Best of 2017

• Title: Phantom Thread
• IMDb: link

In a career that spans more than 35 years Daniel Day-Lewis has raised the bar for actors. While his role as dress designer Reynolds Woodcock may not be his most notable, Daniel Day-Lewis does not disappoint in what he has stated will be his final on-screen performance. Teaming up once again with writer/director Paul Thomas Anderson, the pair worked together previously on There Will Be Blood, the actor is terrific in the offbeat drama which I’ll admit I would like more if it didn’t save its best moments (at least plot-wise) for the finale.

Both Vicky Krieps, as the latest in a string of women Woodcock has brought into his life, and Lesley Manville, as Woodcock’s overbearing and controlling sister, raise their games here. In terms of acting, everything about Phantom Thread is first-rate. Where Anderson gets into some trouble is at the script level where the story meanders a bit with the ups-and-downs of Alma’s (Krieps) role within the household and Woodcock’s hot-and-cold reactions towards her. The slow pace is punctuated by some terrific moments (such as the ultra-sensitive dress maker’s overreaction to his Alma’s table manners), but the elaborate period drama certainly takes its time to get to the point.

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• Title: The Florida Project
• IMDb: link

In a rundown hotel walking distance from Disney World live 6 year-old Mooney (Brooklynn Prince) and her mother Halley (Bria Vinaite). Set during a single summer, the film focuses on Mooney’s friendships with Jancey (Valeria Cotto) and Scooty (Christopher Rivera) and her mother’s struggles, scams, and cons to come up with rent every week while a fall-out with her best friend (Mela Murder) causes trouble for her both herself and her daughter.

The Florida Project is amazing, but it isn’t a fun movie. There are no cute twists, easy answers, or tacked on happy endings for Halley or her daughter. Left largely to their own devices the kids get into trouble beyond regular childhood mischief, and the compromises Halley makes to feed and house her daughter lead to a heartbreaking finale. There’s not much plot as settings and circumstances are fleshed out by showcasing the average days in which the characters live. I’m not sure how much of the children’s scenes were scripted, and how much was improvised by letting them run wild, but young Miss Prince proves more than up to the challenge when the story gets serious in the film’s final act.

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