3.5 Razors

Wicked

  • Title: Wicked: Part I
  • IMDb: link

Mean Girls with a side of fantasy? Adapted from first act of the Broadway play, Wicked: Part I covers the childhood of Elphaba Thropp (Cynthia Erivo) and her enrollment at Shiz University where she’ll be partnered with the mean but popular Galinda (Ariana Grande). It’s also where Elphaba will discover that her magical ability is even rarer than her bright green skin eventually leading to trip to the Emerald City and an audience with the Wizard of Oz (Jeff Goldblum).

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G.I. JOE #1

The relaunch of a new main G.I. JOE title offers us a team of Duke, Rock ‘n Roll, Stalker, Cover Girl, Clutch, and (most surprisingly for those who didn’t read the Duke mini-series) the Baroness. The new series continues the story started in the various mini-series introducing key characters to merging G.I. JOE into a shared universe with the Transformers. The first issue introduces the team and points out early on that despite their skills they are far behind the group who has yet to be revealed as Cobra who is already maximizing Engeron to bolster their forces and the unknown threat of transforming robots from another world.

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Citadel: Honey Bunny – Talwar

  • Title: Citadel: Honey Bunny – Talwar
  • IMDb: link

The second episode of Citadel: Honey Bunny overs three threads. We get Honey (Samantha Ruth Prabhu) finding her daughter Nadia (Kashvi Majmundar), which turns out to take less time than expected (and provide more context to the rules Honey has set up with her daughter in case of such emergencies), and relocating to a safe house with more pursuers on her trail. We see Bunny (Varun Dhawan) reconnect with his old friend Chacko (Shivankit Singh Parihar) and make a run on one of the enemy’s bases coming up empty on the attack. And, in the past, we see Honey begin her training as a spy against the reservations of the misogynistic Guru (Kay Kay Menon) despite her obvious talent for the work and her relationship with Bunny turning romantic.

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Topkapi

  • Title: Topkapi
  • IMDb: link

Topkapi

1964’s Topkapi is an odd film. Starting with a psychedelic opening in which a character breaks the fourth wall to talk directly to the audience, a device which is never seen again, the film then vacillates between a heist film and a farce before finally settling in as a serious heist film (with an admittedly farcical epilogue). The story involves a thief (Melina Mercouri) who recruits an old partner and lover (Maximilian Schell) and a collection of amateurs for a risky heist in Istanbul. Their plan relies, in part, on smuggling the tools needed into the country through the use of unaware small-time hustler Arthur Simpson (Peter Ustinov).

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