Biopic

Elvis

/ / Movie Reviews
  • Title: Elvis
  • IMDb: link

No one can be told what Elvis is. You must see it for yourself. Now, to be clear, I cannot recommend Elvis to anyone. That said, I selfishly want people to see one of the most bizarre movie experiences I have ever had in a theater, if only so I can discuss what I still can’t quite put into words. What I witnessed, nearly three hours worth, simply defies description. It’s a mesmerizing train wreck of a film that makes psychotic choices in character, tone, and plot with disastrous results. And, yet, I couldn’t look away.

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Hands of Stone

/ / Home Video
  • Title: Hands of Stone
  • IMDb: link

2016’s Hands of Stone is your typical biopic offering highlights of the life and career of professional boxer Roberto Durán (Edgar Ramírez). Writer/director Jonathan Jakubowicz‘s by-the-numbers approach doesn’t offer much in the way of surprises or insight into Durán, but the film’s cast is solid beginning with a strong performance from Ramírez with some effective boxing sequences covering some of the biggest fights of the first-half of Durán’s career.

Robert De Niro as Durán’s trainer, Ana de Armas as his wife, and Usher in some inspired casting as Sugar Ray Leonard, highlight the supporting cast. De Niro is in grumpy old manger mode butting heads with his fighter for most of the film while Ana de Armas steals some scenes into Durán’s personal life. While at times the film seems to think of her as an afterthought, she’s stunning here often beautifully framed by cinematographer M.I. Littin-Menz.

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Man on the Moon

/ / Home Video
  • Title: Man on the Moon
  • IMDb: link

Director Milos Foreman‘s 1999 biopic of Andy Kaufman (played by Jim Carrey) is most notable for Carrey’s performance of the unusual celebrity that took himself too seriously but nothing else all that seriously at all. The film highlights the big moments of Kaufman’s career including his inter-gender wrestling, his reluctance to accept a role on Taxi, his chaotic appearances on Late Night with David Letterman and Fridays and the creation of his grating alter-ego Tony Clifton.

While Carrey is the backbone of the film, the script by Scott Alexander and Larry Karaszewski never really explores the reasoning behind Kaufman’s various antics or hold him responsible for those that fell flat in what is very much a celebration of the unique performer’s career.

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The Eyes of Tammy Faye

/ / Home Video
  • Title: The Eyes of Tammy Faye
  • IMDb: link

We get the rise and fall of Tammy Faye (Jessica Chastain) and Jim Bakker (Andrew Garfield) in this examination of the televangelist couple. While recreating moments of the pair’s life, there’s no real point or perspective offered to the events. The Eyes of Tammy Faye isn’t a character study. It isn’t commentary of events. Nor is it a satire.

The film is simply a shallow collection of events that never digs beneath the surface to provide anything of much interest. While we see the odd pair begin their their time as televangelists, the movie isn’t concerned with the rise of the PTL Satellite Network nor the good or ills of the The PTL Club, nor really the fall of grace of the Bakker’s which makes up only a small percentage of the film.

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King Richard

/ / Movie Reviews
  • Title: King Richard
  • IMDb: link

King Richard offers a different type of sports biopic with the focus not on the athlete, coach, or team, but on the father of a pair of promising young tennis players. The fairly conventional film showcases the unconventional path to tennis stardom Richard Williams (Will Smith) led his daughters Venus (Saniyya Sidney) and Serena (Demi Singleton) to while pissing off pretty much everyone in the tennis world.

Because of how early the film is set, ending on Venus’ professional debut (which doesn’t paint a flattering picture of her opponent Arantxa Sánchez Vicario played by Marcela Zacarias), and how little the Williams sisters played in junior tennis, the younger Serena draws the short straw here and we don’t get as much tennis as you may expect. What King Richard does offers is a character study of the often rigid Richard Williams and the environment that raised two tennis stars who would change the sport.

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