Brie Larson

Kong: Skull Island

/ / Movie Reviews
  • Title: Kong: Skull Island
  • IMDb: link

Kong: Skull Island movie reviewFar more focused than Peter Jackson’s bloated three-hour mess, Kong: Skull Island is a film with a clear agenda of what it is and what it wants to do. Sadly, King Kong hasn’t had the greatest career in the movies with far more disappointments than successes. Director Jordan Vogt-Roberts and screenwriters Dan Gilroy, Max Borenstein, and Derek Connolly strip away much of the Kong story to focus only on the discovery of the giant ape and the mysterious island which is also home to other monstrous beasts the outside world can only imagine.

Piggybacking on a separate government geological survey, a small group from the secret government organization called Monarch heads to the unexplored island hidden behind constant storms. In the peaceful eye of that storm Randa (John Goodman), Brooks (Corey Hawkins), the mostly silent San (Tian Jing), their military escort led by the obsessed Lt. Col. Packard (Samuel L. Jackson), the mercenary-with-a-heart-of-gold guide (Tom Hiddleston), and their anti-war photographer (Brie Larson) discover the impossible. Monsters are real, and chief among them is one very large ape.

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The Top 10 Movies of 2015

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best-2015

2015 was a year for ensembles, strong female-driven stories, real-life drama brought to the big screen, animated features, and surprisingly good science fiction. In a year which proved to hold as many gems before award season as during it, 2015 turned out to be a pretty good year at the movies. Limiting my list to ten there are certainly a number of films worthy of mention that didn’t find a place on this list including the best super-hero film of the year, a journey on Mars, Cold War spy intrigue, and the return of Star Wars, Charlie Brown, and Rocky Balboa all to the big screen. But enough of what didn’t make the cut; let’s count down the best movies of 2015…

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Room

/ / Movie Reviews
  • Title: Room
  • IMDb: link

RoomBased on Emma Donoghue‘s novel, Room is both heart-wrenching and heartwarming at the same time as the world of a five-year old boy is changed forever. The film opens with Jack (Jacob Tremblay) and his mother Joy (Brie Larson) living together is a small room where the only daylight comes from a dirty skylight in the ceiling. Celebrating his fifth birthday, the room is all of the world Jack has ever known outside of television. To him Dora the Explorer is just as ethereal as trees, wide open spaces, animals, and other people.

The comings and goings of Old Nick (Sean Bridgers), who brings them groceries and occasionally spends the night with Joy, begins to reveal the truth of the mother and son’s situation to both the audience and the young boy who struggles to understand. Abducted as a teenage girl, Joy has lived for years as a prisoner. Believing Jack is now old enough to be of help in an escape attempt, and to be in danger from Old Nick, Joy attempts to explain to truth of the outside world, a dreamlike reality that Jack can’t quite wrap his brain around after being brought-up to believe nothing outside the room is real.

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Trainwreck

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  • Title: Trainwreck
  • IMDb: link

TrainwreckAmy Schumer, who also wrote the script, stars as a relationship-averse mess of a woman whose world view is changed after interviewing a doctor (Bill Hader) for a local magazine. Trainwreck is a pretty straightforward romcom focusing on Amy’s struggles with love and her dysfunctional relationships with her father (Colin Quinn), sister (Brie Larson), and former boyfriend (John Cena). Like many scripts written by stand-up comedians, Trainwreck is a bit uneven. At times the film is quite funny even if all of its jokes don’t quite hit home.

Directed by Judd Apatow, the film boasts an odd collection of unlikely supporting characters. Along with Cena we also get LeBron James (playing himself) as Hader’s client and friend, Amar’e Stoudemire, Tilda Swinton as Amy’s demanding boss, and Daniel Radcliffe and Marisa Tomei as the stars of a movie within the movie about a dogwalker and his client in a running gag that never pays off.

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Digging for Fire

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  • Title: Digging for Fire
  • IMDb: link

Digging for FireMiddle-age apathy is the major theme of Digging for Fire as a husband (Jake Johnson, who co-wrote the screenplay along with director Joe Swanberg) and wife’s (Rosemarie DeWitt) separate weekend plans while on vacation let each work through the listlessness of their shared existence and eventually find their way back to each other. It’s a story that’s been done several times, sometime much better (like Massy Tadjedin‘s 2010 film Last Night) and more often far worse (any number of middle age brain-dead romcoms).

More archetypes than fully fleshed-out characters, neither Tim nor Lee are all that interesting. Tim is your typical mid-life crisis male wanting to spend time with old friends and recapture lost youth. Lee is worried about the future, her marriage, and loosing her sense of self under the weight of marriage and parenthood. Johnson and DeWitt give the characters a bit of a spark but it’s Tim’s unusual obsession with finding a bone and old revolver buried in the back yard of the home where the family is staying that proves to give the movie something unique to explore, if not something terribly original to say.

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