Elle Fanning

The Neon Demon

  • Title: The Neon Demon
  • IMDb: link

“Beauty isn’t everything. It’s the only thing.”

The Neon Demon

In what is likely going to be one of the more divisive films of 2016, the latest from writer/director Nicolas Winding Refn (Drive) casts Elle Fanning as a naive 16 year-old girl just breaking into the model business in Los Angeles. Blessed with an ineffable quality no one can quite explain, Jesse (Fanning) soon becomes the hot new girl, much to the dismay of a pair of models (Bella Heathcote and Abbey Lee) seeing their careers flash before their eyes.

Jesse’s journey will lead her into contact with a wide variety of people including her creepy apartment manager (Keanu Reeves), jealous models, designers, photographers (Desmond Harrington and Karl Glusman), and a makeup artist (Jena Malone) all of whom want something from the young woman.

Refn’s film is a metaphor for how the modeling industry celebrates physical beauty in the absence of any other quality while slowly devouring the very objects of their devotion. The film takes the metaphor one step too far in the final act leaving the film with an ending that satisfies the movie’s message but not necessarily the audience.

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Somewhere

  • Title: Somewhere
  • IMDB: link

Slow-paced, and deeply personal, writer/director Sofia Coppola‘s latest project isn’t for everyone, but it suits me fine. This semi-autobiographical, intimate look at a young daughter’s relationship to her celebrity father opens with fifteen minutes (of the films 96 minute running time) without any dialogue. American audiences may well struggle with the very old school European style of storytelling, but if you have the patience Somewhere has much to share.

Stephen Dorff stars as Hollywood star Johnny Marco. Johnny’s life consists mainly of making movies, attending press conferences, living out of a hotel (the Chateau Marmont, where much of the film was shot), paying strippers (Kristina and Karissa Shannon) to perform in his home, hosting parties, sleeping with a variety of sexy strangers, and spending time with his pre-teen daughter Cleo (Elle Fanning). Every detail of Johnny’s professional life is planned by an unseen voice over the phone (Amanda Anka) telling him when and where he’s needed, and his personal life consists mostly of waiting for his next set of instructions.

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