Alan Rapp

AEW Origins

AEW Origins

Created as a one-shot for San Diego Comic Con by DC Comics (owned by AEW’s broadcasting partner Warner Bros. Discovery), AEW Origins is more a curiosity than anything else. While I think there’s certainly room for DC to tell stories featuring AEW talent, similar to the various comics WWE has put out over the years, this appears to be the company dipping its toes into the water more than launching a broader campaign.

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Venom

  • Title: Venom
  • IMDb: link

Venom

Removing Venom out of Spider-Man‘s universe and introducing him on his own as the main character of a horror flick was an odd choice. Originally introduced in the comics as a nemesis for Spider-Man, in recent years the character has evolved into something of an anti-hero given his popularity. It’s that version Sony and director Ruben Fleischer attempted to capture in 2018 film as an alien symbiote from across the stars bonds itself to a loser in need of redemption. Together, they will save the world.

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NCIS: Origins – Bend, Don’t Break

  • Title: NCIS: Origins – Bend, Don’t Break
  • IMDb: link

NCIS: Origins - Bend, Don't Break

The case of the week involves a dead dealer found on the edge of Camp Pendleton. The victim had been selling Marijuana to petty officers on the base leading the team to the local mall, which will soon have both guns and toys stolen by the same crew, and where they receive a warning from the dead dealer’s partner about the curse of “the Moth Man” (a local urban legend) which no one, other than Gibbs (Austin Stowell), takes seriously. Still in the neighborhood, Jackson (Robert Taylor) has a conversation with Mike Franks (Kyle Schmid) in an attempt to talk him into cutting Leroy loose from NIS. The discussion only further alienates father and son after Franks benches the probie.

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