Kelly Macdonald

Operation Mincemeat

/ / Home Video
  • Title: Operation Mincemeat
  • IMDb: link

The more outrageous the lie, the more likely it is to be believed. Operation Mincemeat offers us a look at the 1943 deception operation instrumental to getting the Allies back in the fight. The group led by Ewen Montagu (Colin Firth) and Charles Cholmondeley (Matthew Macfadyen) was tasked with convincing Germany the Allies would invade Greece instead of the more logical location of Sicily. Their lie involved the creation of a solider who didn’t exist, a dead body, fake papers, and a lot of luck.

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Goodbye Christopher Robin

/ / Movie Reviews
  • Title: Goodbye Christopher Robin
  • IMDb: link

Goodbye Christopher Robin movie reviewBased on the true story of writer A. A. Milne (Domhnall Gleeson) and his creation Winnie-the-Pooh, Goodbye Christopher Robin is more than it initially might seem. Much like Milne himself, returned from war with PTSD and struggling with getting back to work as a writer, the script by Frank Cottrell Boyce and Simon Vaughan struggles before getting the man and his family into the setting which would eventually help create one of the world’s most-beloved fictional characters.

The rest of the household consists of Milne’s wife Daphne (Margot Robbie) who is more concerned with prestige, fame, and money than her husband, their young son Christopher (Will Tilston) whose interactions with his stuffed animals will lead to the inspiration behind Milne’s most-popular work, and his nanny (Kelly Macdonald). The film turns out to be as much about the young boy as his father and how the growing fame slowly destroyed the relationship which the creation of Pooh helped create between father and son. For a film about Winnie-the-Pooh, it’s more melancholy than I expected, but it also proves to have some unexpected depth.

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Anna Karenina

/ / Movie Reviews
  • Title: Anna Karenina
  • IMDB: link

“Sin has a price, you can be sure of that.”

anna-karenina-posterAttempting another historical adaptation of classic literature, while re-teaming with leading lady Keira Knightley (with whom he collaborated on both Pride & Prejudice and Atonement), director Joe Wright delivers the unexpected with an evocative and dazzling adaptation of Leo Tolstoy‘s legendary novel Anna Karenina.

Limited by budgetary considerations and an unwillingness to repurpose locations other adaptations of Tolstoy’s work, or those used by various recent historical dramas, Wright hit upon an extraordinary idea to breathe new life in the staid genre by staging a setting that transforms around its characters. The result is a game changer in how movies like Anna Karenina are told and a serious contender for the best film of 2012.

Set in Russia during the late 19th Century our story concerns rich socialite Anna Karenina (Knightley), her marriage to an honorable but bland government official (Jude Law), and her temptation and eventual affair with the far more dashing Count Vronsky (Aaron Taylor-Johnson).

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Brave

/ / Movie Reviews
  • Title: Brave
  • IMDB: link

brave-posterIt’s taken Pixar nearly two decades, and a dozen films, for the animation studio to give us their first attempt at a feature film centered around a female character. Merida (Kelly Macdonald), the fiery tomboyish Scottish princess certainly fits into Disney’s Princess franchise, but Pixar one-ups the house that Mickey built by giving us a story centered around a troubled, but loving, mother-daughter relationship (something Disney hasn’t been able to achieve in far longer than two decades).

Although I think Brave has a little too much of an American sensibility for an old world fairy tale (another first for Pixar), the film is gorgeous to behold. The story of a young girl attempting to change her fate may not rank near the top of Pixar’s best, but it’s definitely worth a long look and should find quite fanbase in both young and older female viewers who have been waiting patiently for the studio to deliver a character like Merida.

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No Country for Old Men

/ / Movie Reviews
  • Title: No Country for Old Men
  • IMDB: link

“It’s a mess ain’t it sheriff.”
“If it ain’t it’ll do ‘til the mess gets here.”

no-country-for-old-men-posterBrutally violent, with eloquently scripted dialogue and sumptuously cinematography No Country for Old Men has all the pieces in place for a great film, but although it’s certainly a very good film it loses much of its momentum over the course of its two-hour running time ending with more of a whimper than a bang.

The story begins when Llewelyn Moss (Josh Brolin) discovers the remains of a drug deal gone wrong and finds $2 million in cash.  A moment of conscience leads to him being marked by both sides after the money and LLewelyn sends his wife (Kelly Macdonald) to her mother’s (Beth Grant) as he takes to the road to stay one step ahead of a hitman (Javier Bardem) who knows his name and always seems only one-step behind.

The film begins in terrific fashion and the dialogue is perfect, especially the simple scenes between Llewelyn and Carla Jean (MacDonald).  I wish she had a larger role in the film because the two work so well together.  Bardem puts in a strong performance as the mysterious sociopathic hitman.

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