December Lambeth

Nanny McPhee

Nanny McPhee is an ugly Mary Poppins indeed. A pack of rotten kids, a sad widowed father, an uneducated maid and nanny with instead a bag of tricks a cane that kicks. Adapted by Emma Thompson from the “Nurse Matilda” books, Nanny McPhee is a story with morals, lessons and love. A magical happy ending for both kids and parents alike.

Nanny McPhee
4 Stars

Nanny McPhee is an ugly Mary Poppins indeed. A pack of rotten kids, a sad widowed father, an uneducated maid and nanny with instead a bag of tricks a cane that kicks. Adapted by Emma Thompson from the “Nurse Matilda” books, Nanny McPhee is a story with morals, lessons and love. A magical happy ending for both kids and parents alike.

With the passing of their mother the Brown kids are lashing out for attention the only way they know how, by ill behavior and bad manors. Running the last nanny in town off in less than 2 days, Mr. Brown (Colin Firth), their father is desperate for help. Nanny McPhee is the person you need, he hears in the breeze. Knock! Knock! At the door on a dark stormy night and there she stood in all her moley glory, Nanny McPhee (Emma Thompson). She goes to work right away; starting with lesson one, go to bed when you are told. She has a special way about her, less than a force more like a push with a knock of her cane. She has but 5 lessons to teach and as soon as the kids have accomplished all 5, she must be on her way. (Marry Poppins anybody?)

A little magic and stern compassion Nanny McPhee whips the kids into shape and helps, in her own way, Mr. Brown with his looming engagement. He must get married within a month or the evil Aunt Adelaide (Angela Lansbury) will cut off his allowance. If he looses his aunt’s financial support the kids must separate and the older children would go to sweat shops and the younger to foster care or an orphanage. This he could not allow, so he attempts to marry a very colorful character, whose husband he had buried the year before. The children do not like her and she them, so they become their evil little selves for one day and get rid of her and turn their father around. Nanny McPhee throws in one last cane thrashing of hope, the love lorne maid, Evangeline (Kelly Macdonald) appears as an angel to save the family and marry the father.

 

Nanny McPhee is a happy little story with charming children, dashingly handsome father and one ugly nanny that will entertain kids of all ages. Nanny McPhee is a fitting family fairy tale ending film

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The Matador

A crazy on the edge hit man and an average blue-collar worker meet up in a bar in Mexico and strike an odd friendship. The Matador is a dark comedy crowd pleaser with colorful and unexpected moments. Pierce Brosnan and Greg Kinnear play off one another delivering stellar performances in a completely unethical story. Say goodbye to the slick tuxedo wearing 007 and say hello to Chelsea boots, black Speedo and a cheap beer; Pierce Brosnan plays up a character that audiences will love to hate and will be surprised to see. Greg Kinnear plays his typical nice guy role without flaw, but adds a bit of spice to his reaction towards his new buddy’s murdering profession. The Matador is both shocking and creative; it’s bullfighting at its prime!

The Matador
3 Stars

A crazy on the edge hit man and an average blue-collar worker meet up in a bar in Mexico and strike an odd friendship. The Matador is a dark comedy crowd pleaser with colorful and unexpected moments. Pierce Brosnan and Greg Kinnear play off one another delivering stellar performances in a completely unethical story. Say goodbye to the slick tuxedo wearing 007 and say hello to Chelsea boots, black Speedo and a cheap beer; Pierce Brosnan plays up a character that audiences will love to hate and will be surprised to see. Greg Kinnear plays his typical nice guy role without flaw, but adds a bit of spice to his reaction towards his new buddy’s murdering profession. The Matador is both shocking and creative; it’s bullfighting at its prime!

Julian Noble (Pierce Brosnan) a past his prime hit man chasing girls and getting drunk on Margaritas in Mexico becomes friends with a down on his luck everyday Joe, Danny Wright (Greg Kinnear). Danny is the good guy who married his high school sweetheart and took an average job to make ends meet. While trying to close a deal in Mexico he meets Julian in the hotel bar. After a few bad jokes on Julian’s part, Danny runs off a little scared and extremely uncomfortable, content with never seeing that crazy guy again.

As luck would have it, the 2 bump into each other in the lobby and Julian, in attempt to make a friend, invites Danny to an historical and local pastime, bullfighting. The 2 men strike up an odd friendship of sorts after Julian confesses his profession and gives Danny a mock hit demonstration. After the deal goes south Danny asks Julian for a favor that will save his marriage and his job.

As time goes by the 2 separate and go their own way. Julian completely looses touch with reality and his edge for killing, he wants out. Finding himself on the other end of a hit, he shows up at Danny’s door to ask a return favor, help him do one last hit. Danny agrees to his request and ultimately walks him through the complete job step by step. After all is done and over and Julian’s life is no longer at risk, he leaves a small token of his appreciation for Danny and goes on his twisted merry way.

 

Odd reactions, colorful moments and brilliant performances make The Matador a film worth watching. To see Pierce Brosnan walk across a hotel lobby with a beer in hand, Speedos crawling up is ass and zipped up ankle boots is absolutely priceless. Adding to the films entertainment value would be the reaction Danny and his wife had towards Julian’s murderous profession, like it was an everyday 9 to 5. She asked to see his gun and he helped him murder someone as if they were barbecuing in the backyard, great elements of the unexpected keeps the audience on their toes and not all too sure what will be coming next. Brosnan and Kinnear’s seamless ability to work off each other keeps you laughing at even the most lude moments. The Matador is a less than glamourous “hit” you won’t see coming.

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The 63rd Golden Globes

The 63rd Annual Golden Globes a precursor to The Oscars. Just in case you missed one of many glorious nights in Hollywood, here is the recap. For more details check out the Golden Globes or see it again this weekend on Bravo.

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With the short recap below, you get out of seeing multitudes of commercials. For every 2 awards they gave out there was at least 4 commercials in between.

Highlights:
-Miss Golden Globe, Don Johnson and Melanie Griffith’s daughter, Dakota Johnson.
-Somebody tell Drew Barrymore, you can see right through her dress. I mean it, she wore this horrible old lady green dress with a complete see through opportunity for the boys.
-Johnny Depp looked like a starved street dweller.
-Clint Eastwood purposely studdering over Brokeback Mountain while announcing the nominees for Best Director. Better yet, Clint Eastwood giving out the Best Director to Ang Lee, Brokeback Mountain.
-Joaquin Phoenix laying a smooch and a man hug on John Travolta during his acceptance for Best Actor, Walk the Line.
-Tim McGraw got a tear in the eye while talking about Johnny Cash and June Cash for Walk The Line.
-What did Dennis Quaid mean by Brokeback Mountain being a film that rhymes with chick flick? Shame on you Dennis, we know exactly what you meant, and on TV no less!
Brokeback Mountain got Best Motion Picture Drama, kick ass!

FILM AWARDS

Best Motion Picture – Drama
Brokeback Mountain

Best Motion Picture – Musical Or Comedy
Walk The Line

Best Performance by an Actor in a Motion Picture – Drama
Philip Seymour HoffmanCapote

Best Performance by an Actress in a Motion Picture – Drama
Felicity HuffmanTransamerica

Best Performance by an Actor in a Motion Picture – Musical Or Comedy
Joaquin PhoenixWalk The Line 

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Reese WitherspoonWalk The Line

Best Performance by an Actor In A Supporting Role in a Motion Picture
George ClooneySyriana

Best Performance by an Actress In A Supporting Role in a Motion Picture
Rachel WeiszThe Constant Gardener

Best Foreign Language Film
Paradise Now – Palestine
Best Director – Motion Picture
Ang Lee Brokeback Mountain

Best Screenplay – Motion Picture
Brokeback Mountain
Written by Larry McMurtry, Diana Ossana

Best Original Score – Motion Picture
Memoirs Of A Geisha
Composed by John Williams

Best Original Song – Motion Picture
“A Love That Will Never Grow Old”Brokeback Mountain

TELEVISION AWARDS

Best Television Series – Drama
Lost
Touchstone Television; ABC

Best Television Series – Musical Or Comedy
Desperate Housewives

Best Mini-Series Or Motion Picture Made for Television
Empire Falls

Best Performance by an Actor In A Television Series – Drama
Hugh LaurieHouse

Best Performance by an Actress In A Television Series – Drama
Geena DavisCommander In Chief
Geena lied about a little girl tugging on her dress and telling her she wanted to be president because of her role in Commander and Chief, and she worships Donald Sutherland

Best Performance by an Actor In A Television Series – Musical Or Comedy
Steve CarellThe Office
A very funny thank you speech he claims his wife wrote, that thanks her over and over again throughout the speech.

Best Performance by an Actress In A Television Series – Musical Or Comedy
Mary-Louise ParkerWeeds

Best Performance by an Actress In A Mini-series or Motion Picture Made for Television
S. Epatha MerkersonLackawanna Blues
Hot flashes and all, this is her first leading role after 15+ years of working in the industry.

Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television
Jonathan Rhys MeyersElvis
He beat out some brilliant performances by Kenneth Branagh, Ed Harris and Donald Sutherland.

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Paul NewmanEmpire Falls
No Show

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Sandra OhGrey’s Anatomy
A studdering and stammering thank you.

Cecil B. DeMille Award
Anthony Hopkins
He was sure to thank all the little people from the catoring truck to the hair dresser not excluding grip carriers and lighting. What a wonderful man.

It was a perfect award show, with all the right people, shows and films getting credit for the best of. I can’t wait to see what the Oscars has in store for us next.

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Top 10 Favorite Movies In 2005

It’s been a rough year for favorites, most of mine have turned into guilty pleasures that are not considered quality films, but well done enough to be box office numbers. I’m including the best of 2005 for the more quality films that deserve some recognition for either quality of story, characters, acting and/or intelligence.

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Slim pickings this year, but many disagree with me. In the past years I would get so excited about films to come everything from independent, foreign, weird and off the wall, to your basic special effect blockbuster, but this year just didn’t deliver for me. Too many serious over blown reality pieces that turned out to be way too many story lines happening at one time and too close to reality. Film is an escape, an ability to run away from life for a couple of hours and fall in love, cry, laugh, freak out, jump or get mad, but to be reminded of the sorrow that happens everyday in life and to pay for that reminder, who wants that?

Brokeback Mountain: A love story to beat all. Brokeback Mountain will be remembered as a film of significance in entertainment history. Two actors pull out a brilliant performance risking not only their place in the spotlight, but their reputation in their chosen fields. A risk that both agree, have paid off. Based on the short story by Annie Proulx, 2 cowboys fall in love in the beautiful landscape of Montana. Unexpected, they continue their romance through marriages, kids and age, only to meet a couple times a year for a camping trip and back to their separate lives afterwards. Neither willing to give each other up, but not allowed to admit their love for one another, their true selves kept secret and ending in tragedy and sorrow.

Cinderella Man: Russle Crow and Ron Howard did it again. Cinderella Man works perfect on all levels, you get the perfect setting, costume design and storyline, it all works. Characters like Paul Giamatti’s is hard to pass up, it’s just like type casting. How could you not love a film about a down and out time in America, the depression, where a character gets to conquer and overcome, to be a winner in the end against all odds?

Mrs. Henderson Presents: A delightful romp about a rich old widow trying to find something to do with herself and her money after her husband passes away. She purchases a ran down theater in the bottoms of London and starts a nude revue during World War II. Mrs. Henderson Presents has sarcasm, wit and humor and the perfect pair of characters that compliments both each other and the film; Bob Hoskins and Judi Dench work together like 2 peas in a pod.

The Upside of Anger: It’s nice to see two main actors comfortable with getting older, it really shows in their performance and adds great depth to The Upside of Anger. Kevin and Joan both inhabit their roles and show life as it is, not always pretty and perfect, but livable. The Upside of Anger is a film for adults about falling in love again and learning how to take it in the chin when life throws you those unexpected punches. Be prepared to laugh, cry, pissed off and laugh again; a well done film compared to the likes of American Beauty and Sideways.

Pride & Prejudice: Jane Austen’s romantic and witty novel brought back to the theaters in this well made version of Pride and Prejudice. The mini-series made for T.V. bored audiences silly, but this much shorter version will win over hearts easy enough with the classic Keira Knightley pulling off independent Lizzie like she may have lived during Regency English times. It’s a novel romance after my own heart.

Memoirs of Geisha: It’s a pretty film, full of beautiful scenery and costuming, which keeps a grace to its acting and story. Memoirs is a moving period piece that is recognizable for both its talent and mesmerizing story.

The Constant Gardener: Compelling and riveting, but also very melodramatic and overblown in other areas. A story of medical companies testing new drugs on a civilization that is ignored by most, but has caught the attention of Tessa (Rachel Weisz), a radical out to save the world no matter what chances she must take.. She had investigated too far and tickled one too many fannies, after trying to convince her husband, Justin, a British diplomat, she strikes out on her own and gets killed. Justin searches for the reason, the truth and finds out that she was right and he ends up in the same place, but solves the problem first. The Constant Gardener is very quiet at times, but has some pretty powerful scenes that will turn you stomach and piss you off, if you have to patience to go through the editing of events from back to front and front to back again, then this is a film to be seen.

My Summer of Love: My Summer of Love is a story of young and not so innocent love between two intoxicating beauties Mona (Natalie Press) and Tamsin (Emily Blunt). Both young ladies having a great deal in common with their beauty, intelligence & style, yet exact opposites in every way from social standards, dress, and demeanor. My Summer of Love shows a little adventure in sexuality and testing the boundaries of a friendship amongst two girls in a passionate summer tale.

Grizzly Man: Watch a documentary about a man that become more animal than human as he lived with the grizzlies. Timothy Treadwell lost touch with reality more and more as the film roles through his life among the wilds; beautiful unforeseen moments appear on camera and weird uncomfortable conversations occur. Whether it’s comical or dramatic, Grizzly Man will keep your attention and proves to be a different form of documentary.

North Country: North Country is not without a few flaws; the film does make every man, but one, Glory’s husband, Kyle (Sean Bean) out to be major pricks. Not one man will stand up for Josey and the other women, that’s a little unrealistic, surely there would have been a few that would have defended the women and stopped some of the ridicule and harassments. And in the last scene of the film where Bill asks the audience in the court if anybody would stand up for Josey and help defend their rights, just about the whole audience stands up, now that’s a little hokey. But overall North Country completely works on all levels and does not disappoint in anyway.

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Last Year’s Guilty Pleasures

Last year’s big CGI films didn’t quite deliver to their expected levels, but were good enough to be considered as popcorn favorites. Let’s hope this years big blockbusters like Superman Returns, Pirates of the Caribbean: Dead Man’s Chest, X-Men 3, Indiana Jones IV, Die Hardest and X-Files 2 deliver. Great another year of part 2, 3, and even 4’s, don’t get too excited about what 2006 blockbusters have in store for us.

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A list of films from 2005 that most definitely deserves a dark room and a big bag of popcorn.

Constantine: Imagine we are all chess pieces that the forces of good and evil use to play with. Constantine takes the depths of hell and brings it to our T.V. as if LA was on fire and the freeway is Hell Central. Based on the characters from Vertigo “Hellblazer” a comic book, Constantine takes the audience from the illustrated page directly to a dark, gothic, and somewhat comedic cinematic experience. Some of the scenes could easily be turned into a vivid graphic novel that captivates its readers and puts them into a trance. Unfortunately, fans of Alan Moore, Jamie Delano, and Garth Ennis’s might be a little disappointed with Constantine’s punchy plot, freakish monsters, and stiff main actor Keanu Reeves as the antihero John Constantine.

Sin City: I went into this film as a novice, never read a comic book and barely skim through graphic novels; I was open for anything. Sin City is, from what I have researched, an exact play by play of the comic itself.(check out SIN CITY: From The Comics to the Screen) Don’t go into this thinking your going to get something different and original. A spectacular twist on Frank Miller’s short stories, nope your getting what you already read, but in film noir style. Where Sin City doesn’t deliver on content variations from the original works, it tries to make up in style, way to go Robert Rodriguez(one of the directors). Got to give it props for the black and white with an occasional color look, it helped the film move along.

The Hitchhiker’s Guide to the Galaxy: Even though Hitchhiker’s Guide doesn’t live up to expectations and needs a little more British slap stick, it’s still worth a gander. Full of pleasing sci-fi and cheesy special effects and with the talents of Sam Rockwell and Martin Freeman, it’s a riot and will keep you on your toes.

Star Wars: Episode III – Revenge of the Sith: It’s done, the last one! How Sad, it took George Lucas some 20 years to complete his legacy and it only took Peter Jackson less than half the time to accomplish his. Half the time with better quality acting, writing, sets and CGI; but we are not here to talk about LOTR, we are here to critique Revenge of the Sith. In comparison, the last installment is awesome, but still shares the same character flaws as Phantom Menace and Attack of the Clones.

Batman Begins: A new Bruce Wayne, a young Bruce Wayne played by the mysterious and handsome Christian Bale and directed by Christopher Nolan (dark film mentor such as Memento and Insomnia), fitting to the darkness of the beginning of the end for Gotham City. A rough and dark batman in the series, not as lighthearted and joking as some of the past and definitely more villainous and vicious. All characters fit, but one, Katie Holmes, luckily her role is so small that she doesn’t ruin the film. Acting power such as Liam Neeson, Michael Caine, Gary Oldman and Morgan Freeman add to the quality and the experience and the significance to how it all began is popcorn watching intrigue.

War of the Worlds: Be prepared to be abducted and flung into an all out, heart stopping, teeth clenching 50’s style sci-fi movie of the year. Be warned, War of the Worlds is scary all day; there is a 10 minute reprieve in the very beginning, but the rest is constant fear. The sounds and look of the tri-pod creatures, mixed with the unbelievable terror on the character’s faces while being wiped off the face of the planet is enough to make you freak out every time a lightening storm comes to town.

Serenity: For true Joss Whedon fans, this film is pure pleasure, sci fi at it’s finest. Sure there are a few hiccups to the storyline and characters, but overall guilty pleasure doesn’t need any explanation.

Harry Potter and the Goblet of Fire: It’s time for Harry to start doing things on his own. The Goblet of Fire gives the audience a look to things to come with Harry, Ron & Hermione. The 3 characters are now teenagers and begin their journey into self-acknowledgment and how they fit into the scheme of things. Harry is entered into the Triwizard Tournament completely by surprise and this chore makes him compete on his own, which leaves out the dynamic trio’s group effort to save the day. Ron & Hermione’s relationship starts to evolve through their little arguments. Hermione lets out a little secret to Ron during the Winter Yuletide Ball about her true feelings and how he should have asked her to the ball before somebody else did. The old-timers, Dumbledore, Hagrid, McGonagall, and Snape, usually concern themselves a great deal with Harry and his well being, but in The Goblet they didn’t have much to do with him. There were a few moments between Harry and the professors, but overall they were side notes in the whole scheme of things.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe: A few mistakes in the special effects, but overall great story and keeps with the book. Kids loved it and adults where intrigued. It’s a moment to escape in a big dark theater, an escape into another realm with half-animal and human creatures, an evil ice queen and a powerful lion as a king, both death and war comes together to end in happiness and the promise of further stories to come.

King Kong: Just to ruffle a few feathers with my fellow Razorfine critics (and give you a different perspective), I’m going to try to take the high ground and be positive. Which wont be easy given the film is way too long, and there are massive issues with construction, characters, plot, story, and well….hell just about everything. But let’s not forget that this film is make believe, and was created to entertain the masses.  And folks, critics are not the masses. We have become overbearing and extremely judgmental in our movie going experiences, and see things for what they really are instead of the fantasy world this type of entertainment is made for.

People will hate the fact that it takes roughly an hour to see Kong, and they have to spend so much time getting to know characters that they don’t give a shit about (nor will they).  They want Kong.  Jackson, what is wrong with you?  People want 10 maybe 20 minutes of character building and then you need to give them the juice. Audiences are going to drool, squirm, eek, scream and jump at every monster that pops out and either crushes, devoirs or decapitates the ship’s crew. The audience won’t notice Kong comes in various sizes, or that his face never quite matches up. They won’t catch on to a New York playwright becoming a master of the jungle and conquers all odds to save the girl only to get back to the ship in 10 minutes. And really, who is going to see the vast difference in the CGI quality Jurassic Park has over Kong in the dinosaur scenes?

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