4.5 Razors

Walk Hard

  • Title: Walk Hard: The Dewey Cox Story
  • IMDb: link

“It ain’t easy to walk to the top of a mountain.  It’s a long hard walk, but I will walk hard.”

The collaboration between Jake Kasdan and Judd Apatow is a perfect parody of recent overly serious and sentimental music biopics like Walk the Line and Ray which examine the entire life of an artist with all the skill and depth of a Behind the Music special.  The film follows Dewey Cox (John C. Reilly, who plays the character from the age of 14 to 71) who faces the tragic death of his brother to an unfortunate machete accident, the disapproval of his father (Raymond J. Barry), drugs, booze, and women, to become a legend.

Although it helps if you’ve seen the films this one parodies it’s not a necessity to get most of the jokes (though you will miss some of more subtle moments including specific shots and camera work).  Reilly is terrific in a role that let’s him prove just what a great dumbass he can play.  And, as he proved in A Prairie Home Companion (read that review), he can sing.  It’s a combination of the music and sharp unrelenting wit that transforms this film from the regular mass produced parodies like the Scary Movie franchises, and moves into the elite company with This Is Spinal Tap and Airplane.

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No Country for Old Men

  • Title: No Country for Old Men
  • IMDB: link

“It’s a mess ain’t it sheriff.”
“If it ain’t it’ll do ‘til the mess gets here.”

no-country-for-old-men-posterBrutally violent, with eloquently scripted dialogue and sumptuously cinematography No Country for Old Men has all the pieces in place for a great film, but although it’s certainly a very good film it loses much of its momentum over the course of its two-hour running time ending with more of a whimper than a bang.

The story begins when Llewelyn Moss (Josh Brolin) discovers the remains of a drug deal gone wrong and finds $2 million in cash.  A moment of conscience leads to him being marked by both sides after the money and LLewelyn sends his wife (Kelly Macdonald) to her mother’s (Beth Grant) as he takes to the road to stay one step ahead of a hitman (Javier Bardem) who knows his name and always seems only one-step behind.

The film begins in terrific fashion and the dialogue is perfect, especially the simple scenes between Llewelyn and Carla Jean (MacDonald).  I wish she had a larger role in the film because the two work so well together.  Bardem puts in a strong performance as the mysterious sociopathic hitman.

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The West Wing

  • Title: The West Wing
  • tv.com: link

“Shows about politics don’t work.”
—Aaron Sorkin (discussing the many concerns the network had with the show’s concept)

“The people I have met have been extraordinarily qualified.  Their intent is good.  Their commitment is true.  They are righteous, and they are patriots.”
—Ainsley Hayes (“In This White House”)

the-west-wing-castThe West Wing broke many of the rules of television.  Discussing politics, morality, foreign policy and the world, political wrangling, real life issues, legislation and the creation of law, and real world problems.  For seven years the staff of President Bartlett (Martin Sheen) raised debate and discussion in the country by presenting a view of government that was hard-working, knowledgeable, passionate, patriotic and smart.  And, somehow, it made it all interesting, entertaining, and must-see TV.

The show was praised by former White House staffers in presenting the pace and challenge of the job.  One of the trademarks of the show was the “walk-and-talks” which filmed the characters walking and talking through the halls of The West Wing  They were simply too busy to sit down.

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Death has Never Been so Funny

  • Title: Death at a Funeral
  • IMDB: link

death-at-a-funeral-poster

lnto everyone’s life, and death, it seems a little chaos must fall.  Death at a Funeral brings out all kinds of zaniness as friends and family gather to bury one of their own and end up nearly killing each other as things get further and further out of control.  Director Frank Oz gives us one of the year’s best films and the best comedy of 2007 so far.

A death in the family brings together a group of mourners each struggling with their own lives and creates the catalyst for the hilarious and the absurd as nothing goes as planned.

The dutiful son Daniel (Matthew Macfadyen) tries to comfort his mother (Jane Asher), who is driving his wife Jane (Keeley Hawes) crazy with her constant snips, and prepare to give the eulogy everyone expects his brother Robert (Rupert Graves), the famous author from New York, to give.

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Death Done Right

  • Title: Harry Potter and the Deathly Hallows
  • Wikipedia: link

I’ve been reading the Harry Potter series for just over nine years now.  I’ve spent countless hours reading and rereading the books, discussing them with my friends, and even protesting a radio station for ruining the last book’s ending on-air before I finished it.  With all of my history with the books, is it even close to possible for series author J.K. Rowling to end this story that I’ve grown up with to my satisfaction?

The book starts out in line with the other six entries into the series.  Harry gets picked up from Number Four, Privet Drive and is escorted to the Burrow for another half-summer spent with the Weasleys.  The only difference is that on the way there, Harry is nearly murdered and one of his friends actually is.  Rowling makes it fairly clear from the beginning: this is war.  People are going to die and they won’t stop dying unless the enemy bites the dust himself.

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