With regionals fast approaching and the rivalry with the Worblers heating up (cultivating in an Michael-off in and underground parking garage as both groups perform “Bad“) the reunited New Directions finds their muse in Michael Jackson.
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“Dude, you’re in syncranized swimming and Glee. That’s like some kind of weird death wish.”
After taking a a few weeks off for its Winter hiatus Glee returns with a pair of love triangles, a wedding proposal (or two), and a humorous send-up of “Summer Nights” from Grease. As Will (Matthew Morrison) sets his sights on asking Emma (Jayma Mays) to marry him Artie (Kevin McHale) gets a new admirer (Lauren Potter), and Finn (Cory Monteith) makes an important decision about his future.
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Concert films are tricky beasts. Not only do you have to make hard decisions in how the performances are shot, especially when you have a stage full of performers to showcase, but there’s also the question of how much behind-the-scenes and backstage footage to show. For Glee: The Concert Movie there’s the added challenge when dealing with characters from a popular television show as to whether you allow the actors to be themselves or stay in character throughout the entire performance.
With footage taken from the concert in East Rutherford, New Jersey, during the group’s Glee Live! In Concert! tour the movie includes 24 songs (including several numbers chosen just for the concert series) performed by the Glee cast as well as backstage moments with the show’s cast (in character). Sprinkled throughout the movie are short interviews and mini-documentaries of selected Glee fans.
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Glee wastes no time getting to the music in their latest Christmas episode as “Extraordinary Merry Christmas” opens up with Mercedes’ (Amber Riley) performance of Mariah Carey‘s “All I Want for Christmas Is You,” followed quickly by Rory’s (Damian McGinty) performance of Elvis Presley‘s “Blue Christmas.”
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With Sectinals looming and Rachel (Lea Michele) barred from competing, she and Finn (Cory Monteith) take a trip across the border into Kentucky (which includes an odd stripper sequence and an guest-appearance by John Schneider) in an attempt to recruit Sam Evans (Chord Overstreet) to return. Frankly, I could have done without his performance of Toby Keith‘s “Red Solo Cup,” but there are some nice moments where Sam reconnects with his old teammates.
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