Abbie Cornish

Limitless

  • Title: Limitless
  • IMDB: link

Based on the novel by Alan Glynn, Bradley Cooper stars as a struggling writer who takes an experimental drug allowing him to use a larger part of his brain and granting him enhanced intelligence and creativity. His world instantly expands as he writes his novel and begins to clean up on Wall Street by using his intellect to see patterns in numbers.

However, the drug doesn’t come without a cost. Aside from being a stolen commodity which several people are willing to kill for, NZT-48 causes blackouts and time lapses, and is highly addictive as the body becomes dependent on the drug.

Using his enhanced abilities Eddie attempts to make his fortune, use his abilities to help a corporate tycoon (Robert De Niro) with an important merger, win back his former love (Abbie Cornish), and stay ahead of those (Andrew HowardTomas Arana) willing to kill for the drug.

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Sucker Punch

  • Title: Sucker Punch
  • IMDB: link

sucker-punch-posterWell, the dragon was kinda cool. You know you’re watching a Zack Snyder film when twenty minutes in you realize you’d rather be watching a Brett Ratner flick.

There were a myriad of ideas bouncing around my head as the credits began to roll and I tried to wrap my brain around what the hell I just watched, let alone what it was supposed to mean. Coming out of Sucker Punch I felt I was the one who had taken the hit – right in the crotch.

Sucker Punch has been Snyder’s pet project since 2007 and it’s a pretty strong idictment against directors having total control of a film. It might have been insufferable, but at least Peter Jackson’s multi-million dollar masturbatory fantasy had a giant ape who was fun to watch.

Sucker Punch gives us scantily clad young actresses espousing ridiculous dialogue while playing out an even more ridiculous plot. It’s impossible to take a film like this seriously, and, for some unknown reason, that’s exactly what Snyder wants us to do.

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Stop-Loss

  • Title: Stop-Loss
  • IMDB: link

stop-loss-poster

Stop-loss – the involuntary extension of a service member’s enlistment contract in order to retain them beyond the normal end of service.  The film tells us more than 650,000 troops have been sent to Iraq and roughly one-eighth of that number have been stop-lossed, or forced to return to duty past the time of their enlistment.

We begin in Iraq with the unit under the command of Sgt. Brandon King (Ryan Phillippe) which includes his boyhood best friend Steve (Channing Tatum) and the somewhat unstable Tommy (Joseph Gordon-Levitt).

Just before shipping home the unit is caught in an ambush which takes the lives of their friends.  On returning home the threesome are regarded as heroes, but Tommy and and Steve struggle with the readjustment.  Brandon is just happy to be home and free of the army, that is until his C.O. (Timothy Olyphant) informs him he has been stop-lossed and will be returning to Iraq for another tour.

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Elizabeth, Take Two

  • Title: Elizabeth: The Golden Age
  • IMDb: link

Elizabeth: The Golden Age

Director Shekhar Kapur‘s follow-up to 1998’s Elizabeth is something of a train wreck, a lush and well acted train wreck to be sure, but a train wreck none the less.

Where the first movie chronicled Elizabeth’s (Cate Blanchett) rise to the throne this film splits in focus in many directions including the Queen’s fascination and friendship with the explorer Sir Walter Raleigh (Clive Owen), court intrigue and her relationship with one of her ladies in waiting, the “other” Elizabeth (Abbie Cornish), Sir Francis Walsingham (Geoffrey Rush) investigating and torturing traitors, the plot to assassinate the Queen and to put Mary Queen of Scots (Samantha Morton) on the throne, the machinations of King Phillip II of Spain (Jordi Molla), and the war between England and Spain.  If that’s not enough we also get subplots including Elizabeth’s (Cornish) brother (Steven Robertson), Walsingham’s son (Adam Godley), a burgeoning relationship between Elizabeth (Cornish) and Raleigh.

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