Comedy

Poorly Produced

Ugh…The Producers is a staged remake of the Broadway show which was remade from the original movie starring Gene Wilder and Zero Mostel.  So it’s a remake of a remake (of a sort) and it feels like it.  Is it bad when the Springtime for Hitler number is the most professionally done (and still nowhere near as good as the original) of, well anything, in the film?

The Producers (2005)
1 Star

I never went to see the play The Producers, until now.  I say that because the film looks like so much like a stage show that I wondered why they didn’t just tape a Broadway performance on Betamax and distort the image through a projector onto the screen.  I guess that would have aimed too high.

I am a huge fan of the original film which I consider to be Mel Brooks’ funniest film (though not best, here’s that review).  I could have lived without seeing the never-ending disaster that Susan Sroman, Matthew Broderick, Nathan Lane, and Uma Thurman create out of such a great script.

The story more closely follows the stage version rather than the original movie which involves producer Max Bialystock (Nathan Lane) and accountant Leo Bloom (Matthew Broderick) deciding to produce the biggest flop on Broadway, sell off more than the play is worth to backers, and pocket the cash when the play closes opening night.  A great plan, but this is a comedy so what happens?  The worst musical in the world Springtime for Hitler becomes an instant smash success and the talk of Broadway!

I would have preferred to watch a two hour version of Springtime for Hitler or Police Academy 6: City Under Siege or even receive a caning.  Everything goes wrong here except life doesn’t imitate art and this flop sadly never becomes a hit.  Mel Brooks wrote the roles of Leo and Max specifically for Gene Wilder and Zero Mostel.  Broderick and Lane just can’t fill their shoes.  Even in the best moments of this movie (all three of them) the feeling of “yeah, but that’s still not as good” comes to mind.

Broderick doesn’t have Wilder’s innocence and fragility.  The actor that as a kid pulled off the super confident Ferris Beuller just doesn’t fit the insecure Leo Bloom.  Lane is a little better, though he too is doing more of an impression than his own character.  The whole movie feels like a Saturday Night Live skit based on the original movie rather than a movie of its own.

The story has evolved, changed, and lengthened as Mel Brooks turned it into a play.  Part of the problem was giving the helm to stage director Susan Stroman who never makes the necessary changes to take the Broadway musical and turn it back into a film.  The timing and action of the piece, the sets and musical numbers, all seem out of place on film.

I’ll give you an example of how the new model fails to live up to the original:

After waiting roughly 105 minutes for the curtain to finally rise on Springtime for Hitler (the original is a total of 88 minutes, versus this 134 minute version) what we get is truly disappointing.  In the original the full musical number is performed including cannons, singing Nazis, a choreographed swastika dance, flags and banners.  As the number ends the camera pans to a stunned audience except for one man who is beaten down for his jubliant applause.  The audience starts to leave and is only stopped by LSD’s (Dick Shawn) performance (a character NOT included in this version).  FUNNY!

Lane and Broderick try to hide from
anyone who has seen this film

So what does this version do?  It pans to the audience several times during the opening number showing shock before anything really shocking occurs on stage and the audience actually accepts and applauds before and during the swastika number accepting and appreciating it.  Confusing and UNFUNNY!! 

Also missing is the bar scene where Leo and Bloom’s celebration is cut short by the terror of intermission as they hear the audience praising the play, and the ending that includes the plot to blow up the theater.

The film is full of such changes.  The removal of LSD as a character broadens the one-joke characters of writer Franz Leibkind (Will Farrell) and Roger de Bris (Gary Beach).  Problems start to occur immediately however as the actors are asked to do too much with such limited roles.  The film also makes de Bris and his band into crude, stereotypical, and tasteless gay caricatures.  How bad is it?  The Village People appear (no, that’s not a joke, though I guess Brooks thought it would be).  Farrell is fine as Leibkind but has to improv too much as his character, like all the rest, is on screen too long.

Uma Thurman plays Ulla the Swedish secretary.  She actually is pretty good in the role (though was her make-up person blind? or maybe cross-eyed?).  Her accent comes and goes (especially during the signing numbers) but she comes off better than most of the cast.  Yet here again a one-joke character from the original “Bialystock and Blum, got dag pa dig” is stretched thin in an unecessary lengthy role.

Don’t pay a dime for this; save your money and go out and get the DVD of the original 1968 version of The Producers.  This version is just a waste of a theater that could be showing something better (like Narnia or Kong or a three hour documentary on yeast infections).  Hopefully people will stop trying to remake Wilder’s films now, but I have this horrible fear that I’ll see a new Silver Streak with Owen Wilson and Chris Tucker announced any day now.  Stop trying to ruin the films I love and just get back to making more Hollywood crap that people so enjoy…hey I hear Fantastic Four 2 is on its way.

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Fawlty Towers

John Cleese considers his work on Fawlty Towers to be some of the best of his career.  Cleese co-wrote and starred as hotel owner Basil Fawlty for twelve hilarious episodes that originally aired on the BBC in the late 70’s.  The entire collection is available on DVD and for fans of Cleese or just comedy it’s a must have.

Fawlty Towers
4 & 1/2 Stars

How good is Fawlty Towers?  Well, the British Film Institute ranked it the number one television program of all time beating out Doctor Who, Monty Python’s Flying Circus, and The Prisoner (read my review of The Prisoner here).  Add the fact that John Cleese considers it some of the best work of his career and you know you’ve got something pretty special here.  Written and performed with then wife Connie Booth Fawlty Towers is comic gold.

Basil Fawlty (John Cleese) owns a small hotel with his wife Cybil (Prunella Scales) in the sleepy hamlet of Torquay.  Not cut out for the hotel business Basil grouses, ignores, intimidates, spies on, and insults everyone.  In Basil’s view there is only the one thing wrong with the hotel business – the customers.  Cybil (Prunella Scales) is the shrewish wife who spends most days talking on the phone and leaving the business to Basil so she can complain about his horrid management style. 

To help them they have a small band of characters.  Manuel (Andrew Sachs) is the bellhop, waiter, and handyman who speaks little English and understands even less.  The only stable influence is maid Polly (Connie Booth) who despite her best efforts finds herself pulled into Basil’s half-baked schemes again and again.

Cleese is at his best in the role as the maniacal Basil who as my Grandmother might say is just dumb enough to be dangerous.  His seething hatred for his customers and wife boil out into such hilarious outbursts and incidents that you are amazed and entertained with each viewing; he plays the part with such wicked glee.  Surrounded with a good cast Cleese takes the character into all sorts of unsuspected places and provides laugh after laugh.

The three disc collection is bursting with extras including director commentary for every episode by the series two directors John Howard Davies and Bob Spiers.  There are long interviews with Cleese about his experience with the show and extras on the real life character on which Basil was based.  There are featurettes on the hotel and the town of Torquay as well as fun clip segments arranged by theme.

Episodes:

A Touch of Class
Tired of the riff-raff staying at the hotel Basil has taken out an ad in a newspaper to attract a higher level of clientele.  The problem is it attracts a confidence man who, when he is found out, sends Basil up the wall.

The Builders
To save some money Basil hires a less reputable contractor to work on the hotel while he and Sybil go away on holiday.  On returning he discovers that the dining room has been completely walled up and has to find a way to fix it before Sybil kills him

The Wedding Party
Misreading the situation Basil suspects that promiscuity and fornication may be going on right under his nose.  Not in his hotel!  He spies to try and find the truth creating a series of unfortunate incidents.  The final scene is priceless.

Hotel Inspectors
After learning that hotel inspectors are in town Basil goes into overdrive trying to please the guests he believes might be inspectors while ignoring and offending everyone else only to find out the hotel inspector might not be who he thinks.

Gourmet Night
To help bring in a higher quality of customer Basil arranges for a gourmet night.  Problems ensue when the chef drinks himself into a stupor because Manuel spurns his romantic notions.  Basil tries to balance the proceedings instead of cancelling the dinner.

The Germans
Both Cybil and Basil end up in the hospital.  Cybil for a normal operation and Basil for a concussion and head trauma caused by a stuffed moose head and an ill timed fire drill.  Basil returns to the hotel in his concussed and medicated state and can’t quite stop from telling the German guests about WWII.  (For my money the best episode of the series)

Communication Problems
Basil tries to hide his horse track winnings from Cybil who doesn’t allow Basil to gamble.  At the same time a deaf customer has replaced a large sum of money.

The Psychiatrist
Basil just knows the new male guest has smuggled a girl into his room and is out to prove it.  The pychiatrist couple watch and comment on Basil’s eccentric behavior.

Waldorf Salad
A very paticular American customer wants a Waldorf salad but the kitchen is closed and he won’t take no for an answer.

The Kipper and the Corpse
Two customers rile Basil.  The first is a woman who demands special attention and service for her dog; the second is a corpse which Basil and Manuel try to smuggle out of the hotel in a laundry basket.

The Anniversary
Cybil leaves thinking Basil has forgotten their anniversary.  As her friends arrive for the surprise party Basil had planned he has to figure out something to do.  Unwilling to admit Cybil is gone he fabricates lie after lie and even involves poor Polly into standing in as the sick Sybil who is near death’s door.

Basil the Rat
The health inspector is coming and Manuel’s pet rat, affectionately named Basil, is on the loose.

 

This is truly an astonishingly funny show.  My only real complaint is that there were only twelve episodes made.  A nice DVD to add to your collection and since each episode is thirty minutes in length it’s a nice thing to pop in whenever you’ve got a little free time and need a quick pick-me-up or a good laugh.  So if you’re in need of a holiday why not spend the night at Fawlty Towers?

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Kiss Kiss, Bang Bang

  • Title: Kiss Kiss, Bang Bang
  • IMDb: link

kiss-kiss-bang-bang-poster

Any movie that contains an argument over the phone about why someone has urinated on a dead body he finds in his hotel room shower deserves some attention.  Kiss Kiss, Bang Bang is one of the most entertaining movies of the year.  Part Hollywood satire and part dime-store novel this is great fun with terrific performances from Robert Downey Jr. and Val Kilmer.  Simply put folks, this is the best comedy of 2005.

Harry Lockhart (Robert Downey Jr.) is a small time thief who stumbles into an audition for a detective show while fleeing from the police.  Whisked away to Hollywood Harry meets Perry (Val Kilmer) a gay detective who is the consultant to the show.  At a party Harry also runs into Harmony Lane (Michelle Monaghan) the girl who got away so many years ago.

So far sounds like a pretty normal film right?  Well here’s where things start to get interesting.  Larry takes Harry on a stakeout to teach him more about detective work, but unfortunately they run into a car with a dead body.  For reasons to difficult to describe here the two abandon the body only for Larry to find it in his hotel room shower early the next morning.

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Skatchamagowza!

  • Title: Greg the Bunny – The Complete Series
  • IMDb: link

“I don’t want to sing this song with Dottie!  I don’t want to sing this song with Blah!  I want to sing it all by myself!  Me, me, me, me, ME!”
“Warren, that’s not the message we’re trying to convey with the Sharing Song.”

Greg the Bunny

Here’s something you might not know – puppets are real.  There are 3.2 million puppets in the United States.  Sesame Street and the Muppet Show are populated by real life puppet actors.  A lesser known show is called Sweetknuckle Junction, a low rated kiddie show which includes a Count with a speech impediment, a pill popping orangutang, a retarded turtle, and a bunny with ADHD.  Throw in the human element with Seth Green, Susan Silverman, and Eugene Levy and you have one hell of a show.

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Waiting…

  • Title: Waiting…
  • IMDb: link

Is Waiting… great cinema?  Well no, but it’s damn funny.  A perfect vehicle for Ryan Reynolds, with some wonderful supporting performances, in much the same vein of his title role in National Lampoon’s Van Wilder.  A nice little comedy that’s well worth checking out.

Monty (Ryan Reynolds) is the coolest guy at Shenanigan’s, an Applebee’s style restaurant.  His co-workers include best friend Dean (Justin Long) who is agonizing over the state of his life, out spoken waitress Serena (Anna Faris ), timid Amy (Kaitlin Doubleday), and Naomi (Alanna Ubach ) who’s one bad tipper away from some serious carnage.  We’ve also got the dorky manager Dan (David Koechner), jail-bait hostess Natasha (Vanessa Lengies), crazy chef Raddimus (Luis Guzman), the grill guru Bishop (Chi McBride), and new trainee Mitch (John Francis Daley).

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