Dave Bautista

The Killer’s Game

  • Title: The Killer’s Game
  • IMDb: link

The Killer's Game

After starting a new relationship with a dancer (Sofia Boutella), a contract killer is diagnosed with a rapidly-deteriorating illness. Unwilling to go out that way, and unable to do the deed himself or convince a friend (Ben Kingsley) to help, Joe Flood (Dave Bautista) goes to an enemy (Pom Klementieff) and pays for his own murder. The twist comes when the doctor tells Joe there has been a mix-up and that he’s actually not dying giving the killer a reason to live but no way to call off the hit.

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Guardians of the Galaxy Vol. 3

  • Title: Guardians of the Galaxy Vol. 3
  • IMDb: link

The unlikeliest hit of any Marvel Studios movie was 2014’s Guardians of the Galaxy. After a so-so sequel, and appearances in Avengers: Infinity War and Avengers: Endgame, the gang reunites one last time for Guardians of the Galaxy Vol. 3. Jumping between stories involving a nightmarish version of Halfworld and exploration of Rocket‘s (Bradley Cooper) past, the return of the most unlikable version of Gamora (Zoe Saldana) we’ve seen on film, the bug-eyed machinations of the High Evolutionary (Chukwudi Iwuji), and the (completely unnecessary) addition of Adam Warlock (Will Poulter), Guardians 3 is a mess. Don’t get me wrong, at times it’s an entertaining mess, but it’s a mess nonetheless.

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The Guardians of the Galaxy Holiday Special

  • Title: The Guardians of the Galaxy Holiday Special
  • wiki: link

While more successful than The Star Wars Holiday Special, there’s not all that much to The Guardians of the Galaxy Holiday Special other than a holiday message, reworking a character’s backstory to create a familial relationship where none existed before, and bringing the oft-mentioned Kevin Bacon into the MCU when the actor is kidnapped by Drax (Dave Bautista) and Mantis (Pom Klementieff) as a Christmas gift to Peter (Chris Pratt). Bookended by some animated sequences, the budget of the special is quite noticeably less than the Guardians features (especially where Groot is concerned), but fans may get some mild enjoyment from the modest proceedings.

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Dune: Part One

  • Title: Dune (2021)
  • IMDb: link

More coherent, but less complete, than David Lynch‘s bizarre 1984 film, director Denis Villeneuve‘s adaptation of the first half of Frank Herbert’s Dune is rich and elaborate storytelling. Don’t get me wrong, it’s still Dune, meaning the story is still complex and bizarre, but, despite only giving us half the story, offers a more satisfying movie experience.

Breaking the film into two halves allows this Dune to spend more time with character, worldbuilding, and setting the stage for a hero’s emergence which won’t fully be explored until the next movie. Gone are the emperor, who is referred to but never seen, the odd space traveling creatures of Lynch’s film, the sound-based weapons which will play such a pivotal role in the second-half of the story, and the narration of the emperor’s daughter which helped explain the story and the large gaps necessary for Lynch to fit the entire tale into a single film.

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