Hulk

Avengers: Age of Ultron

/ / Movie Reviews
  • Title: Avengers: Age of Ultron
  • IMDb: link

Avengers: Age of UltronDespite the build-up to an Infinity War Avengers film, Marvel Studio threw everyone for a loop when they announced fascist robot Ultron (James Spader) would be the villain of The Avengers sequel. Unlike 2012’s The Avengers which was the culmination and payoff for the entirety of Marvel’s Phase One films (everything from Iron Man to Captain America: The First Avenger), Avengers: Age of Ultron suffers from some of the same problems that weighed down Iron Man 2.

Not only does the film have to introduce a brand-new villain (something The Avengers didn’t have to spend time on) and three new supporting characters (with vastly different origins than their comic counterparts), and weave in ongoing events from Agents of S.H.I.E.L.D. while providing separate in-depth character moments for every single Avenger, Age of Ultron also has to lay the groundwork for the next two Avengers films, Captain America: Civil War, and Thor: Ragnarok. While also throwing in supporting characters from pretty much every Marvel film so far it’s something of a marvel, if you’ll forgive the pun, that Avengers: Age of Ultron doesn’t buckle under its own considerable weight.

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Avengers: Age of Ultron Read More »

From A to Z – The Top Ten Movies of 2012

/ / Top Tens & Lists

2012 turned out to be a pretty darn good year at the movies. There were two films which I gave perfect scores to this year, one of which the majority of the country won’t be seeing until early next year. I’m breaking my own rule of including it on the list, but we’ll get to that in a moment. Between these two films, which naturally open and close the list (as it’s presented alphabetically), are eight other films rounding out the class of 2012.

Cutting down my list to ten means I need to speak for a moment on films that barely missed the cut. John Carter was the year’s most under-appreciated film, The Cabin in the Woods turned the horror genre on its ear, Ang Lee delivered an amazing journey with Life of Pi, Wreck-It Ralph was this year’s best animated feature, Safety Not Guaranteed was a terrific little sci-fi flick almost no one saw, and Moonrise Kingdom was director Wes Anderson‘s best film since The Royal Tenenbaums.

Enough with what didn’t make the list, let’s get down to discussing what did:

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From A to Z – The Top Ten Movies of 2012 Read More »

The Avengers

/ / Movie Reviews
  • Title: The Avengers
  • IMDB: link

the-avengers-posterWell done Joss Whedon. Ensemble casts aren’t always the easiest to deal with, especially when you’ve got stars of several franchises who all need to be showcased. Not only does the creator of Buffy the Vampire Slayer succeed in giving each hero their own moment to shine, but he crafts what is inarguably one of the best super-hero movies of all-time. I don’t know if The Avengers is going to be the best movie of the summer, but if it’s not I can’t wait to see what could possibly top it.

One thing Whedon and the numerous special effects experts used on the film get just right is scale. From the first time we see the S.H.I.E.L.D. Helicarrier to the film’s final battle (which can only be described as epic) the size and breadth of it are awe-inspiring. I viewed the film in IMAX 3D, and while I think a regular screening will still be quite good, the IMAX certainly helped sell the larger-than-life aspects of the script (which Buffy fans should be glad to hear is peppered with classic Whedon one-liners and humorous asides).

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Hulk #23

/ / Comics

hulk-23-coverAfter skipping the last three issues of this title (seriously, I just couldn’t take any more) I decided to pick-up this one given the promise of answers considering the origins of the Red Hulk. Does this issue provide those answers? Yes. Do they make sense? Well…

The entire comic is from the perspective of Gen. Thunderbolt Ross, and one thing I did enjoy was the stylistic choice of recreating different panels in the comic style of the age in which they originally took place. In order to achieve this the comic called on the talent of several artists including Sal Buscema, Ian Churchill, Mike Deodato, Ed McGuinness, Tim Sale, and John Romita Jr.

I just wish the story was as well thought out as the art. After the explanations are over there’s still plenty of head-scratching to be done over the questionable logic involved in Ross becoming the Red Hulk, Betty becoming the Red She Hulk, and all the rest of the nonsense we’ve had to put up with for months. Even with its “revelations” it’s certainly nowhere near good enough to justify the $5 price-tag. Hit-and-Miss.

[Marvel $4.99]

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