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Hardcore

Girls, Drugs, and Guns. Now how about a point?

As a fan of 60’s and 70’s exploitation flicks, it really bums me out when a movie makes naked nubile beauties snorting coke, turning tricks, and blowing people’s brains out unappealing. 2004’s Greek powerhouse of style attempting to masquerade as substance, Hardcore, is just that film.
No really, kiddies, I’m just kidding. Sex, drugs, and violence are bad and shouldn’t be celebrated in film. Well, that is unless they are presented in a fun manner. Hardcore is not fun. It’s not really even that entertaining. And for the trench coat faction of you out there it’s not even very erotic. It just kind of sits there like a million other pretentious arty films that wallow in sensational topics just to get attention but offer little in story or substance.
Well, at least the chicks are hot.

Hardcore follows two teenage prostitutes in Athens, Nadia (Katerina Tsavalou) and Martha (Danae Skiadi), who fall in love with each other (even though they both have fellow prostitute boyfriends), kill their pimp, blame it on one of the boyfriends, and go off together as Nadia becomes a famous TV star and model. The ups and downs of their twisted relationship are explored while Nadia, who is the “bad girl” of the two, screws her way up the corporate entertainment ladder and Martha declines into a life of drug abuse and depression. Some sort of redemption supposedly takes place at the end, but it beats me what that is.

It’s kind of unfortunate that the story is so silly and pointless because the look of the film is great. Hardcore is director DennisIliadis’s first feature film and he does a great job of presenting the world these two live in as a dark, disturbing place. There are a few fantasy-type sequences in which Martha is dreaming of a better life that are really well done but are unfortunately like small diamonds periodically peeking out of a vast pool of foul, slimy, sewage.

Alright, I have another thing to get off my chest: I hated Leaving Las Vegas. That movie was, to me, a nihilistic exercise in depravity that had no point, no redeeming value, and was absolutely no fun. Hardcore seems to follow along the same lines as Leaving Las Vegas, and I enjoyed it about as much. I guess I just don’t get this kind of film-making because Leaving Las Vegas received a lot of critical acclaim when it came out and I’m sure somebody is going to think Hardcore is utterly brilliant. True, it’s visually appealing and clever at times, but it’s ultimately a waste of time.

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“The Lord Loves A Working Man, Don’t Trust Whitey”

Universal is the real jerk on this skimpy DVD

“Whaddya mean you’ve never seen The Jerk?!?!?!?” is the usual response I got when people found out I had never seen the 1979 comedy favorite starring Steve Martin. I am slightly embarrassed that this incredibly popular movie somehow eluded me all these years and I am delighted to be reviewing Universal’s new 26th Anniversary Edition DVD for you loyal Razorfine readers.
Unfortunately, any promise the words “Anniversary Edition” might hold for this disc to be truly special are squelched when one looks at the back cover and sees the near complete lack of bonus features. Well, at least the movie is really funny.

The Jerk tells the story of a very stupid man, Navin Johnson (Steve Martin), as he leaves home for the first time and travels around the country looking for fame and fortune. Raised by a poor black family in Mississippi, Navin hears watered-down jazz music on the radio and is inspired to get out and find what life has waiting for him. On his way he works at a gas station for Jackie Mason, gets a job with a carnival, falls in love with Burnadette Peters, and invents an eyeglass apparatus that makes him a millionaire. Throughout all of this, Navin never gets any smarter, and his stupidity finally leads him to losing his entire fortune.

Martin plays the idiot brilliantly in his first starring role in a feature film. He also had a hand in the writing of the screenplay, which combined with his expert comedy timing and delivery make the film an incredibly goofy, funny viewing experience.

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Must Love Dogs Tries To Defy Summer Fluff

Must Love Dogs Tries to Defy Summer Fluff but it falls short, despite a stellar cast of seasoned, comic actors.
Wasn’t it only three years ago that Oscar nominated , Diane Lane, was in her full, sensuous glory, creating steamy, screen heat with hunky Olivier Martinez and driving a tame, detached Richard Gere to murder, in order to keep her, in “Unfaithful?” Still graced with the that rare kind of natural beauty that would turn both men and women’s heads, as she entered any room, we now have to watch as Diane Lane is cast as a woman who can’t get a date, on her own, in an easy to digest, romantic comedy, Must Love Dogs. The hard part is that we have to believe in her struggles to find a date, then love, in order for this film to work at all.

It has been eight months since pre-school teacher, Sarah’s (Diane Lane) divorce. Her large, close-knit, Irish-Catholic family is determined to help her get out of her pajamas and into someone else’s. We first meet this interfering clan, crowded in Sarah’s kitchen, all bearing photos of their idea of a perfect man for her. It doesn’t matter if he is married, divorced, gay, an anonymous model from a magazine, the main criteria is that they are male and a potential date and will get Sarah back into the living and loving segment of society.
Sarah’s glib sister, Carol (Elizabeth Perkins, who throws out some funny, pointed lines, a la Eve Arden at her gal pal best) decides to create an online profile and set Sarah up on potential dates, all without her prior knowledge. With too little prodding, Sarah dives into her love assignment, setting up a sometimes funny montage of stereotypical, bad first dates. We get a look of what is out there for single women over forty : someone who is too close for comfort, a jerk who tells her to her radiant face that she is too old, he likes them around 18 (so why did he answer her ad), a depressed crybaby and one who is looking for a some mild, kinky action.
At the same time we watch Sarah’s searches unfold, we are introduced to freshly divorced, Jake (John Cusack), a sensitive renaissance man, who designs and builds wood rowing skulls, the old world way. He is also reluctant to get back into the dating world and would rather watch Doctor Zhivago for the millionth time.
Sarah’s sister, Carol, has not given up, despite never having to go on any of the bad dates and places a new ad and a new criteria. The potential suitor must love dogs. This is the ad that catches a non dog owning Jake’s eye. Oh, Sarah doesn’t own a dog either, so both “rent” a pooch for the date. Of course, this first meeting has to go badly because neither are honest and Carol has added some extra breast tissue to Sarah that just isn’t there and Jake calls her on her breast reduction. It is a combination of first date nerves, fear of acknowledging chemistry and confronting each other’s dishonesty that convinces Sarah to cut it short and flee.
Yes, these two are meant to be together, but, before this can happen, we are must go through a land mind of misunderstandings, road blocks, missed meetings and a side sexual attraction between Sarah and one of her student’s separated father, a pseudo-quasi-renaissance man, Bobby (Dermot Mulroney).
Meanwhile, Sarah’s suave, handsome, refined, widowed father, Bill (Christopher Plummer) is involved in his own online dating entanglements. Unlike his gun shy daughter, Bill wants to date as many women as possible. One of the three of his steady dates is the flamboyant, trailer park-living, Dolly (Stockard Channing in the film’s most honest character). We discover that there is a huge heart underneath all the make up and turquoise jewelry .
By coincidence, the handsome Bobby and his cute son, also live in the same trailer park as Dolly, so he and Sarah can conveniently run into each other outside the preschool and explore their mutual heat for each other.
Even though Sarah has found two interesting possibilities in both Jake and Billy, she continues her online search, this time with confidence and on her own, setting up another round of not so amusing bad-date montages.
Sarah is constantly being bombarded with advice and interference from her well-meaning family, but, luckily she has the now standard, gay best friend and co-worker, Leo (Brad William Henke) who represents the voice of reason.
Will Sarah chose the sensitive Jake or the dangerously handsome Bobby? Will her family leave her alone long enough for her to choose? Will we even care?

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About Smurfin’ Time!

The Smurfs finally make it to the big screen… three years from now!

Not Dolly Parton or Brian Dennehy

Thank god for the recent trend in remaking about goddamn everything known to man! Now there are plans to make a Smurf movie in 2008. Why the long delay? It will coincide with the 50th anniversary of the little blue devils, silly!
Even though Nickelodeon Films has reported that it will be a CGI-animated affair, I think it should be live action and star Jim Belushi as Gargamel. Carol Channing should be the cat and Dolly Parton should be Smurfette. It would be a toss up between Brian Dennehy or Wilford Brimley as Papa Smurf. Well, you get the idea. Read the whole article here.

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Mo Cuishle vs The Italian Stallion

So I went to pick up my copy of Million Dollar Baby on DVD and just sitting there was the Special Edition DVD of Rocky.  What’s a guy to do?  So I ended up spending a night with two boxing films that took home the Oscar for Best Picture.  So let’s get ready for some boxin’!  In this corner we have the champion of boxing movies, the eternal underdog who makes good on his one shot, the Italian Stallion, Rocky Balboa.  And in the other corner we have the challenger, a woman from humble trailer park beginnings, trained by Dirty Harry, Mo Cuishle, Maggie Fitzgerald.  So which is the better DVD, it’s a close call, and sure to go the distance.  Read on dear viewer, read on.

Rocky and Million Dollar Baby
4 & 1/2 Stars

So I went to pick up my copy of Million Dollar Baby on DVD and just sitting there was the Special Edition DVD of Rocky.  What’s a guy to do?  So I ended up spending a night with two boxing films that took home the Oscar for Best Picture.  So let’s get ready for some boxin’!  In this corner we have the champion of boxing movies, the eternal underdog who makes good on his one shot, the Italian Stallion, Rocky Balboa.  And in the other corner we have the challenger, a woman from humble trailer park beginnings, trained by Dirty Harry, Mo Cuishle, Maggie Fitzgerald.  So which is the better DVD, it’s a close call, and sure to go the distance.  Read on dear viewer, read on.

Always protect yourself

Million Dollar Baby
Frankie Dunn (Clint Eastwood) was one of the best cut men in the boxing game.  Now he owns a gym with the help of his old-time friend Scrap (Morgan Freeman).  Frankie’s life is not a happy one.  He has an estranged daughter who he writes every week, but whose letters are always returned unopened.  He attends Catholic mass every day without fail as he is haunted by some past sin.  And he has lost his boxer to another manager who can guarantee him a title shot.  Into his life walks a thirty-one year old woman named Maggie Fitzgerald (Hillary Swank) who wants Frankie to train her and won’t take no for an answer.  Frankie isn’t interested in training a girl, but Maggie slowly starts to wear down his resolve.  Finally Frankie agrees and Maggie starts to live her dream in the ring. 

The movie is never about what you think its about.  It travels a winding road of subtle and abrupt turns, much like life.  This was by far the best of theatrical releases of 2004.  Besides Best Picture it won Eastwood a Best Director Oscar, Swank a Best Actress Oscar, and Freeman a Best Supporting Actor Oscar.  The films performances are just unbelievable, and Eastwood’s direction shows a style that doesn’t mind not showing or telling the audience everything, something I wish other current directors would learn from.  The world of Frankie and Maggie is filled with many odd and interesting stories that would be cut out of a lesser film.  The best of these are Danger (Jay Baruchel), a young man with absolutely no boxing talent who punches air around the gym and is constantly yelling out a challenge to fight Thomas “Hitman” Hearns, and Father Horvak (Brian F. O’Byrne) a preacher who Frankie torments on a daily basis with questions like “So is Jesus a Demigod?”  The films many plot turns and multiple stories are held together by Freeman’s low key narration which tells us as much about our characters as the sport of boxing.  Freeman effortlessly finds just the right notes for each scene and brings us fully into this world.

The two disc collection ($29.95) has some nice extras.  We are given two different documentaries, one on the producers and the production aspect of the film and a second documentary on the making of the film.  Both are well done.  The other extra is a short interview with Eastwood, Swank, and Freeman talking with James Lipton.  I have to admit being disappointed with this extra.  Lipton spends most of the interview plugging his own show and shamelessly kissing up to the actors; not much new stuff here especially if you have already seen Lipton interview these actors separately.  The movie’s trailer is also included.  The glaring oversight here is the lack of even a single commentary track, especially for a movie of this caliber in terms of acting, action sequences, and how the film is lit and shot.

Yo, Adrian!

Rocky
Rocky Balboa (Sylvester Stallone) is a man with few positives in his life.  His boxing career is going nowhere, he’s got a dead-end job as a leg breaker for a small time mobster, his best friend Paulie (Burt Young) is a loudmouthed drunk whose sister Adrian (Talia Shire) won’t give him the time of day, and he’s just lost his locker at the local gym run by Mickey (Burgess Meredith).  Rocky is given his one shot at greatness when the opponent for the heavyweight champion Apollo Creed (Carl Weathers) backs out only five weeks before the fight leaving an opening for a no-name contender.  Rocky accepts Mickey as his manager, tries to win Adrian’s heart,  and trains for what will be his one chance to prove himself that he is more than just a bum.

The movie is less a story about a man’s chance at greatness than about a man proving his worth to himself.  Rocky never really considers he has a chance to win.  For him the victory is the chance to finish the fight still standing, to do what no one has been able to do and take Creed the distance.  Although there are several wonderful pieces here (directing, acting, cinema photography, score, fight sequences) this is Stallone’s shining moment.  The fact that he wrote this screenplay and held onto it until a studio was willing to let him play the lead role is a great Hollywood story.  The supporting cast is just terrific, and the fight sequences are as well filmed as anything you would see today.  You also get a strong feel for the town of Philadelphia which would be played on further in the sequels.

The Special Edition ($14.95) is chocked full of goodies.  First, we get a commentary track that includes director John G Avildsen, producers Irwin Winkler and Robert Chartoff, and actors Talia Shire, Burt Young, and Carl Weathers.  The only one missing here is Stallone himself.  There is also a short “video commentary” with Stallone that is really more of an interview with intercut scenes, but is still very good.  Aside from the commentary we get a short documentary from the director which goes into detail of how the fight scenes were shot and actually takes a look at some of the original 8mm footage that was used, trailers and television spots, a short tribute to Burgess Meredith, and a short tribute to the cinema photographer James Crabe.  Really stocked full of great stuff here for just a one disc DVD.

No knockout here folks, so we have to go to the ref’s scorecards for the decision.  I think both of these are worthy DVDs to add to any collection, but if you had to pick one only….well that’s a tough one.  For half the cost and more extras including commentary I’m inclined to go with Rocky rather than Million Dollar Baby, although I honestly don’t think you could go wrong either way.  Both are boxing movies, but neither is solely about boxing.  The main characters in each are searching for their place in the world and in the ring, and they both are given a shot late in the life of their careers to succeed when no one thinks they can.  These are stories about people whose lives have threatened to pass them by and are given one chance to prove that they can succeed and prove their worth.

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