Keanu Reeves

47 Ronin

  • Title: 47 Ronin
  • IMDB: link

47 RoninIt has been said the story of the Forty-seven Ronin is the definitive Japanese tale dealing with themes on honor, revenge, and the code of Bushidō. Although the events described in the tale actually took place, over the years the story has morphed into something between legend and a morality tale, however the new film certainly takes the licence to add a far more fantastic spin on the proceedings.

The crux of the original tale is the centers around the greed and deviousness of Lord Kira (Tadanobu Asano) who uses the strict rules of his land to disgrace the rival lord in the neighboring province. The film’s version increases the level of machination by Kira by several degrees adding the use of a witch (Rinko Kikuchi), poison, mind control, and dark magic to force Lord Asano’s (Min Tanaka) rash actions.

By striking Kira, or in the film making an attempt on his life while under enchantment, Asano’s honor is lost, his lands are given to his rival, and his samurai are exiled from province.

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The Day the Earth Stood Still. Or Not. Whatever.

  • Title: The Day the Earth Stood Still
  • IMDB: link

So I caught the press screening for The Day the Earth Stood Still remake on Tuesday, and while I would very much love to be able to tell you unequivocally that it’s a terrible, terrible attempt at a modern update of a beloved sci-fi classic I’ll confess that it’s just a little sad and disappointing. More than anything I felt slightly embarrassed for the film, as it was much like watching the not-really-that-bright kid in class who tries REALLY hard but still can’t wrap his brain around the science concept, let alone explain it in a presentation in front of the class.

Let’s get this out of the way first and foremost: I’m rather fond of Keanu Reeves. Intellectually I realize that he is at best a limited actor, but I just like the guy. That’s probably got more than a little something to do with the fact that on one hot August night in 1999 I spent the better part of my time signing autographs for the guy at a festival show Dogstar headlined with a band I was working with. While I’m the first guy to admit that Reeves is by far a more attractive man than yours truly, the confusion was mostly due to less than attentive fans and one very impish guitar tech who insisted to every fan that yes, I was Keanu Reeves. It probably didn’t help that I was wearing all black, had close-cropped short black hair, and was easily visible backstage. So for anyone at the Kansas City River Market Dogstar show in August of 1999 still possessing an autograph signed ‘Avoid the clap! – Keanu‘ or ‘Be Cool, Stay in School! – Keanu‘ I’m terribly sorry. Also, you’re an idiot, because that day he was wearing ratty jeans, and orange t-shirt and had a 3-week beard.

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Street Kings

  • Title: Street Kings
  • IMDB: link

“We can get these guys!”

street-kings-poster

Detective Tom Ludlow (Keanu Reeves) is a problem solver.  Part of a specially trained unit put together by his boss (Forest Whitaker), Tom is asked to do the dirty work which needs to be done.

Tom’s life gets complicated when a former member of the unit (Terry Crews) is killed while he is tailing him and looking for payback.  Tom instantly becomes part of an Internal Affairs investigation led by Hugh Lurie (without a cane), is forced to destroy evidence, and begins questioning his role as a cop as he searches for the killers who no one wants found.

This film, based on a story by James Elroy, has been passed around Hollywood for years before landing in the lap of director David Ayer.  What he gives us is an okay action flick which wants desperately to also be a stark drama, for which they cast Keanu Reeves.  Reeves does what he can with the material, but he isn’t able to elevate it to make it mean something more. At least it’s better than Ayer’s last attempt at a self-destructive cop on the edge (read that review).

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