Best of 2016

Loving

/ / Movie Reviews
  • Title: Loving
  • IMDb: link

LovingLove is color blind, except in the state of Virginia. Based on the true story of Richard (Joel Edgerton) and Mildred Loving (Ruth Negga), Loving follows the events which led to the Supreme Court case Loving v. Virginia after the Lovings were expelled from the state under threat of prison for violating the state’s Racial Integrity Act of 1924, which prohibited interracial cohabitation and marriage.

Leaving the legal maneuverings, motions, and trial to occur largely off-screen, instead writer/director Jeff Nichols focuses the film on Richard and Mildred. Despite a world that told them loving each other was wrong, the pair found each other and stood by each other in the years where hatred and bigotry did their best to destroy their love. The film’s title perfectly summarizes the pair’s relationship. Not out to change the world, simply understanding that their love couldn’t be wrong, their struggle is both emotional and inspirational. With so much of the film riding on their shoulders, Negga and Edgerton are terrific on-screen together in low-key but emotion-packed performances. It’s impossible not to root for them and it makes you sad for any world which would try to keep them apart.

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Moonlight

/ / Movie Reviews
  • Title: Moonlight
  • IMDb: link

MoonlightMoonlight follows the story of a single character from childhood to adulthood while struggling to find his place in the world. Told in three acts (with a different actor playing the role, and being referred to by a different name) writer/director Barry Jenkins‘ tale follows Little’s (Alex Hibbert) journey from a shy kid, to a teenage Chiron (Ashton Sanders) struggling to deal with his sexuality (and his schoolmates hatred of him), to a hardened drug dealer (Trevante Rhodes) given an unexpected chance to find something he lost years ago.

All three of the leads work well, although the fact that we are getting used to a different actor also responding to a different name does take some getting used to during the movie’s two big time jumps.

And the supporting cast is strengthen by the likes of Naomie Harris as our protagonist’s abusive mother, Mahershala Ali and Janelle Monáe as a couple who step in to try and help the boy, and Jharrel Jerome as the teenager responsible for giving Chrion the best and worst moments of his life.

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The Handmaiden

/ / Movie Reviews
  • Title: The Handmaiden
  • IMDb: link

The HandmaidenPresented in three acts, director Chan-wook Park‘s erotic thriller inserts a new handmaiden (Tae-ri Kim) into the home of a Japanese heiress (Min-hee Kim) in Victorian-era Korea as part of a larger plot to steal the woman’s vast fortune. Part crime drama, part thriller, and part love story, The Handmaiden offers a tale of complicated motivations (where almost no one is exactly who they initially appear to be), betrayal, greed, sex, and love.

The first act of the film is presented from the role of the handmaiden, who is actually a plant to help steer the heiress into marrying her partner (Jung-woo Ha) to steal her money away from the lonely woman and her perverted uncle (Jin-woong Jo) who has his own plans for that wealth. However, when the handmaiden and her mistress begin falling for each other it throws a wrench into everyone’s plans.

The film’s second act offers a slightly different take on events from the perspective of the heiress, offering new motivations and insights, and setting up the film’s final act in where each member of the small cast will face the consequences of their actions.

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Hell or High Water

/ / Movie Reviews
  • Title: Hell or High Water
  • IMDb: link

Hell or High WaterHell or High Water is more than it appears to be at first glance. The simple story of two brothers robbing banks while literally being pursued by a cowboy (Jeff Bridges) and an Indian (Gil Birmingham) through small Texas towns is grounded in complex motivations playing as much on character-driven drama as themes from westerns and heist films which screenwriter Taylor Sheridan and director David Mackenzie use to frame the tale. Shot against the bleak canvas of West Texas (or, to be more accurate, New Mexico standing in for West Texas), Hell or High Water is an engrossing, entertaining, and often amusing, film.

Ben Foster and Chris Pine star as Tanner and Toby Howard. The estranged brothers have been reunited after years by a recent tragedy and a driving need which will push them to robbery. As the film opens, the two perform a pair of well-planned, if shakily executed, robberies of two West Texas banks. Taking only small denominations from the cashiers’ drawers, the two limit their exposure and the police’s chances of tracing the money. Needing a large amount of cash by the end of the week for purposes which will eventually become clear, the pair are just getting started.

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10 Cloverfield Lane

/ / Home Video
  • Title: 10 Cloverfield Lane
  • IMDb: link

10 Cloverfield LaneI had very mixed reactions to 2008’s shaky-cam monster movie Cloverfield which kept me from seeing this sequel of sorts in theaters. Only tangentially connected to the first film, 10 Cloverfield Lane is an old school psychological thriller which begins when Michelle (Mary Elizabeth Winstead) is run off the road one night and wakes up chained to a mattress in an underground bunker with a pair of strange men (John Goodman and John Gallagher Jr.).

When the owner of the bunker (Goodman) explains that the world is under attack from aliens, which he saved her from, Michelle can offer only skepticism and struggle to escape. However, as events unfold and she gleans the truth of what happened to the outside world and her captor, the story will take several interesting turns. The first-third of the film plays out like a classic Twilight Zone episode with Michelle struggling to escape only to discover that everything which Howard has told her is true. Although the middle of the film drags at times, tension ramps up in the final act with another discovery by Michelle which once again will alter the status quo.

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