3.5 Razors

Invictus

  • Title: Invictus
  • IMDB: link

Invictus is a project Morgan Freeman has been trying to get off the ground for more than a decade. Although I think it’s a quality film, and the story is definitely worth telling, I can certainly see why it took this long for the film to get made. It feels at least one more rewrite away (the script was adapted from John Carlin‘s book by Anthony Peckham) from cashing in on its full potential.

Invictus centers around an event, the 1995 Rugby World Cup. The focus is split between that of the newly elected President Nelson Mandela (Freeman) and the captain (Matt Damon) of the South African Rugby team, the Springbok.

The film certainly captures the importance of the event and what it meant to a new South Africa coming out of the days of apartheid. It also succeeds in demonstrating the change in attitude of the South African people to the team, and effectively spotlights how sports can truly unify people in a very unique way.

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The Road

  • Title: The Road
  • IMDB: link

Like most post-apocalyptic tales, The Road isn’t exactly sunny. Based on the novel by Cormac McCarthy, the story follows a father (Viggo Mortensen) and a son (Kodi Smit-McPhee) as they journey across a decimated world in search of food, shelter, and safety from bands of roving cannibals.

Okay, so it’s not a date movie.

This is really a two-character story. Other than the cannibals and occasional straggler the pair encounter, the only other person given screentime is Charlize Theron as Mortensen’s wife (though she is only shown in flashbacks).

This means the weight of the film falls on Mortensen and young Smit-McPhee. Thankfully they’re up to the task. Mortensen is as good as always, and Smit-McPhee holds his own against the Oscar-nominated actor.

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Staring at Goats

  • Title: Men Who Stare at Goats
  • IMDB: link

Men Who Stare at Goats begins by stating that more of what you are about to see is true than you would believe.

Based on the non-fiction book by Jon Ronson the film takes us into the world of government funded programs to create psychic spies, or as George Clooney’s character likes to call them – Jedi Warriors.

The film is presented from the perspective of reporter Bob Wilton (Ewan McGregor) who stumbles upon the unlikely story while trying to prove something to himself (and his ex-wife after she leaves him for his boss) by jumping hastily into a dangerous story without thinking.

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A Serious (and downright pathetic) Man

  • Title: A Serious Man
  • IMDB: link

a-serious-man-posterFrom the minds of the Coen brothers comes this tale of a rather pathetic Jewish professor of physics in late 60’s Minnesota. Larry Gopnik (Michael Stuhlbarg) is having all kinds of problems, from the serious to the mundane.

Larry is indeed A Serious Man, and one whose existence isn’t likely to be improved over the course of the film. Though you have a feeling if he could see the dark humor of his own situation he might laugh himself to death.

His wife (Sari Lennick) has decided to leave him for a widower (Fred Melamed), his unemployed brother (Richard Kind) is living on his couch, his daughter (Jessica McManus) is stealing from him, a student unsatisfied with his grade (David Kang) and his family are bribing and threatening him, a neighbor wants to build a shed on his property, the committe deciding on his tenure at the college is receiving unflattering letters about the professor, and he’s being hounded by a telephone calls from a man demanding money for records Larry neither asked for nor received.

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Discover for yourself Where the Wild Things Are

  • Title: Where the Wild Things Are
  • IMDB: link

where-the-wild-things-are-posterThere will no doubt be critics and film professors who dismiss Where the Wild Things Are for it’s lack of story and structure. There will also be those who find immediate emotional attachment to this primal story of a child struggling with a world he can’t control.

Although I do have some qualms about the film mainly dealing with its length (and I thought it could use a bit more polish plot-wise), and didn’t have the emotional attachment to the story I expected, I will freely admit the film is worth a long look.

Aside from the bookends of his normal life, the entire movie takes place in a world Max (Max Records) discovers while trying to escape problems at home he can neither deal with nor articulate. In running away Max discovers a refuge on island of monsters (voiced by James Gandolfini, Paul Dano, Catherine O’Hara, Forest Whitaker, Chris Cooper, and Lauren Ambrose).

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