Hayao Miyazaki

The Boy and the Heron

  • Title: The Boy and the Heron
  • IMDb: link

The Boy and the Heron

The latest from writer/director Hayao Miyazaki follows a familiar formula of a child dragged into an unusual and magical world. Based on experiences Miyazaki had as a child with loss, the film is a personal one for him with a message of striving to overcome grief and loss and the growth from childhood into adulthood by learning to unselfishly care for others.

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The Top Ten Movies of 2014 (so far)

The Top Ten Movies of 2014 (so far)

We’ve hit the halfway point of the year and, as has become the custom, that means it’s time to look back on the best movies of the year so far. This year’s list includes three animated films, two sequels, the return of a beloved television character, a latest (and in one case the last) from few big name directors, and a pair of small indie films topping the list of what has been a pretty damn good first-half of the year at the movies.

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The Wind Rises

  • Title: Kaze tachinu
  • IMDB: link

“All I wanted to do was to make something beautiful.”

The Wind RisesOver a lifetime in animation Japanese film director Hayao Miyazaki has made a name for himself as one of the premiere filmmakers of his generation. Although I haven’t always loved his films, I found Princess Mononoke too bizarre for my tastes and a bit unwieldy with its 133-minute running time, it’s impossible to come out of any Miyazaki film without a profound respect for the talented man who brought them to the screen.

For his final film Miyazaki delivers a love story to aviation in the fictionalized biography of Japanese aircraft designer Jiro Horikoshi (Hideaki Anno), a young man with dreams of building beautiful flying machines who would design the Mitsubishi A5M and Mitsubishi A6M Zero which Japan used during WWII. Adapted from the novel by Hori Tatsuo, The Wind Rises may not quite be the all-ages adventure some might be hoping for, but it beautifully captures the fire of imagination that drives Jiro in his designs and the lively but ill Naoko (Miori Takimoto) whom he falls desperately in love with. As he approaches his life’s ambition he feels the other great love of his life slowly fading away.

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