Worst of 2024 (So Far)
Somehow we’re already halfway through the year. Here’s a look back at some of the biggest disappointments from the first-half of 2024.
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Jennifer Lopez
Atlas *Shrug*
- Title: Atlas
- IMDb: link
Born from tales of robots rising up against their creators explored in countless science fiction novels and films over decades, Atlas is a lacking entry in the genre that offers so little in terms of original ideas one begins to wonder if the script might have been AI generated. Set in a distant future where AI have risen up against humanity we then jump to an even more distant future where humans are hunting the AI leader having escaped them decades prior.
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Jennifer Lopez – Can’t Get Enough
Here’s Jennifer Lopez with the official video for “Can’t Get Enough.”
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Marry Me
- Title: Marry Me
- IMDb: link
With a pair of likable stars and a braindead romcom plot, Marry Me is pretty much exactly what you would expect. The unlikley pairing between celebrity Kat Valdez (Jennifer Lopez) and schoolteacher Charlie Gibert (Owen Wilson) comes about through convoluted means when his friend (Sarah Silverman) drags him to Kat’s live concert where her live engagement goes sideways due to her fiancé’s (Maluma) infidelity and she marries a random member of the audience instead.
The saving grace to balance the inherit weakness to the plot is the charm of the two stars. And Lopez and Owens are good here as characters who seem smarter than to get themselves mixed up in such a ridiculous circumstance. An American version of Notting Hill with a heavy amount of social media and brand perception thrown in, Marry Me is far from a must-see, but if you are forced to sit down for a romcom, you could certainly do worse.
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Hustlers
- Title: Hustlers
- IMDb: link
“Stripper movie” isn’t a term that often imbues a viewer with confidence. That said, the true story adapted for film by writer/director Lorene Scafaria (Seeking a Friend for the End of the World) exceeded my expectations. While not great, Hustlers is solidly entertaining and far from the fiasco of Showgirls.
Set in the early 2000s, the film focuses on a struggling stripper’s (Constance Wu) friendship with the club’s main attraction, Ramona (Jennifer Lopez). Taking the newbie under her wing, Ramona helps Destiny (Wu) earn enough money to keep her grandmother’s house and pay for several high-end shopping trips. The script offers some insight into a stripper’s mentality towards her clients (as Destiny learns to bilk them of as much money as possible).
Stradding the 2008 Wall Street crash, the film shows us the glory days of high-price clients for Ramona and Destiny and the slim pickings just a few years later where the pair, and a couple of new girls (Keke Palmer and Lili Reinhart) step-up their game from maximimizing a drunk client’s spend to actually drugging them and maxing out their credit cards.
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