Ian T. McFarland

The Croods

  • Title: The Croods
  • IMDB: link

the-croods-posterIf you follow show business, you’ve probably heard that DreamWorks Animation isn’t doing too hot. Ever since they mercifully let their not-so-jolly green giant retire, they’ve struggled to find any other banner property to prop their studio on. And last year’s Rise of the Guardians was especially disappointing at the box office. To make things worse, Jeffrey Katzenberg’s studio laid off hundreds and had to break off from long-time distributor Paramount Pictures.

All of this culminates with The Croods, which DreamWorks desperately needs to be a hit to avoid slipping further into uncertainty. But The Croods is somewhat of a mixed bag. If the studio was going for a Hail Mary they failed, but it’s still a passable family film that should go down as a safe play.

The Croods is the prehistoric tale of a family of Neanderthals that have survived in a scant desert the only way they know how: by hiding in the dark almost constantly. Eldest child Eep (voiced by Emma Stone) is a teenager trying to escape the protective hold her father (Nicholas Cage! As a stupid caveman!) has held his family under to keep them from being eaten by something.

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A Good Day to Die Hard

  • Title: A Good Day to Die Hard
  • IMDB: link

a-good-day-to-die-hard-posterThe original Die Hard did a lot of things very well, but one of the most remarked upon was its simplicity. Isolating the protagonist to a largely empty office building, Johh McClane spent most of the film without guns, gadgets, even shoes. Playing the game this straight let all of McClane’s accomplishments shine harder, and stacked up the stakes even more hopelessly against him.

But you don’t need simplicity for a great film. That’s surely something the filmmakers of A Good Day to Die Hard kept in mind with this fifth film in the series. This time around, McClane flys to Russia hoping to get his ne’er-do-well son (played by Jai Courtney, not great) out some trouble he’s run into.

Turns out that the boy is undercover – John Jr. has become a professional at one of his Dad’s recurring hobbies – saving the world, or something like it. Both McClanes become entangled, despite their estranged relationship, on a mission to rescue a political prisoner.

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“Lake” Love Story Satisfies

  • Title: The Lake House
  • IMDB: link

the-lake-house-posterI’m not sure if America needed to revisit the casting of Speed in the form of a romance-heavy romantic comedy, but nevertheless The Lake House is at your local cineplex.  And even though the commercials showcase a plot so ridiculous only Uwe Boll wouldn’t question it, the film is able to win over the female demographic with ease.  Even if they have a hard time admitting enjoying a chick flick, the guys just might find themselves rooting for a final scene shows Neo and Ms. Congeniality locking lips.

As the film begins, we meet Sandra Bullock moving out into the city, lonely with no one to talk to except her dog.  She might be cute if she weren’t dull, depressing, dead inside . . . but enough with the alliteration.

We also see Keanu Reeves moving into the same lake house Bullock just left, carrying baggage like clothes, furniture and a complicated relationship with his father (Christopher Plummer) that will eventually flesh itself out.

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Tough Love

  • Title: Lust, Caution
  • IMDB: link

lust-caution-posterNot totally unlike his last work, Ang Lee‘s Lust, Caution is a love story lead down the wrong path thanks to forlorn circumstances.  And although Lee’s movie about gay cowboy’s may have worked more thoroughly, there’s still a lot to this Mandarin-language film worth checking out.

Taking place in a World War II China when the Japanese were posing a threat, Lust, Caution focuses on a group of theater students who decide to stop putting on patriotic plays and start killing those Chinese sons a bitches who turned coat to the east, using a young woman (Wei Tang) to infiltrate one such traitor household.  They find out their task is much easier said than done after their target, Mr. Yee (Tony Leung), disappears across the country suddenly and without notice.  All the hard work and planning of six young nationalists goes down the drain.

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Morning Glory

  • Title: Morning Glory
  • IMDB: link

Sometimes, I suppose, some people just need to watch a nice movie where nice people end up in nice places, despite not nice situations. Hollywood knows this, and they know it well. They crank out these nice movies like a long, processed line of uninterupted sausage, knowing it’ll find some sort of audience. It doesn’t matter if they’re using Grade A or Grade F meat, because this stuff is proven to do some business.

This can all be said of Morning Glory, a movie about a nice girl that, in the end, get’s everything nice that she deserves. That nice girl is played by Rachel McAdams, a young up-and-get’m who lands a job as Executive Producer on a morning news show ala Today, only one dying a slow, ratings-denied death. Things are bad enough before she takes a chance and hires Ted Koppel approximate Mike Pomeroy (Harrison Ford), as a co-anchor. It turns out he hates soft news, and doesn’t care if the show stays on the air. Oh no, they might get canceled!

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