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Pearl

  • Title: Pearl
  • IMDb: link

Made after, but set chronologically before, 2022’s X, Pearl acts as a prequel to the first film of the X Series with Mia Goth reprising her role as Pearl introduced as a not-quite-right young woman living on her parents Texas farm in 1918 while her husband fights abroad in WWI. The same location is used for the house as in the first film with it getting quite the makeover as well a concerted effort writer/director Ti West and cinematographer Eliot Rockett to exaggerate the look and vibrant color scheme of the film with brighter and bolder colors taking inspiration from Technicolor films of the past such as The Wizard of Oz and Mary Poppins.

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X

  • Title: X
  • IMDb: link

Set in 1979, writer/director Ti West‘s X stars Mia Goth in dual roles as a stripper who heads off with friends to a Texas farmhouse to make a porn and also as the elderly resident of the home who goes on a sexually-frustrated murderous rampage as she begins picking off the visitors one at a time with the help of her equally bat-shit crazy husband (Stephen Ure).

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Arcane – The Complete First Season

  • Title: Arcane: League of Legends – Season One
  • IMDb: link

Adapted from Riot Games’ League of Legends universe, the First Season of Arcane: League of Legends focuses on origin stories for sisters Vi (Hailee Steinfeld) and Jinx (Ella Purnell) while exploring the class struggles between the utopian city of Piltover and the oppressed underworld city of Zaun. The first thee episodes of the series provide examples of the girls’ childhood and how that life ended badly for all involved while the rest of the season picks up years later bringing the two sisters, each believing the other died years ago, together again. Also explored is the rise of scientist Jayce Talis (Kevin Alejandro) and his Hextech technology which will change the world. 

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Topkapi

  • Title: Topkapi
  • IMDb: link

Topkapi

1964’s Topkapi is an odd film. Starting with a psychedelic opening in which a character breaks the fourth wall to talk directly to the audience, a device which is never seen again, the film then vacillates between a heist film and a farce before finally settling in as a serious heist film (with an admittedly farcical epilogue). The story involves a thief (Melina Mercouri) who recruits an old partner and lover (Maximilian Schell) and a collection of amateurs for a risky heist in Istanbul. Their plan relies, in part, on smuggling the tools needed into the country through the use of unaware small-time hustler Arthur Simpson (Peter Ustinov).

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