4 Razors

The Exorcism of Emily Rose

  • Title: The Exorcism of Emily Rose
  • IMDb: link

I am hard to please when it comes to horror movies.  I demand them to actually be creepy, scary and suspenseful which 98% of horror movies released these days sadly are not.  My curiosity was aroused from the plot blurb for The Exorcism of Emily Rose, and the actual experience I had viewing the movie was shocking.  Instead of relying on big budget special effects and buckets of blood as so many horror movies try today this film relies on suspense, character, plot, story, lighting, tone, and some of the simplest but most effective special effects I have ever seen in a horror film.  This film is gripping; I wasn’t able to take my eyes off the screen.  Nothing prepared me for what I was about to see.

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A Man Walks Into the Office of a Talent Agent…

  • Title: The Aristocrats
  • IMDB: link

One joke told over and over for ninety minutes.  It may be fair to say that The Aristocrats is the funniest documentary ever made; it is easily one of the most profane.  To be completely honest the film is a little uneven; there are more than a few slow points, but when the joke is given to the right comedian prepare to roll around the aisle in tears.  I laughed my ass off!

The documentary examines one aspect of comedians, a private joke told among themselves.  The joke it seems is as old as the comic profession.  The object of the joke is to make it as disgusting and vulgar and humorous as possible; anything is fair game.  The movie goes back and forth from analyzing the joke to actually having a host of comedians tell it.  Hold your hats folks, the folks they found can tell a joke.  Everybody’s here, it is a who’s who of comedians:  Billy Connolly, Eric Idle, Richard Lewis, Chris Rock, Lewis Black, Whoopi Goldberg, the South Park gang, Paul Reiser, Howie Mandel, the Smothers Brothers, Steven Wright, oh god I could go on and on.

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Harry Potter and the Half-Blood Prince

  • Title: Harry Potter and the Half-Blood Prince
  • Wikipedia: link

J.K. Rowling’s Harry Potter and the Half-Blood Prince is the sixth entry and, if we believe the author, the next to last book in the Harry Potter series.  So how does it rank?  Well I have enjoyed the series for the most part, but was disappointed with Harry Potter and the Order of the Phoenix which seemed hastily written to appease the publishers and fans rather than craft a good story.  After reading this installment however I was once again happily transported back into the world of witches and wizards, goblins and house-elves, and a wonderful school for magic.  The book recaptures the magic and mystery as we are thrust once more into the world of Harry Potter.

All of our old friends are back, but the world that we return to isn’t quite as cheery as the one we left.  Lord Voldemort has organized his Death Eaters and begun to attack and kill off any obstacles to his return to power.  The newspapers are full of new casualties every day, and a cloud of fear seems to surround everything.

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It’s Hard Out Here for a Pimp

  • Title: Hustle & Flow
  • IMDb: link

Can a you root for a pimp?  The answer Hustle & Flow gives is a resounding yes.  Djay isn’t a bad man, just one who is stuck in a life he never really wanted and wishes to live out his lifelong dreams.  Well, that’s a pretty universal story I think most people will be able to relate to.

Djay (Terrence Howard) is a middle-aged pimp who treats his hookers better than some parents treat their children.  Djay’s main source of income is Nola (Taryn Manning) the skinny young ghetto white girl who he pimps out of his car.  Also part of his family are hookers Shrug (Taraji P. Henson) who is pregnant and the loudmouthed Lexus (Paula Jai Parker).  Djay waxes nostalgic daily about life and dreams about becoming a rap star.

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We Crash Into Each Other

  • Title: Crash
  • IMDb: link

crash-posterIntertwining tales of violence and bubbling racial tensions crash into each other as residents of L.A. deal with issues of hate, bigotry, and racism that present themselves sometimes subtly and sometimes not-so-subtly throughout the course of the film.  Crash tries to show how many people live their lives with certain ideas and notions that they might not even be aware of until they are forced to confront them.  Many people won’t like the film for it’s bleak look at the human condition, but in examining this small group of people the film works for me as it shows how easily ill-will and prejudice can be passed on from one person to the next through angry or hateful exchanges.

There is a cop (Don Cheadle) who is sleeping with his partner (Jennifer Esposito) and dealing with a drug addict mother and a younger brother (Larenz Tate) who likes to carjack white folks with his friend (Ludacris).  The car they choose one night belongs to the District Attorney (Brendan Fraiser) whose wife (Sandra Bullock) is tramatized by the incident and takes it out on her husband and the Hispanic (Michael Pena) locksmith they hire to change the locks who she takes for a gangbanger and has an Iranian customer (Shaun Toub) who thinks he is ripping him off and then when his shop gets robbed he takes the gun his daughter (Bahar Soomekh) bought him and searches for revenge.  Then there’s the racist cop (Matt Dylan) who can’t get his father the health care he needs and takes it out on a young black couple he pulls over (Terrence Howard and Thandie Newton) to the disgust of his partner (Ryan Phillipe).

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