Bruce Willis

Motherless Brooklyn

  • Title: Motherless Brooklyn
  • IMDb: link

Motherless Brooklyn movie reviewWith Motherless Brooklyn, Edward Norton stars, directs, and adapted the novel of the same name. It’s in his choices, and likely his performance, where you will decide what you think of the film. Moving the events back in time allows the story to be reframed as a noir fitting our detective’s narration and the style of a gumshoe tale.

Motherless Brooklyn is shown from the perspective of private detective Lionel Essrog (Norton). Despite being burdened with tics he cannot control, Lionel is the star of Frank Minna’s (Bruce Willis) P.I. business (and car service). But when something goes wrong on a case it falls to Lionel to step-up and unravel a web of criminal conspiracy and murder.

If you can accept Norton’s showcasing Lionel’s tics the film will likely work for you, as it did for me. The character is fascinating and we do see how his nature helps him in other aspects of his job, while admittedly leading to some problems dealing with people. Norton builds on his performance and the strengths of a novel to create a smart and entertaining film (even if it isn’t quite as clever as it thinks it is).

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The Great Films – Unbreakable

  • Title: Unbreakable
  • IMDb: link

“They say this one has a surprise ending.”

Unbreakable movie reviewToday’s Throwback Thursday post takes us back to one of my favorite super-hero movies. Overshadowed by writer/director M. Night Shyamalan‘s far more commercially successful first film and his subsequent slide into mediocrity, Unbreakable stands alone as the one film from his catalog that gets better with each subsequent viewing. A perfect origin story, Unbreakable is a super-hero film without any of the trappings of super-hero films. A low-key, slow-paced drama, the story slowly unfolds while staying true to the basic truths of comic book storytelling. If there’s an anti-Batman and Robin, it’s Unbreakable.

The film has everything going for it including a writer who understood his subject manner, stars perfectly cast as real-life comic book characters, a terrific humor, and some of the best shot scenes of any film from this decade by Eduardo Serra whose framing choices help mold and develop each character climaxing in the traditional birth of a hero that remains grounded in reality more than any super-hero movie before or since. It’s a perfect storm that results in an amazing film that holds up as well today as when it was released more than 18 years ago.

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Breakable

  • Title: Glass
  • IMDb: link

Glass movie reviewGlass is an unusual sequel to a pair of movies made 16 years apart which are, at best, only loosely connected by a single scene. The film unites the main character from 2016’s Split with the primary characters from 2000’s Unbreakable, throwing the unlikely trio together to be examined by a psychiatrist (Sarah Paulson) specializing in a growing mental disorder of people believing themselves to be super-heroes.

If you’ve seen either of the previous two M. Night Shyamalan films you know that David Dunn (Bruce Willis) and Kevin Wendell Crumb (James McAvoy) are indeed super-human while Elijah “Mr. Glass” Price (Samuel L. Jackson) fits the bill of the genius super-villain to stir the drink of this unusual cocktail.

Knowing Dr. Staple’s (Paulson) premise is faulty makes it hard to legitimize her point of view, but it does create tension waiting for the truth to be revealed. While messy in spots, and rather slow to get started, Glass is never boring. As expected, the film features a few Shyamalan twists as it delivers a suitable sequel to Split, even if it doesn’t reach anywhere near the heights of Unbreakable.

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5 Film Collection Action Pack

  • Title: The Last Boy Scout, Tango & Cash, Under Siege, Unknown, Next of Kin
  • IMDb: link
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5 Film Collection Action PackThis five-disc collection of action films contains three enjoyable action flicks and a pair of clunkers for a fairly reasonable price. The Last Boy Scout (an enjoyable collaboration between writer Shane Black and director Tony Scott) teams seedy private eye (Bruce Willis) and former football star (Damon Wayans) in a murder investigation. Under Siege is one of Steven Seagal‘s better films casting him as a former Navy SEAL demoted to a cook in the right place at the right time when terrorists (led by Tommy Lee Jones) attack his ship. Tango & Cash is the ridiculous, but fun, pairing of Sylvester Stallone and Kurt Russell as rival super cops forced to work together after they are framed for murder.

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Sin City: A Dame to Kill For

  • Title: Sin City: A Dame to Kill For
  • IMDb: link

Sin City: A Dame to Kill ForIt’s been nine years since Robert Rodriguez teamed with Frank Miller to bring Miller’s Sin City to life. Producing the most faithful comic book movie to date while still finding a way to add value and improve the source material with stylistic choices that continue to make the film visually unique nearly a decade later, I thought enough of the film to make it one of my Top 10 Films of 2005.

Since that time Hollywood has attempted to recapture the magic of Sin City with a series of comic book stylized movies, none of which have measured up. Despite Miller’s involvement The Spirit floundered. And although 300 was marginally passable, if completely ridiculous at times, the sequel was far from impressive.

Returning several of the original film’s stars, while doing some recasting here and there, Sin City: A Dame to Kill For isn’t as good as the original. The opening scene featuring Marv (Mickey Rourke) feels a bit rushed. It doesn’t give us Clive Owen for the post-op Dwight. And we don’t get nearly enough Rosario Dawson.

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