Michael Caine

Turkey Day Entertainment

Although not as numerous as Christmas themed programs, there quite a few Thanksgiving specials and movies worth a look. Aside from some NFL football, Thanksgiving always makes me pull out some old favorites to watch.  There are two things I make time to watch every Thanksgiving. The first is a very special episode of WKRP and the second is Home for the Holidays. Here’s a little about them and some other Thanksgiving themed fun you might enjoy.

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Now You See Me 2

  • Title: Now You See Me 2
  • IMDb: link

Now You See Me 2The sequel to Now You See Me attempts to pull an Oceans Twelve as the heroes from the first film are constantly thwarted and outmaneuvered. Sadly this movie doesn’t have the wit or style to pull off such a move. Taking place three years after the first film, the script makes several odd choices. While the Four Horsemen (Jesse Eisenberg, Woody Harrelson, Dave Franco) have gone into hiding, Dylan Rhodes (Mark Ruffalo) has remained with the FBI for the questionable purpose of keeping the Feds off the inactive magicians’ trail. His lovely Interpol girlfriend (Mélanie Laurent) is nowhere to be seen, and the adventure he and the Horsemen get trapped in will rewrite several key pieces of the first film.

When the Horsemen do return, except for Isla Fisher who is replaced by Lizzy Caplan, to take down another greedy billionaire, the media darlings are thwarted by an adversary (Daniel Radcliffe) who separates them from their leader and puts them to work in Macau to steal a revolutionary microchip. After an awkward set-up that includes Harrelson in a dual role, the movie begins to pick up a little steam in Macau as the Horseman get back to business stealing the chip and attempt to turn the tables on their tormentor.

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Youth

  • Title: Youth
  • IMDb: link

YouthWriter/director Paolo Sorrentino‘s Youth is the kind of ensemble dramedy you will either buy into immediately or struggle to make any connection to throughout its two-hour running time. My experience with the film falls into the later category. Sorrentino’s script gives us an odd collection of characters at an otherworldly resort in the Swiss Alps. The main storylines revolve around retired composer Fred Ballinger (Michael Caine) and his relationships to his best friend filmmaker Mick Boyle (Harvey Keitel) and Fred’s daughter Lena (Rachel Weisz).

Sorrentino’s film isn’t lacking for either on-screen talent or style. Although not in the category of their best performances, the ensemble plays well off one another. And the film looks terrific but, since we are viewing events through an unreliable protagonist in Frank, its unclear how much of the magic is actually present in the odd resort and how much (such as his hallucinations) are entirely figments of his imagination. I suppose, like most of the movie’s superflous plot and characters, it doesn’t really matter.

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Kingsman: The Secret Service

  • Title: Kingsman: The Secret Service
  • IMDb: link

Kingsman: The Secret ServiceKingsman: The Secret Service isn’t the first time director Matthew Vaughn has signed on to bring a Mark Millar comic to the big screen. Like Kick-Ass, Kingsman: The Secret Service centers on the life of a young punk who enters a world of violence, ridiculous adventures, and even more ridiculous villains. This time, however, the subject of spies rather than comic book heroes is both celebrated and lampooned.

Based on Millar’s comic The Secret Service, Taron Egerton stars as a working class kid from a bad neighborhood raised by a single mother after his father died in mysterious circumstances working for a secret organization of spies (and tailors?) known as Kingsman. Recruited by the same agent (Colin Firth) who recruited his father, Egsy spends most of the film proving himself against other candidates (Sophie Cookson, Edward Holcroft, Nicholas Banks, Tom Prior, Fiona Hampton) working to take the place of the latest Kingsman (Jack Davenport) who died investigating a link between a kidnapped professor (Mark Hamill) and an eccentric billionaire known as Valentine (Samuel L. Jackson) who has some extreme ideas about lowering the population of the Earth.

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Interstellar

  • Title: Interstellar
  • IMDb: link

InterstellarIf Christopher Nolan‘s sci-fi end-of-the-world epic feels a bit familiar it is. Borrowing obviously from 2001: A Space Odyssey and the recent success of an astronaut stranded in space in Gravity (both far better films), Interstellar showcases both Nolan’s strengths and weaknesses of the director when his subject matter lacks the originality of his best films.

An ambitious project to be sure, Interstellar‘s B-movie plot seemingly ripped straight out of 1950s sci-fi can only lead it so far. The strength of its cast can’t cover up the flaws in the nearly three-hour project whose length also effects the director’s decreasingly-effective bag-of-tricks such as the loud music blasts which may have worked in Inception but come off distracting and disorienting even obscuring dialogue in several scenes.

As a movie experience Interstellar has merit and is worth seeing. As a complete film experience I found it wanting and would compare it to the eerily similar Signs. M. Night Shamalan‘s equally ambitious project relied too strongly on performance, far-too-cute coincidences, and late twists (over a well-developed story) as well.

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