Alicia Vikander

Guilty Pleasure – Seventh Son

  • Title: Seventh Son
  • IMDb: link

Seventh SonSadly in no way related to the (much better) first book in Orson Scott Card‘s The Tales of Alvin Maker, director Sergey Bodrov‘s Seventh Son bombed with critics and audiences alike. With a tired script, plenty of plot holes, and inconsistent special effects it’s impossible to call Seventh Son a good movie, but as a C-List guilty pleasure with a cast too good for its story the movie isn’t without some charm.

Based on The Wardstone Chronicles by Joseph Delaney, the movie stars Ben Barnes as the newest apprentice of monster hunter extraordinaire Master Gregory (Jeff Bridges) who only has a week to learn the craft before going to war with the hated enemies of Gregory’s all but extinct order.

Julianne Moore stars as the leader of a coven of witches who recently escaped the prison Gregory (who has a long history with the woman) put her in years before, and Alicia Vikander is a young witch and potential love interest for the young hero.

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Coming Soon – The Man From U.N.C.L.E.

  • Title: The Man From U.N.C.L.E.
  • IMDb: link

We now have our first trailer for the upcoming film based on the 60s spy TV-series of the same name. Henry Cavill and Armie Hammer star as American and Russian agents Napoleon Solo and Illya Kuryakin thrown together to work for U.N.C.L.E. on a mission to stop an international criminal organization (known as T.H.R.U.S.H. in the original series) from destroying the world. Alicia Vikander, Elizabeth Debicki, Hugh Grant, and Simona Caparrini also star. The movie opens in theaters on August 15th.

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From A to Z – The Top Ten Movies of 2012

2012 turned out to be a pretty darn good year at the movies. There were two films which I gave perfect scores to this year, one of which the majority of the country won’t be seeing until early next year. I’m breaking my own rule of including it on the list, but we’ll get to that in a moment. Between these two films, which naturally open and close the list (as it’s presented alphabetically), are eight other films rounding out the class of 2012.

Cutting down my list to ten means I need to speak for a moment on films that barely missed the cut. John Carter was the year’s most under-appreciated film, The Cabin in the Woods turned the horror genre on its ear, Ang Lee delivered an amazing journey with Life of Pi, Wreck-It Ralph was this year’s best animated feature, Safety Not Guaranteed was a terrific little sci-fi flick almost no one saw, and Moonrise Kingdom was director Wes Anderson‘s best film since The Royal Tenenbaums.

Enough with what didn’t make the list, let’s get down to discussing what did:

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Anna Karenina

  • Title: Anna Karenina
  • IMDB: link

“Sin has a price, you can be sure of that.”

anna-karenina-posterAttempting another historical adaptation of classic literature, while re-teaming with leading lady Keira Knightley (with whom he collaborated on both Pride & Prejudice and Atonement), director Joe Wright delivers the unexpected with an evocative and dazzling adaptation of Leo Tolstoy‘s legendary novel Anna Karenina.

Limited by budgetary considerations and an unwillingness to repurpose locations other adaptations of Tolstoy’s work, or those used by various recent historical dramas, Wright hit upon an extraordinary idea to breathe new life in the staid genre by staging a setting that transforms around its characters. The result is a game changer in how movies like Anna Karenina are told and a serious contender for the best film of 2012.

Set in Russia during the late 19th Century our story concerns rich socialite Anna Karenina (Knightley), her marriage to an honorable but bland government official (Jude Law), and her temptation and eventual affair with the far more dashing Count Vronsky (Aaron Taylor-Johnson).

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A Royal Affair

  • Title: En kongelig affære
  • IMDB: link

a-royal-affair-posterSet in the last half of the 18th Century, during the Age of the Enlightenment, A Royal Affair examines the reign of the mentally unstable King Christian VII of Denmark (Mikkel Boe Følsgaard) from the perspective of his queen (Alicia Vikander) and most trusted advisor, German doctor Johann Friedrich Struensee (Mads Mikkelsen) whose wide sweeping reforms (the abolishment of censorship, torture, the slave trade, and an increase on taxes of the aristocracy for the good of the people) and affair with the queen, albeit briefly, changed the course of Denmark’s history.

Unable to acquire the rights to Stuensee’s story, director Nikolaj Arcel choose instead to adapt a Danish romantic novel of Bodil Steensen-Leth. Because of the source material, far more emphasis is put on the relationships the Queen has with both her husband and Struensee, and the behind-the-scenes palace politics and court intrigue, than the reforms themselves or their effect on the Danish people. The story also never questions the doctor’s noble purpose or motives for grabbing so much power (including so thoroughly dismantling the King’s government) that, along with his affair with the Queen, ultimately led to his downfall.

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