Moonlighting – Seasons 1 & 2
The style and writing of this wonderful show seamlessly blend the screwball comedy and detective movies of the 40’s and 50’s while creating a show that would break all the rules of network television and create something truly unique.
Moonlighting
4 & 1/2 Stars
Memory is a fickle thing. Going back and watching television shows I enjoyed during my youth can run the gamut of disaster (Knight Rider, Dukes of Hazard) to a renewed appreciation (M.A.S.H.). So with more than a little pessimism I sat down to spend some time with the first and second seasons of Moonlighting. I remember enjoying the show as a kid, but a funny thing happened as I started watching. Not only did I rediscover what I liked as a kid, but I found a new appreciation for the style and writing of this wonderful show that seamlessly blends the screwball comedy and detective movies of the 40’s and 50’s while creating a show that would break all the rules of network television and create something truly unique . In the words of Agnes DiPesto it’s simply “Great, Great!”
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Retired Blue Moon Shampoo model Maddie Hayes (Cybil Shepherd) wakes up one day to find out that her accountant has stolen all her money and fled the country. With no real options she begins to try and sell off her few business interests which were all bought for tax write-off purposes. One of these happens to be a small detective agency headed by David Addison (Bruce Willis) with the help of secretary Agnes DiPesto (Allyce Beasley) who always answers the phone in rhyme and a host of faceless assistants who do little more than sit and there desks waiting for David to call for the next limbo contest. When a man is murdered and the mystery drops right into Maddie’s lap (literally) the show takes off. David eventually talks Maddie into keeping the agency, solve the mystery, and they become partners trying to make a profitable business out of the now renamed Blue Moon Detective Agency. The two go on to bumble their way to solving many mysteries, argue and fight continuously, slam doors, wink at the camera, yell, scream, and provide us with hours of entertainment.
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Turn your way back machines to the year 1985 Sherman. After some success on working on Remington Steele, Glen Gordon Caron was asked to create a pilot for a new man/woman partner detective show. Not a big fan of the genre, but given carte blanche to do whatever he wanted, he created a show that was more comedy than suspense, more about the relationships between men and women than about detective and suspect, and a show that would break many of televisions rules. To begin with the show was an hour long comedy, an extreme rarity today much less in 1985. The characters would occasionally talk to the viewers or make comments about this week’s episode or belonging on cable. In the Christmas episode (the entire episode written as an allegory) the characters actually step off set onto the soundstage to be serenaded by the crew and their friends and family signing Noel, Noel.
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They also pushed the boundaries for what could be done in an hour of television. The black and white episode was shot on old film stock with the black and white cameras that were tracked down. Not only that, but each of the two black and white sequences were shot in different styles, paying homage to both the old MGM movies and the “Marloweske” detective films. The studio being very anxious about showing a black and white episode asked for an explanation at the beginning (thinking people wouldn’t understand why their televisions lost all color twelve minutes in). So who do they get to do it? Orson—freakin’—Welles! Exactly one week before his death. In many ways the show was well ahead of its time and television creators who have taken chances (a certain vampire slayer bursting into song comes to mind) owe quite a bit to this little niche cult television show that somehow, to the surprise of all involved, became a huge phenomenon and ABC’s #1 show in the late 80’s.
Other great episodes include two Agnes DiPesto episodes, Next Stop Murder, a different take on Murder on the Orient Express, and North by North DiPesto, which if I have to tell you what it’s spoofing you won’t get the joke. Great suspenseful plot twist abound in The Lady in the Iron Mask which has a hilarious chase sequence and The Bride of Tupperman where a man offers our detectives $25,000 to find his perfect mate. What can you say about a series that has one episode that includes a food fight, The Murder’s in the Mail, and another that deals seriously with both sides of the euthanasia debate, Witness For the Execution?
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You get your money’s worth (list price $49.98) here for 6 discs packed with 24 episodes and full of extras. Commentary tracks for five different episodes including the pilot and the black and white episode The Dream Sequence Always Rings Twice feature the creator, different writers and directors and both Bruce Willis and Cybil Shepherd do commentary for one episode each. The commentary is surprising good, especially for Dream Sequence, discussing the Orson Welles cameo and the process of making the black and white episode. Also included are 3 different documentaries and a collection of old promos that aired for the show. The menus are easily accessible, and the episodes can be viewed individually or you can select the play all option that will show all the disc’s episodes consecutively (I can’t tell you how much nicer this is than constantly going back to the main menu to play the next episode). My only real complaint is the housing of the discs. It’s well made, but usually with this type of container there is a sleeve to slide the single holder into, since there isn’t one provided here the sides tend to push out and allow dust inside relatively easily, with no way to keep the case closed.
Aside from the disappointment for the case, I was extremely pleased with this package. The documentaries are interesting, the commentaries are informative and entertaining, and the show works as well today as it did 20 years ago when it aired. I’d recommend this to anyone who remembers the show, or anyone who enjoys screwball slapstick comedy and/or pretty good mystery stories. Also look for many familiar faces making guest appearances (Tim Robbins, Whoopi Goldberg, Dana Delany, Mark Linn-Baker, Eve Marie Saint, Paul Rudd, and Richard Belzer just being a few).
Moonlighting – Seasons 1 & 2 Read More »
Intertwining tales of violence and bubbling racial tensions crash into each other as residents of L.A. deal with issues of hate, bigotry, and racism that present themselves sometimes subtly and sometimes not-so-subtly throughout the course of the film. Crash tries to show how many people live their lives with certain ideas and notions that they might not even be aware of until they are forced to confront them. Many people won’t like the film for it’s bleak look at the human condition, but in examining this small group of people the film works for me as it shows how easily ill-will and prejudice can be passed on from one person to the next through angry or hateful exchanges.