungle BookAs with Alice in Wonderland, Maleficent, The Sorcerer’s Apprentice, and 101 Dalmatians, Disney’s latest attempt to offer a live-action version of one of their classic animated movies offers mixed results. Originally based on the stories of Rudyard Kipling, 1967’s The Jungle Book took us into the jungle to follow the adventures of Mowgli the Man Cub (Neel Sethi), a young orphan raised by wolves. Rather than offer a straight reinterpretation of Kipling’s work or a direct live-action version of Disney’s animated feature, the new movie attempts to do both leading to an uneven story that is too dark for its lighter moments and simple bizarre when it tries to recreate animated sequences (such as Mowgli and Baloo singing “Bare Necessities” down the river) in realistic CGI.

The choice to cast well-known actors in the main CGI roles also turns out to be a questionable decision. While Ben Kingsley and Idris Elba are used well, and the plodding plot certainly picks up with the introduction of Baloo (Bill Murray), Murray isn’t so much acting here as doing his own shtick which, while entertaining, works against creating the seamless reality needed to sell the story.

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The Jungle Book

  • Title: The Jungle Book
  • IMDb: link

The Jungle BookOriginally released in 1967 The Jungle Book may not have aged as well as some of the older Disney films, but the spirit and legacy of the film has lived on through countless films from Disney (and other animation houses) over the years. Several current filmmakers, including Brad Bird (The Incredibles, The Iron Giant, Mission: Impossible – Ghost Protocol), credit the movie for getting them interested in animated filmmaking.

Re-released in 1978, I fond have memories of seeing the film in theaters, especially the musical sequence of “The Bare Necessities” sung by Mowgli (Bruce Reitherman) and Baloo (Phil Harris). It’s hard not to see the film’s influence in movies such as Robin Hood (which reused multiple character designs) and others years later particularly in The Lion King with its own animal jungle sidekicks singing a very similar philosophy about life.

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