Michelle Williams

Manchester by the Sea

  • Title: Manchester by the Sea
  • IMDb: link

Manchester by the SeaWritten and directed by Kenneth Lonergan, Manchester by the Sea is a simple story that provides surprising depth. Following the death of his brother Joe (Kyle Chandler), the less-reliable Lee (Casey Affleck) is given custody of his Joe’s teenage son Patrick (Lucas Hedges) forcing him to leave his dreary life in Boston and return to the home he abandoned in Manchester-by-the-Sea, Massachusetts years before.

Affleck and Lonergan thread a difficult needle here as Lee comes off as immediately unlikable, unreliable, and by all accounts the worst choice to be his nephew’s guardian, while still leaving the door open for our opinion to change as we learn more about his troubled past. It’s a good role for Affleck who knows just how to play the moody loneliness of the character while foreshadowing that there’s something far more complex going on with Lee under the surface. A stark contrast to his mopey uncle, Hedges is is a charismatic lightning bolt everyone seems to gravitate to (such as his multiple girlfriends who include Kara Hayward and Anna Baryshnikov). More together than Lee, most of the time it’s a little unclear who is taking care of who following his father’s death.

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Oz the Great and Powerful

  • Title: Oz the Great and Powerful
  • IMDB: link

Oz the Great and PowerfulThere’s no Scarecrow, Tin Man, or Cowardly Lion, but by the end of Oz the Great and Powerful the stage will be set for a young girl from Kansas to make her own journey to Frank L. Baum’s magical land of Oz. This completely original script by screenwriters Mitchell Kapner and David Lindsay-Abaire offers us the origins of the great and powerful Wizard of Oz (James Franco), who, as the film opens (in black and white), is nothing more than a traveling carnival magician and con man on the dusty plains of Kansas.

The first quarter of our story is centered around presenting Oz in his own world before whisking him away to the magical land of Oz via the most likely transport: a tornado. Franco is well cast as the smarmy, selfish, womanizing, con man wishing for greatness (but too lazy to work for it), with an unquestionable greed for fame and fortune and an uncomfortable relationship with the truth. Oz’s myriad of failings leads to a hasty escape from the carnival that traps the magician’s hot air balloon in the middle of a Kansas twister leading to a journey somewhere over the rainbow.

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Michelle Williams Tells GQ Some Like Her Hot

Michelle WilliamsIn promoting her Oscar nominated role as Marilyn Monroe in My Weekend with Marilyn (one of my favorite films of 2011) Michelle Williams talked with GQ about her early acting career, growing up in Montana, working with Sam Raimi on Oz the Great and Powerful, being emancipated at 15 years-old, sexuality, Brokeback Mountain, Dostoevsky, her role as Marilyn Monroe, her daughter Matilda, Heath Ledger, living a sinful artistic career, Dawson’s Creek, returning to film with Blue Valentine, her parents seeing her on stage for the first time in New York, and the idea of being “rich in loss.” She also took the time to do a cover spread for the magazine. You can find the pics after the jump.

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My Week with Marilyn

  • Title: My Week with Marilyn
  • IMDB: link

my-week-with-marilyn-posterIt’s almost as shame Michelle Williams is so good as Marilyn Monroe in My Week with Marilyn because her performance could easily overshadow what is one of the year’s best films.

There have been plenty of films I’ve enjoyed and appreciated in 2011, but I’ve waited a 11-and-a-half months to walk out of a theater and say I love a film. That streak is now over.

My Week with Marilyn based on Colin Clark’s memoir, recounts the young man’s first experience working on a film as the third assistant director of The Prince and the Showgirl directed and starring renown British actor Laurence Olivier (Kenneth Branagh) and American sensation Marilyn Monroe (Williams).

My Week with Marilyn isn’t only a love story to the troubled actress, but also this age of filmmaking and celebrity when one of England’s greatest actors took a chance on an increasingly hard to work with actress who the camera loved. The experiment went so well Olivier would essentially give up directing and return to the stage.

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