Adam Driver

Star Wars: The Rise of Skywalker

/ / Movie Reviews
  • Title: Star Wars: Episode IX – The Rise of Skywalker
  • IMDb: link

Star Wars: The Rise of Skywalker movie reviewWith The Rise of Skywalker J.J. Abrams returns to close-out the sequel trilogy which began with Star Wars: The Force Awakens and The Last Jedi. Not content to end just this series, Abrams intends the film to work as the climax to all nine of the Star Wars films featuring mentions, Easter Eggs, and callbacks from every film (and even some of the various animated TV series). The shift also forces a change in the tone of the arc of the series as Rian Johnson‘s look to the future is replaced with a story tied very much to the past.

One of the complaints some had to The Last Jedi was the film wasn’t fan friendly enough. The Rise of Skywalker goes a bit overboard in attempting fix a problem which in my opinion didn’t exist in the first place. The result is a final entry to the franchise that feels like an attempt to placate more vocal fans by asking less of them the final time around and offering up a heaping of nostalgia and fan service instead. It’s more Return of the Jedi than Star Wars. On an emotional level, Star Wars: The Rise of Skywalker works. It’s a cathartic farewell to these characters. Story wise, however, it’s the weakest of the three sequel films.

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Marriage Story

/ / Home Video
  • Title: Marriage Story
  • IMDb: link

Marriage Story movie reviewOffering as much commentary on divorce at large as its effect on his two main characters in Marriage Story, writer/director Noah Baumbach explores the dissolving marriage of theater director Charlie Barber (Adam Driver) and actress Nicole Barber (Scarlett Johansson) who struggle through change in humorous and heartbreaking ways. While their separation is mutually understood from the opening scene, a particularly good use of narration that allows us to get a sense of both characters, Charlie seems less able to deal with the changing realities of the family dynamic while Nicole relocates from New York to Los Angeles with their son Henry (Azhy Robertson) for work on a television pilot and begins to take the lead in the divorce by hiring a ball-busting attorney (Laura Dern).

There is still affection between the pair, but there is also hurt, resentment, and anger which only increases as the divorce becomes more litigious. Providing some of the film’s more humorous scenes, Alan Alda and Ray Liotta both appear at times as Charlie’s lawyers taking on Dern’s character in court (proving the old adage that the only ones who win in divorce proceedings are the lawyers).

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The Report

/ / Home Video
  • Title: The Report
  • IMDb: link

The ReportThe Report is one of a number of movies released in 2019, most of them based on true stories, centered around an idealistic protagonist uncovering a dark truth and struggling to bring it to light. Our hero is Senate staffer Daniel J. Jones (Adam Driver) who is chosen by Senator Dianne Feinstein (Annette Bening) to lead an investigation into the CIA’s detention program, and the enhanced interrogation techniques they deployed, following the attacks on September 11, 2001. What he discovers is shocking and disgusting, as is the CIA’s work to discredit the report and make sure the truth never sees the light of day.

The events depicted in the film are less shocking today then when they were disclosed, but writer/director Scott Z. Burns does fashion this version of Jones as the vessel for the outrage over what was done in the name of freedom as well as a singular source to document and describe many of the flaws with the CIA’s methods that, after all was said and done, produced very little in actionable intelligence. While Jones is obviously Burns’ hero, Senator Feinstein is a bit harder for him to nail down (especially given her late waffling against the opposition to the report).

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BlacKkKlansman

/ / Home Video
  • Title: BlacKkKlansman
  • IMDb: link

BlacKkKlansman Blu-ray reviewBased on the insane true story of African-American Colorado Springs police officer Ron Stallworth (John David Washington) infiltrating the Klu Klux Klan, Spike Lee delivers one of the most fascinating and entertaining films of the year. Laugh-out-loud funny while also proving timely and relevant to today, Lee crafts an amazing film structured around the performances of John David Washington and Adam Driver as the Black and Jewish cops who performed something so miraculous that, if it hadn’t happened, Hollywood would have been forced to invent it. As a cherry on top, Topher Grace gives us his hilarious take on Grand Wizard David Duke whose white supremacist organization becomes the target of Stallworth’s investigation.

Lee and company provide a near-perfect film that holds up to multiple viewings. Available on Blu-ray and DVD, extras include a short featurette and an extended trailer for the film featuring Prince‘s “Mary Don’t You Weep.”

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Star Wars: The Last Jedi

/ / Movie Reviews
  • Title: Star Wars: The Last Jedi
  • IMDb: link

Star Wars: The Last Jedi movie reviewI love Star Wars. I’m a fan. Always have been. My love of film, science fiction, and movie merchandise can be traced back to the film that sprung from the mind of George Lucas. I mention this because, as a fan, it’s not always easy to look critically at what you love. However, I will do my best (while avoiding spoilers).

Star Wars: The Force Awakens gave me a taste during its final moments, but Star Wars: The Last Jedi finally delivers on the Luke Skywalker (Mark Hamill) film I have been waiting impatiently for since 1983. Adding to my interest in the latest installment of the Star Wars franchise was the fact that a grizzled Luke would get paired with my favorite of the new characters introduced in the previous film. Those expecting Luke to jump immediately into action on behalf of Rey‘s (Daisy Ridley) plea might be initially disappointed, but (despite small complaints I have with the film) I think you’ll agree that writer/director Rian Johnson succeeds in paying homage to what has come before while shading a bit more outside of the lines than J.J. Abrams was willing, or able, to do.

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