In West Canaan, Texas a back-up quarterback who cares more about his friends and his Ivy League scholarship than the weekly game gets thrown into the spotlight after the starter goes down. Earning more than three times its budget and holding the #1 spot at the box office for two weeks in January of 1999, Varsity Blues may not have been a runaway hit, but it did well enough to catch interest.
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With the character’s return to the big screen on Friday, this week’s throwback Tuesday takes us back to 2001’s big-screen adaptation of the Tomb Raider video game starring Angelina Jolie as English archaeologist Lara Croft. The plot centers around a mysterious artifact found in the Croft mansion, hidden inside an antique clock that begins ticking one fateful night. The artifact turns out to be tied to Lara’s missing father (Jon Voight) and the Illuminati who want to use it to gain control of time. Breaking into her insanely well-guarded home, equally insanely-prepared mercenaries make off with the key and begin a race to find the Triangle of Light which was broken in half centuries ago but with the key can be used to control time itself.
Incredibly goofy, even for a movie based off a video game, the film is largely forgettable other than for its star, ridiculous plot holes (such as granting Lara the chance to destroy half of the clock and essentially end the villains’ plans fairly early on but having her refuse to do so), and overly-elaborate sequences. Iain Glen and Daniel Craig star as the villains while Noah Taylor and Chris Barrie provide Lady Croft minimal technical support and back-up.
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Lara Croft: Tomb Raider Read More »
Although it began a series of increasingly good summer blockbuster over the course of two decades, 1996’s relaunch of the television series of the same name as a theatrical film (which introduced the world to Tom Cruise‘s most successful ongoing character in IMF Agent Ethan Hunt) is problematic at best. Poorly plotted, including a huge fuck you to fans of the original series by turning the television show’s central hero (Peter Graves) into a greedy villain (Jon Voight) selling CIA secrets to the highest bidder, the film hasn’t aged well. Turning Jim Phelps into a villain would be like rebooting Superman into a coldblooded killer. What kind of an asshole would do that?
Opening with the death of an IMF team (Kristin Scott Thomas, Ingeborga Dapkunaite, Emilio Estevez) and Ethan on the run from his former bosses who believe he is responsible, the film climaxes early on with a break-in at CIA Headquarters in Langley, Virginia. It’s this sequence, and really only this sequence, that’s worth noting from the otherwise forgettable tale.
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Mission: Impossible Read More »
From the director of Dungeons & Dragons comes a convoluted chase film that makes the logic behind The Chase look sound by comparison. You know you’re in trouble when you start a review with any variation of that sentence. To be fair to director Courtney Solomon, the many issues I have with Getaway have far more do with the troubled script by Sean Finegan and Gregg Maxwell Parker than the director’s occasionally worthwhile attempts to make a story impossible to take seriously moderately engaging. (How’s that for a ringing endorsement?)
We’re thrown right into the overly complex plot as former professional driver Brent Magna (Ethan Hawke) steals a suped-up Shelby Mustang Super Snake after thugs working for a nameless voice (Jon Voight) on the phone kidnap his wife (Rebecca Budig). The choice to jump right in and show the kidnapping in broken flashbacks (as if Magna is piecing together what happened from the evidence left behind) works well. The trouble, however, starts once he gets behind the wheel of the car and begins taking orders from his new boss.
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“Nobody can take something away from you you don’t give them.”
After telling the tale of integration of T.C. Williams High School football with Remember the Titans producer Jerry Bruckheimer returns to familiar ground with this tale inspired by the true events of Don Haskins (Josh Lucas) and Texas Western, the first team to start five African-American players in an NCAA Men’s Basketball Championship Game.
In much the same way as Titans this film deals with the hardships and racism from both inside and outside the program. As a Disney film it’s a bit cleaned up considering its subject matter, though it does contain one or two disturbing scenes which make you wonder exactly how it received its PG rating.
The cast is strong and there are some nice supporting performances, hey nobody plays an asshole coach like Jon Voight, and Emily Deshanel has a nice role as Mary Haskins. Also worth noting all the players, including Derek Luke, Austin Nichols, Evan Jones, Schin A.S. Kerr, and Alphonso McAuley, who turn out good performances both on and off the court.
Because of the familiarity and similarities with Remember the Titans the film does have a been-there, done-that, feel to it at times. I wouldn’t call it a great sports film, but it is a good one; the performances are strong, and there’s certainly enough here to recommend in a tale worth telling, and listening to.
