Comedy

Scary Movie 4

  • Title: Scary Movie 4
  • IMDb: link

Scary Movie 4

Okay, I went to see the first Scary Movie back in 2000 and I laughed, groaned, and winced my way through.  In the end I had a fine time but didn’t feel the need to see the next two sequels.  In watching the fourth film of the “trilogy,” which hits theaters today, I experienced a very strong deja vu reaction.  The parts that work still work and the parts that don’t…. well, still don’t.  Even with it’s flaws, the film does have just enough to offer for me to recommend it.  What, you ask?  Well…

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The Mild

This movie helps you understand the Disney purchase of Pixar.  When Disney is stealing story, characters, plot, settings, and basically everything from Dreamworks… well, you know they’ve hit rock bottom.  The film is almost a carbon copy of last years Madagascar and despite the fact it steals everything but the kitchen sink it still took six writers to come up with this script.  Really?  Six writers?  For this? 

Is it worth seeing?  Did you like Madagascar?  Would you have liked it without Ben Stiller, Chris Rock, David Schwimer and Jada Pinkett Smiith?  If the answer is yes than this summer’s good dumb fun flick for the whole family is just waiting for you.

The Wild
2 & 1/2 Stars

If you missed seeing Madagascar (check out Aaron’s review here) on the big screen here’s you chance!  Wow folks, Disney animation is in such a state of decline that it’s now stealing plot, character, scenes, dialogue, and story from Dreamworks.  Maybe Mickey Mouse needs to get a second job.

A group of animals leave the zoo and travel around New York then make their way on a boat to a beach and into the jungles of “the wild.”  There they are met by a tribe of strange singing and dancing creatures with a wacky ruler who puts one of the group in charge. 

Any of this sound familiar?  Well it should because it’s the exact plot to last year’s Madagascar but somehow it also turns out to be the plot to The Wild with only a few minor differences.  This time there is a lion (Kiefer Sutherland) and a giraffe (Jeneane Garofalo) but the zebra and hippo have been replaced by a squirrel (James Belushi), a snake (Richard Kind), and a koala bear (Eddie Izzard).  And the wacky but cute lemurs who sing and dance are replaced by the wacky but creepy wildebeasts who sing and dance (the leaders played here by William Shatner and Patrick Warburton in roles they could, and seemingly did, do in thier sleep).  The main structure of the story stays the same except this time the group leaves to rescue the lion’s son (Greg Cipes) rather than the zebra.

Along the way there’s some nice music, tons and tons of (rather pointless and monotonous) dialogue, and a few clever jokes.  Kids will probably enjoy the film and it’s the type of nice dumb summer comedy that seems to play well with families.  But, aside from the similarities with the superior Madagascar, which itself is only so-so, there are a few problems.

First off there are some mind-numbing inexcusable missteps and miscues.  One such example: the group of animals escape the New York Zoo and drive around the city in a dump truck.  Aside from how lame that sounds the computer animation people didn’t create a single car (parked or moving) or a single person walking around the city as they drive through the completely empty and spotless streets of New York including Times Square.  Did I fall asleep?  Are they doing an animated version of Vanilla Sky?  Or did they just run out of money in the animation budget?  I would rather except those excuses than the more obvious one that the creators saw this as a meaningless kids film that didn’t need the level of detail and realism you would get in a Powerpuff Girls episode.  There are quite a few such problems in the film though this is one of the most glaring.

The acting is fine but only Izzard’s koala bear is given any interesting dialogue (and you can tell most of his funny bits were all ad-libbed).  Shatner and Walburton are pretty good as the villains (aside from being so far over-the-top they make Bobcat Goldthwait look sedated).  But when the most interesting characters of a movie are villains who still aren’t that compelling you know you’ve run into a disasterous dud of a Disney film (yeah, I like my alliteration).

The animation is the computer style that tries to add a bit of realism with showing you every hair or scail on the animals.  While interesting to look at I prefer the older style of animation than this new look that hasn’t yet been perfected.  And even if it is pretty to look at and does give you a couple chuckles that’s not saying much for a feature length animated film from Disney.  A big miss here for the house that Mickey built.  Hopefully the Pixar deal will breathe some much needed life into what used to be the best animated studio around because all its doing right now is making Dreamworks look much better by comparision.

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Don’t Call Me Stupid!

  • Title: A Fish Called Wanda
  • IMDb: link

A hitman who quotes Nietzsche and believes the London Underground is a political movement, a stuttering animal lover who keeps accidentally killing small dogs, an English barrister stuck in a loveless marriage, a thief used as a patsy, and a woman named Wanda who wraps each one of them around her little finger to get what she wants.  Rarely are romantic comedies this good.

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Ole

Pierce Brosnan and Greg Kinnear give us the odd pairing of the hitman and the salesman in Mexico where margaritas aren’t the only thing that tastes better.  Brosnan kicks some serious ass as the hitman who has lost his edge but not his inappropriate sense of humor.

The Matador
3 & 1/2 Stars

Pierce Brosnan is funny.  It’s been so many years since Remington Steele that I had forgotten how funny he could be.  If The Tailor of Panama was a realistic take on his Bond character The Matador is the comedic take.  Brosnan owns the screen in this nice little gem.

Danny Wright (Greg Kinnear) is a struggling businessman who has traveled to Mexico with his business partner to try and put together a deal to save his livelihood.  In the hotel bar one night he meets Julian Noble (Pierce Brosnan) an interesting but rather uncouth gentleman who buys him a drink.  Aganist his better judgement Danny spends some time with Julian and learns what he does for a living.  Julian is a hitman, though one who is beginning to lose his edge. 

Time passes and Julian has botched another job so badly that his bosses have put a hit out on the hitman.  With nowhere else to go he goes to stay with Danny and his wife Bean (Hope Davis) hoping to guilt Danny into helping to get him out of this mess and remind Danny of the favor he owes.

Brosnan is terrific as the friendless lone gunman who doesn’t really know how to act with people (his comments to Danny in the bar are hysterical!)  Kinnear works well as a straight man to Brosnan’s antics and Davis, who I normally don’t like, is well cast as Danny’s wife.  There are many small characters but the film rests on the odd couple relationship between Danny and Julian who aren’t quite friends but something more than strangers.

The movie skips around a little too much and could use one last edit as the film is slightly uneven in its tone.  I also wasn’t a fan of the large full screen fonts in presenting a new location or story transition.

The Matador is a good comedy that allows Brosnan to go full out and give one hell of a performance.  Though not great, I’d put this at the top of pretty good comedies of the year such as Waiting…, Cassanova, and The Weather Man, it’s definately worth checking out for a very different type of comedy than the usual Hollywood fare.

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Hearts Afire

John Ritter, Billy Bob Thornton, Markie Post, and Ed Asner make up the core of the cast for Hearts Afire a little remembered sitcom from the early 90’s.  The first two seasons are now on DVD (with the third and finale season to be released on February 7).  A funny little comedy you just might want to check out.

Hearts Afire – Season One & Season Two
Custom Rating

From the writing and producers that gave us Evening Shade and Designing Women, Hearts Afire tells the tale of John Hartman and Georgie Anne Lahti and their romance that begins in Washington D.C. (Season One) and moves to a small southern town (Seasons Two and Three).  Although the show is hurt by having what amounts to two pilot seasons it’s still a nice find with some great performances by Ritter, Post and Thornton.  And any show that lovingly makes an Underdog reference is just too good to pass up.

Season One

John Hartman (John Ritter) works as the chief of staff for Republican Senator Strobe Smithers (George Gaynes) with his best friend Billy Bob Davis (Billy Bob Thornton).  Hartman’s life is in a shambles as his wife has left him for their marriage counselor Dr. Ruth Colquist (Conchata Ferrell).  Into his life walks down and out liberal journalist Georgie Anne Lahti (Markie Post) who Hartman hires as the new press secretary and allows to move into his home.  Sparks fly.  Also along for the ride are Clark Duke and Justin Burnette as Hartman’s sons Elliot and Ben and Ed Asner who appears as Georgie Anne’s recently paroled father who moves into house as well.

Good performances abound here as Ritter and Post have great chemistry on screen together and are given opportunities to demonstrate their considerable comedic chops.  Thornton gives a nice self-effacing role as a good ol’ southern boy and Asner adds class to the show from his first moment on screen.  The supporting performances are also worth noting.  Gaynes is terrific as the befuddled, rambling, politically incorrect Senator Smithers.  Beth Broderick gives a nice turn as the Senator’s dumbbell secretary and mistress Dee Dee Starr who “thinks faces on Mt Rushmore are a natural phenomenon.”  Even the kids are cute!

The storylines move from hot and cold and really rely on the performers to carry the show.  Plots from the first season include: the burgeoning romance between Hartman and Georgie Anne and the struggle to consummate it, a reporter friend of Georgie Anne’s snooping around the Senator’s office, the Senator’s wife running for his seat, Georgie Anne’s date with George Hamilton, the end of the Bush and beginning of the Clinton Administration, an attempt ot write a romance novel, Gerogie Anne’s relationship with Fidel Castro, reasons why you should never play Trivial Pursuit with this group, and the battle of the sexes at the Senate offices and at home.

Season Two

Hartman, Georgie Anne, Billy Bob and the kids leave Washington D.C. and head south to the small town that Hartman and Billy Bob grew up in.  They buy a small out of work newspaper and work to get it back up and running.  Familiar faces show up in the guise of new characters: Ferrell trades her bisexual Washington psychiatrist for the role of small town shrink Madeline Stoessinger and Broderick shows up as a guest star as Dee Dee’s sister Lee Ann Starr Folsom.  Joining the cast is Leslie Jordan as Lonnie Garr, an old friend of Hartman and Billy Bob’s who lusts after Brenda Swain, who works at the local photo hut, despite her illegitamate baby who looks like a pig.

Getting the paper up and running turns out to be quite a chore as the group runs into hard times as the group tries to find financing to get a new printing press and works odd jobs including a stint in the high school cafeteria.  Small time life includes taking revenge on Madeline’s ex-husband, the Boy Scouts, Rush Limbaugh’s visit, Billy Bob’s dating life, the Stud Club, and a very special Christmas present.

Sadly Wendi Jo Sperber, who played Thornton’s wife and co-worker in Season One, and George Gaynes don’t make the trip South and Ed Asner only shows up for one episode.  It’s the last which is most disappointing because it hurts the father/daughter relationship that developed between Asner and Post in Season One which turned out to be one of the strongest storylines of the series.

Of the two seasons I prefer Season One over Season Two (which is six episodes shorter for the same list price).  It’s just hard to struggle through an entirely new premise where the characters are reset (even though once done it works quite well).  The acting and dialogue are first rate and at times I just wished the stories would equal them. 

Also disappointing are that lack of any real extras here.  All that is included is a musical montage containing clips of the show, outtakes and bloopers for each season.  The set-up for each disc is good, but it does require you to click to watch each individual episode without the play all option.  There is one troubling point I’ll mention if you watch the episodes on a stereo system you’ll find the voice dubbing on certain episodes to a little distracting as the voice overs don’t match (in some cases aren’t even close) to the original, though lucky on most episodes these moments are few and far between. 

Still, for formulaic half hour sitcoms Hearts Afire is much better than most and has some serious charm.  Ritter and Post both inhabit their characters and the chemistry between them is just right and Thornton provides glimpses of the actor he would become in the following decade.  Even with some issues I have with the sets it’s definately worth a look and some of Ritter and Post’s best work.

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